Simple Tree Tools 3.0 targets artists who want tree and plant generation to behave like the rest of a Houdini graph: parameter driven, non-destructive, and easy to rewire when a shot brief changes at 6pm.

The toolset runs in Houdini 20.5 or later. The supported editions depend on the license tier and include FX, Core, Indie, Apprentice, and Education. In day-to-day use, the pitch is straightforward: generate species with controls that stay editable, shape plants with growth responses, and keep the whole thing inside a network you can hand to the next person without a sacred PDF explaining which button not to touch.

Procedural generation, but with plant brains

The feature list leans hard into procedural generation. The tools aim to generate any species of tree with non-destructive, parameter-driven controls, covering everything from small plants to large trees.

Plant shaping focuses on environmental response through tropisms. The named list includes Gravitropism, Phototropism, and Thigmotropism, with several others also mentioned. For art direction, growth can be guided using guide curves or vector fields.

If you live in the Houdini tag archive, this sits comfortably in the same mental drawer as other procedural effects tools: the value comes from staying editable until the last responsible moment, not from making a single perfect hero tree once.

Scan extension nodes for the trunk people

3.0 also includes scan extension tools aimed at hybrid workflows: scanned trunks, procedural branches, and a bridge between them.

Two nodes are important: Scan Initialize and Scan Stitch. The stated goal is to seamlessly extend scanned geometry and blend procedural branches onto high-resolution trunks with physical and UV-mapped transitions. That matters for asset teams that already keep a scan library but still need variation and shot-specific dressing without resculpting every new silhouette.

If your environment’s pipeline already leans on library assets and a sprinkle of procedural dressing, this positions the tool neatly inside CGI environments work, where consistency and iteration speed beat heroic one-offs. Test your scan handoff carefully, though, because any workflow that mixes geometry sources can surprise you in UVs, scale, and downstream exporting.

Wind, growth, and the licensing reality check

Licensing and commercial use come with unusually plain language. The toolset uses one-time purchase licensing with no subscriptions or recurring fees, and purchases cover all v3.x updates delivered automatically through Gumroad. Future major versions such as v4.0 may require a separate purchase, with a discounted upgrade price mentioned.

The FAQ states you can sell models, renders, asset packs, game assets, and film work created with the tools if you only hold a Limited Commercial license. You cannot redistribute the tool’s own HDA files. The Non-Commercial tier restricts use to personal learning and non-revenue work, and it ships as .hdanc files, which forces Houdini into non-commercial mode when those nodes exist in a project.

If you buy a paid license while staying on Houdini Apprentice, the FAQ states it does not remove export restrictions. The tool does not alter your Houdini license limitations, so you need to match your tool license to your Houdini license to avoid unpleasant surprises in prodution.

Support runs through email (nirfse3d at gmail.com) – refunds generally are not offered due to the digital nature of the product, with an invitation to reach out if a serious issue appears. As always, treat new tools like new plugins: build a small test scene, push it through your actual export path, and only then let it into a network that people depend on.

Pricing and tiers

Pricing has four tiers: The Non-Commercial tier is free and a good way to test the tools. The Limited Commercial tier costs $99 and targets hobbyists and freelancers with annual revenue under $100k USD. The Full Commercial tier costs $229 and targets hobbyists and freelancers with annual revenue above $100k USD. A Studio tier costs $1,299 and is described as a site-wide studio license. So, for the big players, not as little ones.

The plugin also has file type differences by tier. Non-Commercial uses .hdanc. Limited Commercial uses .hdalc. Full Commercial uses .hda. The Studio tier also lists .hda.

Individual licenses allow installation on up to two personal machines for a single user. The Studio license covers unlimited installs within a single facility.

https://simpletreetools.com
https://nwestfelt.gumroad.com/l/SimpleTreeTools-v3

The post Simple Tree Tools 3.0 goes procedural first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

For those who don’t know the topic: The Visual Effects Society published the VES On-Set VFX Data Collection and Usage Guide to align on set capture and handoffs between production-side VFX, production, facilities, and technology teams. Specific DCC application support is not specified in the sources.

Webinar first, PDF later

If you would rather hear a walkthrough than skim a document, a public webinar runs May 12, 11:00 am to 12:00 pm PDT, with registration via Zoom. The session explores the guide with some of its creators and keeps the conversation in the open, where on set data questions belong instead of buried in a frantic email chain. Join Here

The guide’s job: stop the “what did we shoot” spiral

The VES On-Set VFX Data Collection and Usage Guide is a practical on-set resource that maps key data sets and capture workflows. Its goal is a shared playbook for productions, vendors, and technology teams to use and capture on-set data more effectively.

It aims to establish a common language between on-set VFX, production, VFX facilities, and technology teams, with the intended outcome of clearer communication, smoother handoffs, and better-aligned expectations across departments. In teh real world, that translates to fewer “we thought you had it” moments when the truck already left.

What it actually contains

The guide explains major on-set data sets, their capture methods, their practical applications, and intended stakeholders. It also documents both current and emerging on set data capture workflows and the choices that can impact production pipelines, timelines, and budgets. Included is a sample structure for directories, Reference Docs, ToDo Lists, Scope Definitions and many more usefull bits.

It also frames modern filmmaking as a hybrid of real-time virtual production, AI, and traditional pipelines, and the VFX department these days as responsible not only for post, but also for on-set data capture, continuity, and asset integrity from pre-production through final delivery. It seems the VFX department has become the primary custodian for management and tracking of on-set data across a project’s lifecycle. You wouldn’t trust actors with that, would you?

The boring parts that save your schedule

But on-set data has value beyond VFX. It states that data can support better informed creative and operational decisions and argues for open access and visibility so that teams across a production can engage with and benefit from shared knowledge.

One example is the cross-department logic: LiDAR scans created by VFX can be repurposed for set construction, stunt planning, and other production needs. Obvious, you’d think, but… That is the wrokflow reality check that makes the guide feel like a crew document rather than a glossary, and now we just have to get everybody to read and, ideally, understand it.

Credits, licensing, and the fine print you can actually use

The guide was developed over the past year by the VES Technology Committee. Its lead author is Sheena Duggal, with contributions from Sam Richards, Jim Geduldick, and Jake Morrison, and technical support from Jean-Francois Panisset.

