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		<title>The Gray Man &#124; VFX Breakdown</title>
		<link>https://digitalproduction.com/2023/01/30/the-gray-man-vfx-breakdown/</link>
		
		<dc:creator><![CDATA[Patrick Poti]]></dc:creator>
		<pubDate>Mon, 30 Jan 2023 14:30:48 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Action VFX]]></category>
		<category><![CDATA[Frankreich]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[Showreel]]></category>
		<category><![CDATA[The Yard VFX]]></category>
		<guid isPermaLink="false">https://www.digitalproduction.com/?p=113095</guid>

					<description><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2022/12/The-Gray-Man_VFX-Breakdown_Banner.jpg?fit=878%2C401&quality=80&ssl=1" width="878" height="401" title="" alt="" /></div><div><p>Another 28 kilometres to Vienna: the VFX breakdown for the action film The Gray Man embraces Viennese humour!</p>
<p>The post <a href="https://digitalproduction.com/2023/01/30/the-gray-man-vfx-breakdown/">The Gray Man | VFX Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2022/12/The-Gray-Man_VFX-Breakdown_Banner.jpg?fit=878%2C401&quality=80&ssl=1" width="878" height="401" title="" alt="" /></div><div><div class='__iawmlf-post-loop-links' style='display:none;' data-iawmlf-post-links='[{&quot;id&quot;:3081,&quot;href&quot;:&quot;https:\/\/theyard-vfx.com&quot;,&quot;archived_href&quot;:&quot;http:\/\/web-wp.archive.org\/web\/20251117205311\/https:\/\/theyard-vfx.com\/&quot;,&quot;redirect_href&quot;:&quot;&quot;,&quot;checks&quot;:[{&quot;date&quot;:&quot;2025-12-28 07:27:21&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-01-08 16:08:02&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-01-24 02:50:25&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-09 14:29:34&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-03-21 07:03:01&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-04-23 05:04:57&quot;,&quot;http_code&quot;:200}],&quot;broken&quot;:false,&quot;last_checked&quot;:{&quot;date&quot;:&quot;2026-04-23 05:04:57&quot;,&quot;http_code&quot;:200},&quot;process&quot;:&quot;done&quot;},{&quot;id&quot;:3082,&quot;href&quot;:&quot;https:\/\/www.digitalproduction.com\/2017\/04\/20\/the-yard-vfx-showreel&quot;,&quot;archived_href&quot;:&quot;http:\/\/web-wp.archive.org\/web\/20240424154727\/https:\/\/www.digitalproduction.com\/2017\/04\/20\/the-yard-vfx-showreel\/&quot;,&quot;redirect_href&quot;:&quot;&quot;,&quot;checks&quot;:[{&quot;date&quot;:&quot;2025-12-28 07:27:23&quot;,&quot;http_code&quot;:404},{&quot;date&quot;:&quot;2026-01-08 16:08:03&quot;,&quot;http_code&quot;:404},{&quot;date&quot;:&quot;2026-01-24 02:50:24&quot;,&quot;http_code&quot;:404},{&quot;date&quot;:&quot;2026-02-09 14:29:35&quot;,&quot;http_code&quot;:404},{&quot;date&quot;:&quot;2026-03-21 07:03:02&quot;,&quot;http_code&quot;:404},{&quot;date&quot;:&quot;2026-04-23 05:04:57&quot;,&quot;http_code&quot;:404}],&quot;broken&quot;:true,&quot;last_checked&quot;:{&quot;date&quot;:&quot;2026-04-23 05:04:57&quot;,&quot;http_code&quot;:404},&quot;process&quot;:&quot;done&quot;}]'></div>
<p><strong>In nuce:</strong> French visual effects service provider <strong><a href="https://theyard-vfx.com/">The Yard VFX</a> has </strong>released a VFX breakdown of the action thriller The Gray Man. By the way, it starts in Vienna at minute 2:25.</p>
<p><strong>In toto:</strong> The actioner The Gray Man has been released on the Netflix streaming platform and was directed by Anthony and Joe Russo (The First Avenger: Civil War, Avengers: Infinity War, Avengers: Endgame). The film stars Hollywood greats Ryan Gosling & Chris Evans and Ana de Armas (Knives Out, Blade Runner 2049, No Time to Die, among others). At the centre of the film is a CIA agent who uncovers a secret – which triggers a worldwide hunt by bounty hunters. The Yard VFX’s portfolio includes not only French productions, but above all many well-known international productions – including: John Wick 4, Wanda Vision, Enola Holmes 2, Ford v. Ferrari, or the upcoming fifth instalment of the whip-wielding and rattling hat series Indiana Jones (and the Dial of Destiny).</p>
<p><strong>Clicked further:</strong> On <strong><a href="https://www.digitalproduction.com/2017/04/20/the-yard-vfx-showreel/">20 April 2017</a> </strong>, Digital Production last <strong>reported </strong>on The Yard VFX – at the time via a eye-pleasing showreel from the France-based VFX house.</p>
<p><strong>The Gray Man | VFX Showreel</strong><br />
<span class="UznZNk8JXMVbjapcHvl6P4gEBhfuxtO7Gy9Yew5RKT2WoCADimQrq10"><iframe title="The Gray Man | VFX Showreel" src="https://player.vimeo.com/video/768064004?dnt=1&app_id=122963" width="1200" height="675" frameborder="0" allow="autoplay; fullscreen; picture-in-picture; clipboard-write"></iframe></span></p><p>The post <a href="https://digitalproduction.com/2023/01/30/the-gray-man-vfx-breakdown/">The Gray Man | VFX Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></content:encoded>
					
