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	<title>hulk - DIGITAL PRODUCTION</title>
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		<title>She-Hulk – Attorney at Law &#124; VFX-Breakdown</title>
		<link>https://digitalproduction.com/2022/12/07/she-hulk-attorney-at-law-vfx-breakdown/</link>
		
		<dc:creator><![CDATA[Patrick Poti]]></dc:creator>
		<pubDate>Wed, 07 Dec 2022 07:00:07 +0000</pubDate>
				<category><![CDATA[Fun and Functional]]></category>
		<category><![CDATA[Disney]]></category>
		<category><![CDATA[Disney Plus]]></category>
		<category><![CDATA[hulk]]></category>
		<category><![CDATA[Marvel]]></category>
		<category><![CDATA[Marvel Cinematic Universe]]></category>
		<category><![CDATA[series]]></category>
		<category><![CDATA[She-Hulk]]></category>
		<category><![CDATA[superhero VFX]]></category>
		<category><![CDATA[TV series]]></category>
		<guid isPermaLink="false">https://www.digitalproduction.com/?p=112450</guid>

					<description><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2022/12/She-Hulk-%E2%80%93-Attorney-at-Law-VFX-Breakdown_Banner.jpg?fit=1200%2C675&quality=80&ssl=1" width="1200" height="675" title="" alt="" /></div><div><p>Breaking (joke) news: clients represented by lawyer She-Hulk will benefit from nearly 1,000 VFX shots from Digital Domain!</p>
<p>The post <a href="https://digitalproduction.com/2022/12/07/she-hulk-attorney-at-law-vfx-breakdown/">She-Hulk – Attorney at Law | VFX-Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2022/12/She-Hulk-%E2%80%93-Attorney-at-Law-VFX-Breakdown_Banner.jpg?fit=1200%2C675&quality=80&ssl=1" width="1200" height="675" title="" alt="" /></div><div><script type='application/json' class='__iawmlf-post-loop-links'>[{"id":3377,"href":"https:\/\/digitaldomain.com\/leadership\/jan-philip-cramer","archived_href":"http:\/\/web-wp.archive.org\/web\/20250910174621\/https:\/\/digitaldomain.com\/leadership\/jan-philip-cramer\/","redirect_href":"","checks":[{"date":"2025-12-28 08:41:40","http_code":206},{"date":"2026-01-01 10:22:03","http_code":206},{"date":"2026-01-28 11:30:59","http_code":206},{"date":"2026-02-03 02:23:25","http_code":206},{"date":"2026-03-06 07:42:21","http_code":206},{"date":"2026-03-10 02:51:18","http_code":206},{"date":"2026-03-13 14:09:00","http_code":206}],"broken":false,"last_checked":{"date":"2026-03-13 14:09:00","http_code":206},"process":"done"},{"id":3378,"href":"https:\/\/www.digitalproduction.com\/2022\/09\/19\/rrr-vfx-breakdown","archived_href":"http:\/\/web-wp.archive.org\/web\/20250705040148\/https:\/\/digitalproduction.com\/2022\/09\/19\/rrr-vfx-breakdown\/","redirect_href":"","checks":[{"date":"2025-12-28 08:41:44","http_code":200},{"date":"2026-01-01 10:22:02","http_code":200},{"date":"2026-01-22 09:27:07","http_code":503},{"date":"2026-01-28 11:31:03","http_code":503},{"date":"2026-02-03 02:23:29","http_code":200},{"date":"2026-03-06 07:42:24","http_code":200},{"date":"2026-03-10 02:51:21","http_code":503},{"date":"2026-03-13 14:09:04","http_code":200}],"broken":false,"last_checked":{"date":"2026-03-13 14:09:04","http_code":200},"process":"done"},{"id":3379,"href":"https:\/\/www.digitalproduction.com\/2022\/06\/14\/hawkeye-vfx-breakdown","archived_href":"http:\/\/web-wp.archive.org\/web\/20230329002735\/https:\/\/www.digitalproduction.com\/2022\/06\/14\/hawkeye-vfx-breakdown\/","redirect_href":"","checks":[{"date":"2025-12-28 08:41:48","http_code":200},{"date":"2026-01-01 10:22:02","http_code":200},{"date":"2026-01-05 11:49:47","http_code":200},{"date":"2026-01-22 09:27:07","http_code":200},{"date":"2026-01-28 11:31:03","http_code":200},{"date":"2026-02-02 17:43:33","http_code":200},{"date":"2026-02-06 20:10:15","http_code":200},{"date":"2026-03-06 07:42:24","http_code":200},{"date":"2026-03-10 02:51:21","http_code":503},{"date":"2026-03-13 14:09:04","http_code":503},{"date":"2026-03-17 11:32:57","http_code":200},{"date":"2026-04-11 13:41:52","http_code":200}],"broken":false,"last_checked":{"date":"2026-04-11 13:41:52","http_code":200},"process":"done"}]</script><p><strong>In nuce:</strong> Digital Domain has released a new VFX breakdown for the streaming series She-Hulk: Attorney at Law (German title: She-Hulk: die Anwältin). All in all, Digital Domain has completed almost 1,000 VFX shots, including 660 shots of the series heroine She-Hulk alone.</p>
<p><strong>In toto:</strong> For the series season, VFX supervisor <strong><a href="https://digitaldomain.com/leadership/jan-philip-cramer/">Jan Philip Cramer</a> and </strong>his team brought the human-sized actress Tatiana Maslany down to Hulk size. Transferring the actress’s nuanced facial expressions into Hulk dimensions was a particular challenge. For the series, Digital Domain developed in-house tools, including the so-called ShapeWear system, with the help of which garments are adapted to the gigantomaniac proportions of the series’ eponymous heroine. Apart from this, other proprietary Digital Domain tools were used, such as Masquera 2.0 or Charlatan.</p>
<p><strong>Click further:</strong> If you want to see more Digital Domain visual effects, we recommend watching the VFX breakdown of the Bollywood blockbuster RRR, which Digital Production reported on <strong><a href="https://www.digitalproduction.com/2022/09/19/rrr-vfx-breakdown/">19 September this year</a></strong>. Industrial Light & Magic’s VFX breakdown for the Marvel series Hawkeye, which we reported on <strong><a href="https://www.digitalproduction.com/2022/06/14/hawkeye-vfx-breakdown/">14 June this year</a> </strong>, takes us back to superhero fare.</p>
<p><strong>She-Hulk: Attorney at Law | VFX Breakdown | Digital Domain</strong></p>


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</div></figure><p>The post <a href="https://digitalproduction.com/2022/12/07/she-hulk-attorney-at-law-vfx-breakdown/">She-Hulk – Attorney at Law | VFX-Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></content:encoded>
					
		
		
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