The guide is licensed under the Creative Commons Attribution 4.0 International license, which permits redistribution and adaptation in any medium or format, including for commercial purposes, provided appropriate credit is given. So, no excuses for “Oh, we don’t have that, so we couldn’t follow it!”

Get the PDF here: On-Set VFX Data Collection and Usage Guide

And browse the Interactive Version here: On-set Data Specs

https://vesglobal.org/event/webinar-introduction-to-ves-on-set-vfx-data-collection-and-usage-guide-online/

https://ves-on-set-data.org/

The post VES releases On-Set VFX Data Guide first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

LotPixel has released LotPixel Hub, a free beta download manager providing access to over 1,300 PBR texture sets. The materials are scan-based, commercial-use-friendly and available at resolutions up to 8,192×8,192 px. Each set includes the standard PBR maps: albedo (diffuse), metallic, roughness, specular (glossiness), ambient occlusion, and normal maps in JPEG format, plus 32-bit EXR displacement maps. The library covers a wide variety of surfaces, from asphalt and stone to fabrics and plastics, like the ones you find in LotPixel’s existing scan library. LotPixel released a bunch of free PBRs last year, so the ecosystem seems to be expanding.

Desktop app and Blender integration

The Hub is currently available for Windows 10 and later. It functions as a desktop asset manager that lets users search, preview and batch-download materials. The standout feature is direct integration with Blender 4.2+ that imports textures and automatically creates shading networks.

The add-on also converts LotPixel’s DirectX normal maps to the OpenGL format Blender expects, preventing inverted normal issues. A built-in material panel allows limited parameter adjustments, such as roughness and displacement strength. LotPixel has confirmed that integrations for other DCCs are planned, including 3ds Max, Cinema 4D, Maya, SketchUp, Unity, and Unreal Engine, though no release timeline has been provided. Not independently verified at press time.

Free assets and commercial use

The free texture sets are part of LotPixel’s larger library of over 6,000 assets. About a quarter of these are available at no cost via the Hub. According to the official site, all downloaded materials are licensed for commercial use, making them suitable for professional environments.

Paid subscriptions for expanded access

Artists who need more than the free selection can subscribe to one of LotPixel’s paid plans. Pricing starts at USD 14 per month or USD 120 per year for individuals earning under USD 150,000 annually. These plans unlock higher-resolution textures, 3D scanned models and decals, and additional monthly credits for downloads. Credit packs are also available as one-off purchases, though exact pricing for those options varies by currency and pack size.

Beta status and platform limitations

LotPixel Hub is in public beta and currently free to use. The company has not stated whether the app will remain free after full release. At present, it supports only Windows systems, with no mention of macOS or Linux versions.

Production considerations

The Hub’s automated import features may simplify texture management in Blender pipelines, though stability and consistency should be tested before use in production environments. The developer recommends that users back up all downloaded content locally, as free library content may change over time. New tools and plugins should always be tested in non-critical projects before deployment in production pipelines.

The post LotPixel drops 1,300+ free PBR textures in Hub app first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

With Roads, artist Marco Pavanello (publishing under Wolf on Superhive Market and on Gumroad) offers a deceptively simple Blender modifier setup for fast, procedural street generation. The tool lets users create complete, textured roads by extruding vertices from any mesh object.

Once a vertex is extruded, a full road mesh appears. Move the vertex, and the path curves dynamically—no additional modifiers or manual UV mapping needed. As the developer describes it: “Extrude a vertex and you’ll get a road, move it and you will create a curve, everything else is magic.” The implementation is built entirely on Blender’s native modifier stack and geometry nodes, meaning no compiled code or scripts are required.

Procedural by Design

Every aspect of the setup is procedural, from the geometry to the surface texturing. The included textures adapt automatically to the mesh deformation, maintaining consistent line markings and edge detail along curves. The system is designed to keep roads planar (flat), which simplifies viewport editing and avoids unexpected Z-offsets during extrusion. Users are reminded that vertical road modelling is unsupported—the surface will always remain level. The asset works in Blender 4.5 and is compatible with both Cycles and Eevee render engines. The creator explicitly recommends linking the asset library rather than appending, ensuring procedural dependencies remain intact when reused across projects.

Junctions and Lanes on Demand

One of the more technical features of Roads is its procedural junction generator. The setup automatically creates intersections for three-, four-, or five-way road crossings. The underlying node graph analyses connecting edges and merges topology to maintain correct lane and marking alignment. Lane count is also controlled via a single slider. Adding or removing lanes dynamically adjusts the overall width and marking patterns without breaking the underlying mesh continuity. All parameters are exposed in Blender’s Modifiers panel, allowing for live adjustments while modelling.

Workflow and Installation

Installation follows Blender’s current Asset Browser workflow. After extracting the Roads ZIP, users must register the folder in Edit → Preferences → File Paths → Asset Libraries, and set the import method to Link. In a new scene, a basic mesh (such as a plane) can serve as a starting object. Once all but one edge are deleted, dragging a Roads asset from the Asset Browser onto that edge instantiates the setup.

The developer suggests adjusting the Clip Start in the View panel to 1 metre for better visibility of painted lane markings. After setup, new roads are created simply by extruding the object’s vertices. Modifying parameters in the Modifiers panel allows fine-tuning of width, lane count, and material properties in real time.

License, Price, and Distribution

Roads is priced at $10 and distributed under a Royalty-Free licence through Superhive Market. The pluugin was authored in Blender 4.5, tested in Cycles and Eevee, and is classified under the platform’s Modifier Setups category. There is no external dependency, no installation script, and no Python component, which means the asset can be shared or version-controlled within production pipelines without modification.

Use Cases in Production

The tool is positioned for environment artists, level designers, and visualisation professionals who need rapid road layouts without external CAD or terrain plugins. Because geometry remains procedural, layout changes can be made interactively without reimporting or rebuilding the mesh.

However, since the asset enforces planarity, it’s best suited for flat terrains like urban scenes, car commercials, or realtime game prototypes where roads do not require elevation changes. The fully procedural texturing can reduce lookdev overhead, particularly in previs or real-time workflows where consistent UV alignment is required but manual texture painting is impractical.

What It Isn’t

Roads is not a terrain conformer, traffic simulator, or spline-based road network generator. It operates strictly within the Blender modifier system. The description on Superhive does not indicate automatic terrain adaptation or decal projection features. All intersections are handled within the node graph and remain 2D. As of publication, there is no mention of bridges, tunnels, or height-based modifiers. These limitations are inherent to its procedural design and must be considered during layout planning.

