<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="https://digitalproduction.com/wp-content/plugins/xslt/public/template.xsl"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:rssFeedStyles="http://www.wordpress.org/ns/xslt#"
>

<channel>
	<title>AI de-aging - DIGITAL PRODUCTION</title>
	<atom:link href="https://digitalproduction.com/tag/ai-de-aging/feed/" rel="self" type="application/rss+xml" />
	<link>https://digitalproduction.com</link>
	<description>Magazine for Digital Media Production</description>
	<lastBuildDate>Thu, 27 Mar 2025 16:21:50 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	
<site xmlns="com-wordpress:feed-additions:1">236729828</site>	<item>
		<title>FMX 2025: AI, Animation, and Previs Take the Stage</title>
		<link>https://digitalproduction.com/2025/03/13/fmx-2025-ai-animation-and-previs-take-the-stage/</link>
		
		<dc:creator><![CDATA[Günter Hagedorn]]></dc:creator>
		<pubDate>Thu, 13 Mar 2025 15:00:00 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[AI de-aging]]></category>
		<category><![CDATA[Animation]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[FMX]]></category>
		<category><![CDATA[post-production]]></category>
		<category><![CDATA[previsualization]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[VFX]]></category>
		<guid isPermaLink="false">https://digitalproduction.com/?p=161487</guid>

					<description><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2025/03/Zwischenablagebild-12.jpg?fit=1200%2C470&quality=80&ssl=1" width="1200" height="470" title="" alt="Event announcement for FMX 2025 featuring the theme 'Rhythm of Change'. Dates highlighted: On-site from May 6-9 and On-demand from May 10 to June 10." /></div><div><p>FMX 2025 reveals a packed program featuring AI-powered VFX, animation techniques, sound design innovations, and the role of previs in action-heavy productions.</p>
<p>The post <a href="https://digitalproduction.com/2025/03/13/fmx-2025-ai-animation-and-previs-take-the-stage/">FMX 2025: AI, Animation, and Previs Take the Stage</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/gh/">Günter Hagedorn</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2025/03/Zwischenablagebild-12.jpg?fit=1200%2C470&quality=80&ssl=1" width="1200" height="470" title="" alt="Event announcement for FMX 2025 featuring the theme 'Rhythm of Change'. Dates highlighted: On-site from May 6-9 and On-demand from May 10 to June 10." /></div><div><div class='__iawmlf-post-loop-links' style='display:none;' data-iawmlf-post-links='[{&quot;id&quot;:1720,&quot;href&quot;:&quot;https:\/\/www.fmx.de&quot;,&quot;archived_href&quot;:&quot;http:\/\/web-wp.archive.org\/web\/20180119035604\/http:\/\/www.fmx.de\/&quot;,&quot;redirect_href&quot;:&quot;&quot;,&quot;checks&quot;:[{&quot;date&quot;:&quot;2025-12-27 21:04:52&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-01-02 10:07:29&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-01-18 17:30:46&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-01 06:36:55&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-05 20:39:19&quot;,&quot;http_code&quot;:503},{&quot;date&quot;:&quot;2026-02-11 03:21:53&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-14 07:20:03&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-24 10:04:58&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-27 15:12:36&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-04-13 18:56:29&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-04-25 20:32:01&quot;,&quot;http_code&quot;:200}],&quot;broken&quot;:false,&quot;last_checked&quot;:{&quot;date&quot;:&quot;2026-04-25 20:32:01&quot;,&quot;http_code&quot;:200},&quot;process&quot;:&quot;done&quot;}]'></div>
<p class="wp-block-paragraph"></p>



<p class="wp-block-paragraph"><strong>AI De-Aging in *Here*</strong></p>



<p class="wp-block-paragraph">Robert Zemeckis’ Here leverages AI-driven de-aging technology to seamlessly transform Tom Hanks, Robin Wright, Paul Bettany, and Kelly Reilly across decades. Production Supervisor Kevin Baillie and Metaphysic VFX Supervisor Jo Plaete will break down the real-time face-swapping system that allowed actors and directors to see de-aged performances instantly on set. They will also explore AI-powered post-production techniques that helped Zemeckis avoid the “uncanny valley” while enhancing digital environments, body reconstruction, and prosthetics for aged characters. The session, part of the VFX for Features track, positions *Here* as a case study in AI-augmented filmmaking.</p>