		
		
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<post-id xmlns="com-wordpress:feed-additions:1">113095</post-id>	</item>
		<item>
		<title>Vesper &#124; VFX Breakdown</title>
		<link>https://digitalproduction.com/2023/01/10/vesper-vfx-breakdown/</link>
		
		<dc:creator><![CDATA[Patrick Poti]]></dc:creator>
		<pubDate>Tue, 10 Jan 2023 06:45:10 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Frankreich]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Science-Fiction]]></category>
		<category><![CDATA[SciFi]]></category>
		<category><![CDATA[Showreel]]></category>
		<guid isPermaLink="false">https://www.digitalproduction.com/?p=113067</guid>

					<description><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2022/12/Vesper_VFX-Breakdown_Banner02.jpg?fit=921%2C403&quality=80&ssl=1" width="921" height="403" title="" alt="" /></div><div><p>A wormy worm - and a dystopian disaster: the eco-thriller Vesper Chronicles depicts a speculative future. Visual effects by Studio Mac Guff.</p>
<p>The post <a href="https://digitalproduction.com/2023/01/10/vesper-vfx-breakdown/">Vesper | VFX Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2022/12/Vesper_VFX-Breakdown_Banner02.jpg?fit=921%2C403&quality=80&ssl=1" width="921" height="403" title="" alt="" /></div><div><div class='__iawmlf-post-loop-links' style='display:none;' data-iawmlf-post-links='[{&quot;id&quot;:3251,&quot;href&quot;:&quot;https:\/\/www.macguff.com&quot;,&quot;archived_href&quot;:&quot;http:\/\/web-wp.archive.org\/web\/20250810011256\/https:\/\/macguff.com\/&quot;,&quot;redirect_href&quot;:&quot;&quot;,&quot;checks&quot;:[{&quot;date&quot;:&quot;2025-12-28 08:09:34&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-04 01:18:04&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-03-21 07:05:45&quot;,&quot;http_code&quot;:503},{&quot;date&quot;:&quot;2026-04-12 17:56:33&quot;,&quot;http_code&quot;:503}],&quot;broken&quot;:false,&quot;last_checked&quot;:{&quot;date&quot;:&quot;2026-04-12 17:56:33&quot;,&quot;http_code&quot;:503},&quot;process&quot;:&quot;done&quot;},{&quot;id&quot;:3252,&quot;href&quot;:&quot;https:\/\/www.macguff.com\/project\/titane&quot;,&quot;archived_href&quot;:&quot;http:\/\/web-wp.archive.org\/web\/20250809213815\/https:\/\/macguff.com\/project\/titane\/&quot;,&quot;redirect_href&quot;:&quot;&quot;,&quot;checks&quot;:[{&quot;date&quot;:&quot;2025-12-28 08:09:42&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-04 01:18:04&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-03-21 07:05:43&quot;,&quot;http_code&quot;:503},{&quot;date&quot;:&quot;2026-04-12 17:56:33&quot;,&quot;http_code&quot;:503}],&quot;broken&quot;:false,&quot;last_checked&quot;:{&quot;date&quot;:&quot;2026-04-12 17:56:33&quot;,&quot;http_code&quot;:503},&quot;process&quot;:&quot;done&quot;},{&quot;id&quot;:3253,&quot;href&quot;:&quot;https:\/\/www.macguff.com\/project\/valerian&quot;,&quot;archived_href&quot;:&quot;http:\/\/web-wp.archive.org\/web\/20251006174504\/https:\/\/macguff.com\/project\/valerian\/&quot;,&quot;redirect_href&quot;:&quot;&quot;,&quot;checks&quot;:[{&quot;date&quot;:&quot;2025-12-28 08:09:45&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-04 01:18:05&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-03-21 07:05:45&quot;,&quot;http_code&quot;:503},{&quot;date&quot;:&quot;2026-04-12 17:56:33&quot;,&quot;http_code&quot;:503}],&quot;broken&quot;:false,&quot;last_checked&quot;:{&quot;date&quot;:&quot;2026-04-12 17:56:33&quot;,&quot;http_code&quot;:503},&quot;process&quot;:&quot;done&quot;},{&quot;id&quot;:3254,&quot;href&quot;:&quot;https:\/\/www.macguff.com\/project\/lupin&quot;,&quot;archived_href&quot;:&quot;http:\/\/web-wp.archive.org\/web\/20250809211816\/https:\/\/macguff.com\/project\/lupin\/&quot;,&quot;redirect_href&quot;:&quot;&quot;,&quot;checks&quot;:[{&quot;date&quot;:&quot;2025-12-28 08:09:49&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-04 01:18:04&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-03-21 07:05:47&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-04-12 17:56:34&quot;,&quot;http_code&quot;:503}],&quot;broken&quot;:false,&quot;last_checked&quot;:{&quot;date&quot;:&quot;2026-04-12 