Testing Recommended

As with any procedural setup, users should test the modifier within their pipeline before committing to production scenes. Modifier behaviour can vary between Blender subversions, and procedural node setups occasionally differ when linked across projects. The developer’s documentation does not specify backward compatibility or version migration procedures.

Verdict

For ten dollars, Roads provides an elegant, minimalist solution for planar road generation in Blender. Its vertex-based extrusion workflow is immediately intuitive, while its reliance on procedural geometry and materials keeps files lightweight and editable. It won’t replace more advanced road tools that support vertical topology or terrain matching, but for quick previs, layout, or stylised city builds, Roads offers remarkable speed for minimal setup. As always, verify compatibility within your current Blender environment before use in production.

The post Procedural Roads Ahead: Blender Add-on “Roads” Lays Asphalt with Vertices first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

Lighting artists, rejoice: A new online library titled Open HDRI has launched, offering 25 high-quality HDRI environments for download, all under a CC0 license. That means: free for commercial use, no attribution demands, no licensing emails, no awkward conversations with Legal.

The emerging library comes from Grzegorz Wronkowski, a photographer with more than a decade of professional HDRI experience. His work has supported visualization and VFX pipelines since 2010 through platforms such as HDRMAPS, Viz-People and HDRI-Skies, with assets also licensed to tools like KeyShot, 3DCoat, Maxwell Render and Adobe Substance. He has produced sequential, location-based environment captures for CD Projekt Red during the early production phase of The Witcher 4 and more recently signed an agreement to supply new HDRIs for Poly Haven. Open HDRI is his independent project: a growing, free library designed for 3D artists, game developers and CG generalists, free from tracking cookies and analytics, recording only anonymous download counts.

Ultra-High Resolution and High EV Range

Lower-resolution variants such as 1K, 4K or 8K are available for viewport use, but the headline feature is ultra-high resolution: select HDRIs are provided at 29,696 × 14,848 pixels, with dynamic ranges between 12 and 27 EVs. Exterior captures generally fall toward the top of that range, delivering enough latitude for realistic relighting and accurate specular behavior even in physically-based workflows. The current set covers domestic, industrial and historic interiors as well as natural and urban exteriors under varied lighting conditions.

Why This Library Belongs in Production Pipelines

The CC0 licensing makes these assets frictionless in large pipelines: they can be used in commercial productions without attribution or rights management. The availability of 29K source material enables lighting for demanding output formats such as 8K deliveries, large projection environments or virtual production LED walls. The EXR format ensures physically meaningful light information, while the diversity of capture environments gives look-dev artists a useful spread of lighting scenarios for both grounded realism and stylized work. Since the library is designed with VFX, arch-viz and real-time engines in mind, Open HDRI fits cleanly into standard pipelines including Unreal Engine and Unity.

Most productions will gladly use the lower-resolution variants for previewing and general lighting due to reduced memory load and faster interaction. However, when final pixels matter, having 29K originals ready in the library allows teams to render high-resolution reflection and lighting passes without scrambling for replacements. Storage administrators may still groan, but at least they will groan in high dynamic range.

Building a Standardized Lighting Library

Studios looking to integrate Open HDRI should approach these assets with the same rigor as any purchased library. HDRIs benefit from tagging by resolution tier, with master files archived alongside lower-resolution proxies for rendering and real-time work. EV range and environment type should be recorded for search and retrieval during look development. Teams targeting real-time engines can generate mip-maps or bake lighting probes from the HDRIs to accelerate performance. Finally, maintaining context metadata like time of day, weather condition, interior versus exterior ensures matches for continuity and scene mood. Clear organization is often what separates useful lighting assets from those that become forgotten experiments on a server share.

More to Come

The current 25 HDRIs mark only the opening phase of the project. Wronkowski intends to release 10–25 new captures each month depending on community support, with donations helping to secure travel, bandwidth and equipment costs. Free does not mean costless, especially when delivering tens of thousands of pixels across a 32-bit dynamic range.

Download

Open HDRI library: https://openhdri.org

Scroll, download, light a scene, no account required.

The post Open HDRI: 25 Free 29K HDRIs (More to come) first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

KitBash3D has added a Washington, D.C. Kit to its Unlimited subscription offering, allowing creators to access high-fidelity models of U.S. capital landmarks and civic architecture for film, games, VR, and visualisation.

What’s in the Washington, D.C. Kit

The kit includes 3D models of key D.C. landmarks and civic assets: the U.S. Capitol, the White House, the Supreme Court, memorials, plazas, museums, and related urban infrastructure. Geo-material detail is a focus: the team studied Aquia Creek sandstone, Colorado marble, and other historically significant materials to replicate textures and architectural character.

To support large scale uses, the creators developed multiple texture variants and custom solutions rather than relying on one or two material types across large surfaces. They also optimised assets to balance detail with usability for real-time or offline rendering workflows. Beyond historical structures, the kit offers modern office complexes and complementary urban elements to allow mix-and-match cityscapes. For users who need more than just the kit, there is also a “Washington, D.C. Expanded Bundle,” which includes additional substance materials, vehicles (police cruiser, large SUV, city bus), and related assets.

Unlimited or Standalone — Licensing Options

The Washington, D.C. Kit is now available via KitBash3D Unlimited, meaning subscribers can access it as part of their library subscription. For those who prefer ownership, it is also sold individually or in expanded bundles.

Challenges & Design Choices

In a “Behind the Kit” post, the KitBash3D team outlined some of their primary challenges. Scaling up architectural models without obvious tiling or visible repetition in textures posed significant difficulties. Some surfaces required bespoke textures, especially where the scale magnified flaws or pattern repeats.

The team also emphasised the tradeoff between optimisation and visual fidelity. They note that optimisation does not always mean using fewer resources; sometimes introducing new materials or more variants leads to better visual quality without harming performance. The project was reportedly one of the most ambitious for KitBash3D in terms of scale and architectural complexity.

Why This Matters for Creators

For VFX artists, environment designers, virtual production teams, and archviz specialists, the Washington, D.C. Kit offers a fast route to building cinematic capital city environments without modelling everything from scratch. The combination of recognised landmarks and supporting urban assets gives flexibility for storytelling across genres—political drama, sci-fi reimaginings, alternate history, or educational simulation.