<figure class="wp-block-image size-large"><img data-recalc-dims="1" height="800" width="1200"  decoding="async"  src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2025/03/Zwischenablagebild-1-2.jpg?resize=1200%2C800&quality=80&ssl=1"  alt=""  class="wp-image-161490" ></figure>



<p class="wp-block-paragraph"><strong>Non-Verbal Communication in *Flow*</strong></p>



<p class="wp-block-paragraph">In the Academy Award-winning animated feature *Flow*, director Gints Zilbalodis replaces dialogue with non-verbal communication among a cast of animals. Animation Supervisor Thibaut Delahaye will explain his approach to animating quadrupeds, ensuring expressive body language. Sound Designer Gurwal Loïc Dallas will highlight how sound design can enhance emotional depth without spoken dialogue. These sessions belong to the Feature Animation and Sound Design tracks, respectively.</p>



<p class="wp-block-paragraph"></p>



<figure class="wp-block-image size-large"><img data-recalc-dims="1" height="605" width="1200"  decoding="async"  src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2025/03/Zwischenablagebild-2-3.jpg?resize=1200%2C605&quality=80&ssl=1"  alt=""  class="wp-image-161491" ></figure>



<p class="wp-block-paragraph"></p>



<p class="wp-block-paragraph"><strong>Previsualization in *Secret Level*</strong></p>



<p class="wp-block-paragraph">The Animated Series track features a deep dive into the previs process for *Secret Level*, focusing on the “Crossfire” episode. Producer Marina Borokhova and Lead Previz Artist Dominik Wawrzyniak from Platige Image will guide attendees through storyboarding, motion capture, editing, and previs, showcasing the challenges and solutions encountered during production.</p>



<p class="wp-block-paragraph"><strong>The Language of VFX</strong></p>



<p class="wp-block-paragraph">In the **Managing Change** track, Florian Gellinger, Co-Founder of RISE | Visual Effects Studios, will discuss how VFX professionals define their roles and market their contributions compared to other industries. The session will explore how industry terminology influences public perception and whether it undervalues the field’s contributions to filmmaking.</p>



<p class="wp-block-paragraph"><strong>FMX and Virtual Worlds</strong></p>



<p class="wp-block-paragraph">Coinciding with Stuttgart Animated Week, the Virtual Worlds/XR Expo (May 8-9) will showcase Metaverse-related technologies. Open to professionals, students, and enthusiasts, the expo will highlight VR, AR, and XR developments, with free admission. More details and tickets are available <a href="https://www.fmx.de">here</a>.</p>



<p class="wp-block-paragraph"></p><p>The post <a href="https://digitalproduction.com/2025/03/13/fmx-2025-ai-animation-and-previs-take-the-stage/">FMX 2025: AI, Animation, and Previs Take the Stage</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/gh/">Günter Hagedorn</a>. </p></div>]]></content:encoded>
					
		
		
		<enclosure url="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2025/03/Zwischenablagebild-12.jpg?fit=1375%2C538&#038;quality=80&#038;ssl=1" length="46155" type="image/jpg" />
<media:content xmlns:media="http://search.yahoo.com/mrss/" url="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2025/03/Zwischenablagebild-12.jpg?fit=1200%2C470&#038;quality=80&#038;ssl=1" width="1200" height="470" medium="image" type="image/jpeg">
	<media:copyright>DIGITAL PRODUCTION</media:copyright>
	<media:title></media:title>
	<media:description type="html"><![CDATA[Event announcement for FMX 2025 featuring the theme 'Rhythm of Change'. Dates highlighted: On-site from May 6-9 and On-demand from May 10 to June 10.]]></media:description>
</media:content>
<media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2025/03/Zwischenablagebild-12.jpg?fit=1200%2C470&#038;quality=80&#038;ssl=1" width="1200" height="470" />
<post-id xmlns="com-wordpress:feed-additions:1">161487</post-id>	</item>
	</channel>
</rss>