17:56:34&quot;,&quot;http_code&quot;:503},&quot;process&quot;:&quot;done&quot;},{&quot;id&quot;:3255,&quot;href&quot;:&quot;https:\/\/www.digitalproduction.com\/2022\/11\/22\/vesper-chronicles-vfx-breakdown&quot;,&quot;archived_href&quot;:&quot;http:\/\/web-wp.archive.org\/web\/20240522000159\/https:\/\/www.digitalproduction.com\/2022\/11\/22\/vesper-chronicles-vfx-breakdown&quot;,&quot;redirect_href&quot;:&quot;&quot;,&quot;checks&quot;:[{&quot;date&quot;:&quot;2025-12-28 08:09:53&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-04 01:18:05&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-13 22:18:00&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-03-21 07:05:44&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-04-12 17:56:32&quot;,&quot;http_code&quot;:200}],&quot;broken&quot;:false,&quot;last_checked&quot;:{&quot;date&quot;:&quot;2026-04-12 17:56:32&quot;,&quot;http_code&quot;:200},&quot;process&quot;:&quot;done&quot;}]'></div>
<p><strong>In nuce:</strong> Paris-based <span style="font-size: 10.5pt; font-family: 'Verdana',sans-serif; color: #222222; background: white;">visual effects service provider <strong><a href="https://www.macguff.com/">Mac Guff</a> has </strong>released a VFX breakdown for the eco-thriller Vesper Chronicles, in which alien flying bodies sail through the air, worm-like creatures stretch out of holes – and the future of our planet sinks into an ecological crisis.</span></p>
<p><strong>What can the Parisians from Mac Guff do?</strong> Mac Guff specialises in visual effects for film, television, music videos and advertising (recent portfolio examples include the arthouse blockbuster <strong><a href="https://www.macguff.com/project/titane/">Titane</a></strong>, the Eurotrash gem <strong><a href="https://www.macguff.com/project/valerian/">Valerian and the City of a Thousand Planets</a> and </strong>the Netflix series <strong><a href="https://www.macguff.com/project/lupin/">Lupin</a></strong>).</p>
<p><strong><span style="font-size: 10.5pt; font-family: 'Verdana',sans-serif; color: #222222; background: white;">In toto:</span></strong><span style="font-size: 10.5pt; font-family: 'Verdana',sans-serif; color: #222222; background: white;"><span style="font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; word-spacing: 0px;"> Vesper (German title: Vesper Chronicles) is an adventure film that combines sci-fi and fairytale elements. It was directed by Bruno Samper and Kristina Buozyte. The film is set in a speculative future in which the Earth’s ecosystem has collapsed and the film’s heroes and heroines have to fend off a hostile environment – isolated from wealthy people who live in so-called citadels. At the centre of the plot is 13-year-old Vesper, who fights for her survival with bio-hacking skills (also known as do-it-yourself biology).</span></span></p>
<p><span style="font-size: 10.5pt; font-family: 'Verdana',sans-serif; color: #222222; background: white;"><strong>Click to continue:</strong> On </span><a href="https://www.digitalproduction.com/2022/11/22/vesper-chronicles-vfx-breakdown/"><strong style="box-sizing: border-box; font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px;"><span style="font-family: 'Verdana',sans-serif;"><span style="color: #c41d1d;">22 November this year,</span> </span></strong></a><span style="font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; word-spacing: 0px;">Digital Production last reported on Vesper – at the time on VFX service provider MPC’s contribution to the dystopian sci-fi film.</span></p>
<p><strong>Vesper Chronicles – Making Of version longue – Mac Guff</strong><br />
<span class="s21VxeHnPwTFMb6m"><iframe title="Vesper Chronicles - Making Of version longue - Mac Guff" src="https://player.vimeo.com/video/771526104?dnt=1&app_id=122963" width="1200" height="675" frameborder="0" allow="autoplay; fullscreen; picture-in-picture; clipboard-write"></iframe></span></p><p>The post <a href="https://digitalproduction.com/2023/01/10/vesper-vfx-breakdown/">Vesper | VFX Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></content:encoded>
					