Because the kit supports both historic and modern elements, users can blend eras or propose speculative scenarios. Meanwhile, the texture and geometry optimisations help maintain performance in real-time engines or render pipelines. That said, creators should test integration (scale, LODs, shaders) in their pipelines before committing to full shots.

Bottom Line

KitBash3D has extended its Unlimited catalogue with a Washington, D.C. kit — a detailed, modular, architecturally faithful set of civic assets, available either via subscription or standalone. The design balances historical fidelity, scale, and real-world usability. With the current state of Washington and its inhabitants, anything that makes it possible not to visit in person is a welcome addition to any toolkit.

The post Capitol Scenes Go Digital — KitBash3D Adds Washington, D.C. to Unlimited Library first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

SpaghetMeNot has released normalMagic 1.0, a Blender add-on that delivers advanced control over mesh normals and introduces entirely new modelling workflows. The toolkit addresses one of the most persistent issues in Blender pipelines: shading artifacts caused by broken normals.

Why Normals Matter

Normals determine how light interacts with a surface. Incorrect normals can cause shading glitches, flickering seams, or muddy renders. For high-quality work — from hard-surface and organic modelling to foliage, hair, or stylized shading — adjusting normals is often essential.

Surface-Based Workflows

normalMagic introduces Surface Insert, a modifier that blends and welds meshes directly into a target surface. This process is non-destructive, keeping topology editable while allowing detail to be added seamlessly. Alongside it, Surface Project transfers positions, normals, and UVs onto surfaces, with auto-masking so artists can skip managing vertex groups manually.

Boolean Pro: Clean Cuts Without the Artifacts

The add-on replaces Blender’s Boolean modifier with Boolean Pro, which preserves artifact-free normals across Boolean operations. Features include slice mode and per-cut offsets, letting the same cutter object be reused across multiple operations. For destructive workflows, Repair Boolean Normals resolves most shading artifacts left behind.

Smoothing, Transferring, and Blending Normals

Smooth Normals and Normal Transfer provide solutions for difficult topology. Artists can flatten or smooth normals to optimize toon shading, fake subsurface scattering, or blend normals between unconnected meshes. Together, these tools improve both realistic and stylized workflows.

16 Modifiers and Unified Shading Tools

In total, 16 modifiers are included in normalMagic, each with documentation and example files. Highlights include:

• Bent Normals: direct bent normal calculation on geometry, no baking required.
• Weighted Normals: control influence by face area, face strength, or custom attributes with precise cutoff settings.
• Instance Objects: instance with all modifiers applied, avoiding manual duplication of settings.

Pro Version and Workflow Automation

The Pro version ships with an additional helper add-on, installed via drag-and-drop. It integrates into Blender’s side panel and streamlines workflows for Boolean Pro and Instance Objects by automating setup steps. More modifiers will be supported in future updates.

Installation as Asset Library

normalMagic installs as a Blender Asset Library. After extracting the zip file, users link it under Edit → Preferences → File Paths. Linking instead of appending keeps blend files light and ensures updates propagate automatically across projects. Once installed, normalMagic tools appear in the add modifier menu.

Important Note on Custom Normals

Most normalMagic modifiers create or edit custom normals. While powerful, custom normals can behave unpredictably with Blender’s native tools — particularly bevel and mirror modifiers. normalMagic includes fixes for these cases, but users should be aware of the potential impact on standard workflows.

Compatibility and Updates

normalMagic requires Blender 4.5+. All future updates are free, with older builds remaining available for download and full support for Blender LTS releases.

normalMagic on Gumroad

The post normalMagic 1.0: Advanced Mesh Normal Control in Blender first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

BiteTheBytes has released World Creator 2025.1, a major update to its GPU-based terrain generator. The headline addition is the new Biome system, which lets artists set up ecosystems such as forests, tundra or deserts, then paint them directly onto terrain. (Relase Notes here)

Biomes can be defined through combinations of filters, objects and materials, with their own masks and procedural rules. World Creator orders and blends them in real time, and their distribution can be exported as 2D maps for use in external workflows.

Asset scattering with custom imports

The update also introduces the option to import custom 3D assets in formats including FBX, GLB and OBJ. Imported meshes, such as vegetation or rocks, can be placed manually or scattered procedurally across terrain.

Procedural scattering supports parameters like terrain height and slope, noise variation, and collision exclusion. Scattered assets can receive their own shading styles, with gradients for subtle colour variations. Secondary scattering is also possible, enabling moss on rocks or vines on trees. Placement data can be exported to DCC tools or game engines as instance maps. World Creator now also supports direct import of Megascans assets from Epic Games’ Fab marketplace. BiteTheBytes ships its own starter asset pack with certain licence tiers.

Materials: now with glow and geometry

The material system gains support for emissive materials, suitable for lava flows or stylised effects, and now allows displacement textures that generate actual geometry instead of render-only detail. Materials can combine colour, textures, gradients and Adobe Substance materials in one definition.

Viewports, filters and scaling

Rendering in the viewport benefits from a new real-time denoiser and custom resolution options. Post-processing has been expanded with LUTs and additional filters.

New terrain filters include Terrace for stepped formations and Dunes for desert shapes. A new Scene Layer type, updated path tools, and a World Scaler for uniform scene scaling have been added. According to BiteTheBytes, generation and rendering are now around 15% faster, and Wacom support has been improved.

Revised licensing and pricing

BiteTheBytes has also restructured licensing. The Indie licence ($149) is now capped at $50,000/year revenue and excludes object scattering, though maximum export resolution has doubled to 8K. The Professional licence ($249) is restricted to individual artists without a revenue cap. A new Studio licence costs $499 for studios under $1M/year revenue, while the Enterprise licence covers higher tiers at $1,669.

Subscription rentals remain only for Studio and Enterprise customers. Time-limited lifetime licences are also on sale. Full details are available via World Creator’s official pricing page.

The post World Creator 2025.1 paints biomes and scatters rocks first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

Cargo 2.0: new importer, larger free library

KitBash3D has released Cargo 2.0, the rebuilt version of its asset manager for browsing and importing KitBash3D’s architectural and environment kits. The update arrives with a redesigned Houdini importer, co-developed with SideFX, that integrates natively into Solaris and exports all content in USD.

Alongside the importer, Cargo 2.0 expands its free offering. Users of the free Cargo Basic account now receive access to 364 free assets:

• 215 modular 3D models
• 141 materials
• 8 vehicles

All assets include textures up to 4K resolution in PNG or JPG. These files can be used in personal projects such as portfolios, student reels, or tests. Commercial use requires either purchasing the individual kit or upgrading to a paid Cargo subscription.

Houdini Solaris integration

The most significant change in Cargo 2.0 is the Houdini importer. KitBash3D rebuilt the plugin in collaboration with SideFX, ensuring that it works natively with Solaris. Assets imported through Cargo appear directly in Houdini’s Asset Catalog as USD files, complete with automatically generated thumbnails. Once imported, they remain in the catalogue across sessions, avoiding the need to reimport them for every new project.

Materials integrate through Solaris’ MaterialX system, making them usable within the Stage environment without additional setup. For larger projects, the Stage Manager node ties into the Cargo Asset Catalog, letting technical directors place and manage hundreds of assets procedurally inside the scene graph. For artists working in layout, the workflow is as simple as dragging and dropping assets into Solaris.

The importer works on both Windows and macOS. This marks the first time that Houdini users on macOS have had access to Cargo integration.

Other DCC integrations

Cargo 2.0 does not limit itself to Houdini. The application connects to a broad set of DCC hosts, including Autodesk 3ds Max, Blender, Maxon Cinema 4D, Autodesk Maya, Unity, and Unreal Engine. Version support starts with 3ds Max 2021, Blender 3.0, Cinema 4D 2023, Maya 2020, Unity 2021.3, and Unreal Engine 5.2. By centring its pipeline on USD, Cargo ensures a consistent workflow across platforms, while each DCC importer follows the conventions of its host application.

Free versus paid: what you actually get

Cargo remains free to download. With a Basic account, users can access all of the kits they have previously purchased as well as the newly expanded library of 364 sample assets. This is the only no-cost option, and it is explicitly limited to personal use.

Professional users face two subscription tiers. An individual licence costs $995 per year and grants access to the complete KitBash3D library of over 20,000 assets. A business licence costs $3,995 annually and is intended for studios requiring full access along with extended commercial rights. Both tiers include ongoing updates to the asset library as new kits are released.

Asset formats and pipeline alignment

All content in Cargo 2.0 is distributed in USD, accompanied by textures in either PNG or JPG format at resolutions of up to 4K. This decision to standardise around USD is consistent with how the industry is moving and directly benefits Houdini’s Solaris integration. By aligning its pipeline with USD, KitBash3D ensures that its content behaves predictably in other USD-based contexts such as Unreal Engine.

The generation of persistent thumbnails on import is a practical detail that benefits daily use. Assets can be previewed inside Houdini’s catalogues without the need to reload them. For larger studios, this feature saves significant time during layout when hundreds of assets may be in use simultaneously.

Workflow demonstration

KitBash3D has released a video walkthrough showing Cargo 2.0 in action with Houdini 21. The demonstration begins with importing a model, which automatically generates a thumbnail for Solaris’ Asset Catalog. Materials are imported in the same way, appearing within a persistent catalogue that remains available for future sessions.

Within Solaris, artists can either drag and drop assets into the Stage or make use of the Stage Manager node for larger setups. The video also shows how materials can be accessed through Solaris’ Material Linker, enabling them to be applied quickly to geometry in the scene. The goal of the redesign is clear: provide a simple workflow for generalists while supporting technical directors with procedural control at scale.

System requirements

Cargo 2.0 runs on Windows 10 or newer and on macOS 11.0 or newer. Plugins are available for all supported DCC hosts mentioned earlier. KitBash3D does not provide specific hardware requirements, but real-world performance will depend heavily on the host DCC and the size of the assets being loaded, particularly when working with USD datasets at scale.

What it means in practice

For independent artists and students, Cargo 2.0’s primary draw is the free library. The 364 included assets provide enough variety to build test scenes, practice workflows, and assemble portfolios. The new Solaris importer is especially relevant to Houdini users, since it finally closes the gap between KitBash3D’s content and a USD-native pipeline.

For studios, the decision is more financial. The $3,995 business licence gives access to the full catalogue, but the value depends on how heavily a team relies on KitBash3D assets in production. For layout-heavy pipelines, or for studios that regularly need large-scale architectural assets, the cost is justifiable. For occasional use, it may not be.

Test before production

KitBash3D claims that Cargo 2.0 improves both stability and pipeline alignment. These claims have not been independently verified at press time. As with any new tool, teams should test Cargo 2.0 carefully in their own production conditions before relying on it. This includes validating asset import behaviour, thumbnail persistence, and compatibility with existing USD workflows.

The post KitBash3D Cargo 2.0 lands with Houdini Solaris importer and 350 free assets first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

Ikea without the meatballs

Polygoniq has released Interniq 2.0, a Blender asset library designed to fill virtual interiors without a single Allen key. The collection now holds over 800 assets, including 457 new additions. The assets cover furniture, decoration, lighting, and small props for interior design, archviz, and set dressing. Unlike a Saturday afternoon in Ikea, everything fits on first try.

What’s inside the box

The library includes:

• Fully pre-made interiors for instant drop-in use
• Categorised assets for faster browsing
• Parametric controls for colours, materials, and lighting
• Fabric assignment for furniture
• Working clocks powered by Geometry Nodes

Interniq’s goal is practical: speed up scene dressing in Blender while avoiding external downloads or scattered file management.

VRAM, spawning, and optimisation

According to Polygoniq, Interniq 2.0 is optimised for modern GPUs with at least 10 GB of VRAM. Asset spawning and placement have been tuned to reduce lag. Whether this optimisation holds up in complex production pipelines must be verified individually.

Pricing without the showroom maze

Interniq 2.0 is sold via Superhive in three tiers:

• Starter Pack ($2): one complete apartment scene
• Lite ($49): 300+ assets
• Full ($99): entire library with 800+ assets, including all new additions

Licensing is mostly royalty-free, but some assets are limited to editorial use. Exact licence terms are provided per tier on Superhive.

Installation: no flat-pack, no panic

Interniq integrates directly into Blender’s Asset Browser. Installation consists of downloading the pack, placing the library folder in a user-defined location, and linking it via Blender’s preferences. Assets then appear in the Asset Browser, sorted by categories. No add-on scripts are required, and the process avoids version mismatches with Blender updates. There is a plugin available called “engon”, but that doesn’t seem to be required.