		
		
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		<title>A siren in Paris &#124; VFX-Breakdown</title>
		<link>https://digitalproduction.com/2020/12/11/une-sirene-a-paris-vfx-breakdown/</link>
		
		<dc:creator><![CDATA[Patrick Poti]]></dc:creator>
		<pubDate>Fri, 11 Dec 2020 10:00:40 +0000</pubDate>
				<category><![CDATA[Fun and Functional]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Frankreich]]></category>
		<guid isPermaLink="false">https://www.digitalproduction.com/?p=87512</guid>

					<description><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2020/12/Une-sirene-a-Paris_VFX-Breakdown_Banner.jpg?fit=1200%2C505&quality=80&ssl=1" width="1200" height="505" title="" alt="" /></div><div><p>Tom Hanks horrified: French imitate his cult classic Splash.</p>
<p>The post <a href="https://digitalproduction.com/2020/12/11/une-sirene-a-paris-vfx-breakdown/">A siren in Paris | VFX-Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2020/12/Une-sirene-a-Paris_VFX-Breakdown_Banner.jpg?fit=1200%2C505&quality=80&ssl=1" width="1200" height="505" title="" alt="" /></div><div><div class='__iawmlf-post-loop-links' style='display:none;' data-iawmlf-post-links='[{&quot;id&quot;:2964,&quot;href&quot;:&quot;https:\/\/benuts.be&quot;,&quot;archived_href&quot;:&quot;&quot;,&quot;redirect_href&quot;:&quot;https:\/\/benuts-cgev.com\/&quot;,&quot;checks&quot;:[],&quot;broken&quot;:false,&quot;last_checked&quot;:null,&quot;process&quot;:&quot;done&quot;}]'></div>
<h2 id="une-sirene-a-paris">Une sirène à Paris</h2>
<p>Fancy a little Francophile underwater romance? You can have it. With the VFX breakdown of this romantic comedy with a twist into the fantastic. The visual effects here were created by <strong><a href="https://benuts.be/">Benuts</a></strong>, who already took care of the visual power in Mama Weed with Isabelle Huppert (you saw it in the cinema too, didn’t you?).</p>
<p><strong>Une sirène à Paris – VFX-Breakdow</strong><br />
<iframe src="https://player.vimeo.com/video/471447306" width="640" height="360" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p><p>The post <a href="https://digitalproduction.com/2020/12/11/une-sirene-a-paris-vfx-breakdown/">A siren in Paris | VFX-Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></content:encoded>
					
		
		
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