Categories to reduce choice paralysis

The asset pack covers standard interior categories:

• Seating, tables, and storage
• Kitchenware, bathrooms, and electronics
• Lighting fixtures
• Decoration, plants, and fabrics

Polygoniq also includes several fully staged rooms. These can be used for quick previews or as a base for custom interiors.

Promotional discount

At press time, Polygoniq is offering a 33% discount on Interniq 2.0 with the promo code boostiq. This applies across tiers but is subject to change.

Production reality check

Interniq 2.0 offers variety and speed, but, like all assets, it should be tested inside actual pipelines before production use. File size, shading behaviour, and render times can vary depending on hardware and project complexity.

The post Interior assets without flat-pack stress first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

Polygoniq has released botaniq 7.1, a substantial upgrade to its optimised 3D vegetation library for Blender. First launched in 2019 with just 63 tree models, botaniq now offers more than a thousand assets spanning deciduous and coniferous trees, shrubs, grasses, cacti, herbaceous plants, and rocks. All assets are optimised for animation with wind simulation and designed to render efficiently in both Cycles and Eevee. Designed for environment artists and architectural visualisers, botaniq offers wind-animateable, render-optimised plants and rocks, integrated with both Blender’s default Asset Browser and Polygoniq’s own engon browser.

First launched in 2019 with 63 tree models, the library now contains 700+ optimised 3D assets—including coniferous and deciduous trees, grasses, flowers, weeds, ferns, ivy, and tropical vegetation—plus over 50 scattering presets. Assets are linked by default for scene efficiency, with options to convert to editable or linked meshes.

Major growth in 7.1.0

Released on 21 July 2025, botaniq 7.1.0 added 405 new assets in total: 209 plant models, 90 curves for path-based placement, and 106 scatter patterns for terrain distribution. Every asset now includes geolocation metadata, enabling filtering by biome and continent via a world map in the engon browser. Additional workflow improvements include updated particle preview thumbnails, adjusted material tiling, and unique seed generation for particle randomness. Several existing assets have been corrected.

Minor patch in 7.1.1

The 7.1.1 update, released on 23 July 2025, expanded the Starter edition with two new curve assets and one maze asset. No further changes were documented.

Workflow and filtering features

Beyond content expansion, botaniq provides workflow controls tailored to large-scale scenes:
Random Transform and Random Variant settings for variation; Seasonal, Hue per Branch / Leaf, and Brightness adjustments for look development; and Snap to Ground for quick placement.

Geolocation filtering enables biome-specific asset selection, and the library is compatible with Geo-Scatter add-ons for complex ecosystem distribution.

Editions and pricing

botaniq 7.1 supports Blender 3.6+ in both Cycles and Eevee. Pricing tiers are: Starter (~4 % of assets) at US $1.99, Lite (~42 %) at US $49.99, Full (all assets) at US $129, and Studio multi-seat licences from US $249.99.

Production value

Polygoniq states that assets are intended for mid- to long-range shots, with optimisation prioritised for performance in large scenes. Artists can increase asset fidelity for close-up use via Blender’s modifiers. As with any production tool, compatibility and performance should be tested within a studio’s own pipeline before deployment.

The post botaniq 7.1 plants global reach in Blender first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

3D artist Oleg Ushenok has released a free 330‑piece kitbash asset pack aimed at constructing post‑apocalyptic industrial environments. The assets come in FBX format with full PBR textures—colour, metalness, roughness, opacity, emissive and normal maps—and are fully licensed for commercial use.

Industrial decay in every piece

Included assets represent a grimy industrial shantytown aesthetic. Users will find modular metal gantries, stairs, walkways, corrugated iron roofs, solar panels and varied mechanical elements. There are also set‑dressing props like dumpsters, gas cylinders and other mid‑sized objects, totalling 330 discrete assets.

Get it HERE

Compatible with major pipelines

Assets are provided in FBX format and include single texture sheet setups (medium‑poly, single‑sheet) to simplify import workflows into modern DCC apps or game engines. Compatibility covers 3ds Max, Blender, Cinema 4D, Maya, Houdini, Unity and Unreal Engine.

A taste of the full commercial pack

This free kit represents a subset of a much larger commercial product—the Post Apocalypse Survivor Environment pack—with over 800 props and 44 distinct structures. Ushenok notes the original designs were for concept art and background builds, though some have evolved to foreground‑ready detail.

License and usage

The free FBX sample is released under Fab Standard license terms, which allow use in any engine or tool (including for commercial projects), subject to the Fab EULA.

Citations
// 330 free FBX assets with PBR textures for post‑apocalyptic industrial environments
// Get 330 free kitbash assets for post‑apocalyptic environments

The post Free 330‑piece kitbash set for gritty post‑apoc scenes first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

Asset management is the tax nobody wants to pay. With Poliigon’s new universal asset browser Polydex, your hard drive stops being a texture landfill. Polydex scans any folder—downloads, desktop, or a lovingly curated mess—and auto-groups assets by type. Models, PBR textures, and HDRIs are all indexed, previewed, and ready for import.

Folders stay where they are. Polydex just displays what you already own, no forced rearranging, no mysterious “asset database” migrations. Whether your library comes from Poliigon, somewhere else, or that mysterious USB stick labeled “stuff_final,” Polydex recognizes it all.

Smart Detection, No Nonsense

The headline feature: Polydex identifies relevant files across any connected drive and groups them visually, with automatic handling of multi-map PBR sets (albedo, roughness, normal, etc.). HDRIs get their own section. What you see is (finally) what you have.

For Blender 4.2+ users, Polydex enables one-click import with automatic PBR shader assignment. No more wrestling with node spaghetti or hunting for that missing normal map. The importer sets up the shader network, skipping roughly a dozen manual steps per asset.

Expanding Horizons

Currently, Polydex’s Blender workflow is the main attraction. According to Poliigon, upcoming support is planned for SketchUp, 3ds Max, Cinema 4D, and Maya. At this beta stage, Linux support is “coming soon,” while macOS (11+, Apple Silicon) and Windows 10+ (64-bit) are ready to go.

Pipeline Impact—Or Not Yet?

If you’re used to managing dozens of asset folders, or trying to force bridge-type tools into your pipeline, Polydex might clean things up. Its no-move indexing and auto-grouping mean your asset chaos is finally searchable, not rearranged. Just don’t expect pipeline magic outside Blender, at least not in the current 0.9.0 beta.

Introducing Polydex – A Standalone Universal Asset Browser. Free for all in Beta. Download now: https://t.co/v0r5EME1eJ pic.twitter.com/G0pu4kxOW2

— Poliigon (@PoliigonHQ) June 19, 2025

As ever, always test new tools in your actual production setup before relying on them. Make sure Polydex correctly interprets your shader setups, texture channel assignments, and import requirements before shipping client renders or pipeline scripts.

Free, For Now

Polydex is free during its beta. The official Polydex page gives a direct download for Windows and macOS. No word yet on final pricing, feature gating, or licensing.

The Fine Print

Poliigon’s Polydex aims at that perpetual friction between scattered asset folders and practical DCC use. For Blender 4.2+ users, it’s an instant upgrade to asset hunting. For everyone else: watch this space, but keep your folders tidy, just in case. As always: test every tool in real-world conditions before making it a permanent part of your workflow.

The post Polydex from Poliigon Tackles Asset Chaos first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

Quaternius is offering over 120 ready-to-use game animations—free to download and available now via Itch.io. Designed for developers and artists working in real-time engines like Unreal Engine and Unity, this animation pack could serve as a fresh alternative to the often overused Mixamo motion library. The animation pack is offered for free on ArtStation. No subscription, no licensing hassle—just click, download, and integrate into your project.

Mixamo Fatigue? Try This.

The Mixamo library, while useful, has become somewhat of a default fallback for many real-time projects, leading to a certain uniformity in animation across indie games and prototypes. Studio Recode seems to be addressing that fatigue directly, positioning its pack as a plug-and-play solution for developers seeking more variety without sacrificing ease of use.

Check Before You Leap

As always: While these animations are advertised as ready-to-use, they should be tested in your specific production pipeline before deployment. Stability and usability remain key, and integration can vary depending on project specifics.

Links and Downloads

Download the animation pack: Itch.io
More about Quaternius: Quaternius@itch.io

The post Ready, Set, Animate: 120+ Game Animations Up for Grabs first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

Envato and KitBash3D have teamed up to offer an arsenal of 3D assets for creators working in VFX, animation, real-time graphics, and game development. This new collaboration makes KitBash’s3D model kits: City Streets, Manhattan, City Cars, and Storefronts —available through Envato Elements’ all-you-can-download subscription model. The assets are ready to slot into pipelines from previs to post-production.

Previously, KitBash3D operated on a per-kit purchase model, but this partnership brings a twist: creators can now access KitBash3D’s expansive content library for City Streets, Manhattan, City Cars, and Storefronts without individual transactions, through the Envato Elements subscription. Assets are optimized for software including Unreal Engine, Unity, and Blender, ensuring compatibility for real-time and offline rendering workflows alike.

From Sci-Fi to Neo-Tokyo in One Click

For those unfamiliar: KitBash3D’s Kits are curated asset packs designed to speed up environment creation—think towers, alleys, ruins, temples—without diving into polygon modeling. Four of these kits are now integrated into Envato’s existing subscription offering, which spans stock footage, music, templates, and now, expansive 3D environments.

The assets include buildings, props, and modular environment components, all royalty-free and production-ready. While KitBash3D’s full library isn’t on Envato yet, the Mini Kits cover a wide thematic range.

Pricing & Access

Exact pricing? That depends on your subscription, but all assets are bundled into the Envato Elements subscription—details on pricing can be found here. As always: pricing models can shift, and production artists should verify license terms and performance in their specific pipeline before integrating any asset into a project.

While the assets are positioned for rapid prototyping and final production alike, stability and usability in complex pipelines should be confirmed through testing—especially for those dealing with high-volume shots, render farms, or real-time game engines.

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For more details, visit Envato’s announcement. And if you are confused about why Digital Production publishes about Envato? Well, we bought quite a few plugins there, the theme of this very website, and a metric ton of assets and extensions and stuff over the years.

The post KitBash3D Assets Now on Envato: Worlds for Sale first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

At GDC 2025, Adobe revealed a suite of updates for Substance 3D Painter, Designer, and Modeler, with the spotlight on faster workflows, more control, and expanded access for indie developers and students. The tools aim to streamline asset creation for game development and real-time 3D workflows by refining UI, expanding format support, and adding procedural and real-time enhancements—although, as always, testing for stability in production is advised before integrating into ongoing projects.

Substance 3D Painter: Path to Precision

The new version of Substance 3D Painter introduces a feature called Filled Path, a new Path Type that allows artists to fill shapes directly traced on 3D model surfaces. Assets imported from Illustrator, Substance 3D Designer, or Substance 3D Sampler can now be updated in real-time within Painter—enabling texture refinements without halting creative flow. Path functionality also gains precision with snap-to-geometry, use as a measuring tool, and easy copy-paste between masks and content layers. A new automatic cage option for baking texture maps reduces setup time and simplifies achieving accurate results. Additionally, a unified export window consolidates file export tasks to minimize time spent on file management.

Substance 3D Designer: More Realism, Less Guesswork

Substance 3D Designer now features enhanced rendering technology for more realistic material previews. USD (Universal Scene Description) support is integrated, improving asset transfers between applications. Rich tooltips have been added to improve usability and reduce time spent deciphering UI elements.

Unmetered Assets: Limitless Downloads

Artists now have unrestricted access to over 20,000 assets—materials, models, and lighting setups—via Substance 3D Assets. This includes hyper-detailed sci-fi textures and historically inspired materials, with new Signature Collections from artists like Anna Koroleva and Niki Marinov. The previous download caps have been lifted, encouraging more experimentation in scene building.

Indie Pricing: The Bundle for the Rest of Us

The Substance 3D Indie Bundle is now available on Steam for $24.99/month. It includes Painter, Designer, and Modeler, along with curated assets. This move targets small studios and solo developers, providing access to pro-grade tools previously reserved for AAA pipelines.

Pipeline Integration: Less Friction, More Flow

Substance 3D deepens integration with Blender, Unreal Engine, Unity, 3ds Max, and Maya. USD support has been expanded, improving asset mobility and supporting a more standardized 3D ecosystem. Adobe’s role in developing USD is documented at the Alliance for Open USD.

Pricing and Availability

The Substance 3D Indie Bundle is available via Steam for $24.99/month. Unmetered access to assets is included. For full pricing and enterprise options, visit Adobe Substance 3D.

Conclusion

Adobe’s updates focus on precision, real-time refinement, and access. From the indie-friendly pricing to expanded format support, the changes aim to reduce friction in daily workflows. However, as always in production environments, the new features should be tested for reliability and compatibility before full deployment. Stability remains key, even when the tools are flashy.

The post Painter, Designer, Modeler: Adobe Refines the 3D Toolbox first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

KitBash3D is giving away Gaea, a stylized medieval fantasy architecture pack, for free during March 2025. Designed for game development, VFX, and concept art, the set includes cathedrals, castles, villages, and bridges, built with a hand-painted aesthetic inspired by fantasy RPGs. The assets are modular, allowing for flexible world-building, and optimized for both real-time and offline rendering.

The pack is compatible with Blender, Cinema 4D, Maya, 3ds Max, Unity, Unreal Engine, Houdini, Clarisse, FBX, and OBJ, integrating smoothly into most production pipelines. KitBash3D provides ready-to-use materials and shaders tailored for Unreal Engine, Blender, and Unity, ensuring assets look good out of the box.

To see all of Gaea for free in March, visit KitBash3D’s website. To grab the free version of the Kit, visit Fab.com Pricing after March is not specified, so download it before it’s gone.

Fact Check: Free assets are great, but always test them in production environments before committing to major projects.

The post KitBash3D’s Gaea: Free Fantasy on Fab first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

Epic Games continues to delight developers with its bi-weekly limited-time free content. The latest offerings, available until February 11th, include a versatile asset pack, a comprehensive environment, and an advanced interaction management system. These resources are designed to enhance your projects without denting your budget.

Delzaar Studio’s Clay Pots Collection: Adding Realism to Your Scenes For those seeking to enrich their scenes with detailed props, Delzaar Studio presents a collection of 25 clay pots. Each pot boasts a unique design with high-quality, hand-painted textures. The asset pack includes both low-poly and Nanite versions, ensuring compatibility across various platforms while maintaining visual fidelity. These pots can serve as subtle yet impactful elements, adding authenticity to your environments. For more information about Delzaar Studio and their amazing offerings, visit their official website.

SICKA DYNASTY: Crafting Authentic Asian Environments

Developed by SICKA, the SICKA DYNASTY asset pack provides a complete Asian-themed environment. It features optimized lighting and textures, allowing for immediate use or customization. The pack includes modular components and a variety of props, enabling creators to design unique maps and scenes with ease. Whether you’re aiming for historical accuracy or a stylized aesthetic, SICKA DYNASTY offers the flexibility needed for diverse projects.

Ultimate Interaction Manager: Streamlining User Interactions

Tala Esenlikler’s Ultimate Interaction Manager is a component-based, replicated system designed to transform any actor into an interactive object.It offers customizable settings, dynamic markers, widget pools, icons, and a point-of-interest system. Developers can create various types of interactions with runtime callbacks to handle results. The system is fully replicated on the server side, requiring only the replication of visuals for the interaction target. This tool simplifies the implementation of complex interactions, enhancing user engagement in your projects.

Act Fast: Download Before February 11th

These assets are available for free until February 11th. To download them, visit Fab’s Limited-Time Free Content. Remember, these offers are fleeting, so seize the opportunity to enhance your creative arsenal.

Note: While these assets are offered for free, it’s advisable to evaluate their suitability for your specific projects to ensure optimal integration.

P.S. And if you think the typo “pot” instead of “pots” in the headline is unfair pothead-baiting: Yes it is.

The post Fab’s Freebies: Let’s grab some pot first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

Included assets cover everything from walls and counters to tables, chairs, and 3D-scanned bakery items like croissants and donuts. The pack is designed for Unreal Engine 5.2+, supporting Nanite virtualized geometry for optimized performance, while maintaining lightweight models (average triangle count: 4,200).

This asset pack is part of Epic’s bi-weekly free content release under the Sponsored Content program, making it available for free for two weeks. Be sure to grab it while you can!

Link: Download the free Modular Bakery Shop Pack here

The post Free Modular Bakery Shop Assets for Unreal Engine – Download Now! first appeared on DIGITAL PRODUCTION and was written by Bela Beier.

ShapeLab 2025, the latest iteration of the virtual reality sculpting tool, is now live, offering features aimed at VFX artists, game developers, and 3D creators who prefer to sculpt their digital assets directly in VR. Developed by Leopoly, ShapeLab focuses on VR-based workflows for crafting 3D models with precision, simplicity, and improved speed.

Improved User Experience

The ShapeLab 2025 update emphasizes usability and workflow efficiency for digital production professionals. According to the developers, the software now offers a cleaner, more intuitive interface for sculpting and modeling within a virtual reality space. Stability and smoother navigation have also been prioritized – good news for artists tired of juggling laggy VR tools mid-sculpt.

Sculpting Features for VFX and Game Development

ShapeLab is specifically tailored for high-detail model creation, particularly useful for VFX workflows and game development pipelines. Artists can mold organic or hard-surface 3D models directly in VR, giving them a more tactile, immersive modeling experience. Key tools include adaptive brushes for modeling, customizable sculpting parameters, and mesh refinements for high-resolution assets.

For workflows requiring VR-to-standard-pipeline integration, ShapeLab supports FBX and OBJ exports, making it easier to slot 3D assets into applications like Maya, Blender, or ZBrush for further texturing, rigging, or animation.

Virtual Reality Focus

The tool remains VR-first, with compatibility for leading virtual reality hardware like HTC Vive and Meta Quest (with tethered PC setups). The VR environment allows creators to freely manipulate their models in full three-dimensional space – no monitor-induced tunnel vision here. ShapeLab 2025 is now available for purchase directly from Leopoly. Pricing details can be found on the manufacturer’s website – currently there are discounts, the usual price for the yearly version is $64.99

A Note on Stability

As with any new software release, artists are advised to test ShapeLab 2025’s tools and features before integrating them into active production pipelines. Simplicity and stability matter when deadlines loom.

The post ShapeLab 2025: Sculpting in VR, Now Sharper Than Ever first appeared on DIGITAL PRODUCTION and was written by Bela Beier.