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	<title>Rising Sun Pictures - DIGITAL PRODUCTION</title>
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		<title>The Boys &#124; VFX Breakdown</title>
		<link>https://digitalproduction.com/2023/03/09/the-boys-vfx-breakdown/</link>
		
		<dc:creator><![CDATA[Patrick Poti]]></dc:creator>
		<pubDate>Thu, 09 Mar 2023 06:30:23 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Fernsehserie]]></category>
		<category><![CDATA[Rising Sun Pictures]]></category>
		<category><![CDATA[rspvfx]]></category>
		<category><![CDATA[Serienstoffe]]></category>
		<category><![CDATA[series]]></category>
		<category><![CDATA[superhero VFX]]></category>
		<category><![CDATA[The Boys]]></category>
		<category><![CDATA[The Boys Staffel 3]]></category>
		<category><![CDATA[TV series]]></category>
		<guid isPermaLink="false">https://www.digitalproduction.com/?p=114510</guid>

					<description><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2023/01/The-Boys_VFX-Breakdown_Banner.jpg?fit=1200%2C675&quality=80&ssl=1" width="1200" height="675" title="" alt="" /></div><div><p>VFX house Rising Sun Pictures doesn't shy away from it - exaggerated comic book violence. Lively visual effects for the third season of the successful (anti)superhero series!</p>
<p>The post <a href="https://digitalproduction.com/2023/03/09/the-boys-vfx-breakdown/">The Boys | VFX Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2023/01/The-Boys_VFX-Breakdown_Banner.jpg?fit=1200%2C675&quality=80&ssl=1" width="1200" height="675" title="" alt="" /></div><div><p><script type='application/json' class='__iawmlf-post-loop-links'>[{"id":2921,"href":"https:\/\/www.digitalproduction.com\/2022\/03\/08\/jungle-cruise-vfx-breakdown","archived_href":"http:\/\/web-wp.archive.org\/web\/20230601021245\/https:\/\/www.digitalproduction.com\/2022\/03\/08\/jungle-cruise-vfx-breakdown\/","redirect_href":"","checks":[{"date":"2025-12-28 06:52:59","http_code":200},{"date":"2026-01-01 14:26:42","http_code":200},{"date":"2026-01-07 16:28:03","http_code":503},{"date":"2026-01-15 03:39:24","http_code":200},{"date":"2026-01-20 18:28:01","http_code":200},{"date":"2026-01-24 15:33:49","http_code":200},{"date":"2026-01-27 22:59:06","http_code":200},{"date":"2026-02-01 18:42:04","http_code":503},{"date":"2026-02-06 10:13:52","http_code":200},{"date":"2026-02-20 10:40:32","http_code":200},{"date":"2026-02-25 07:16:59","http_code":200},{"date":"2026-02-28 07:27:24","http_code":200},{"date":"2026-03-04 15:18:16","http_code":200},{"date":"2026-03-07 17:43:56","http_code":200},{"date":"2026-03-20 12:36:13","http_code":200},{"date":"2026-04-27 22:40:40","http_code":503}],"broken":false,"last_checked":{"date":"2026-04-27 22:40:40","http_code":503},"process":"done"},{"id":2922,"href":"https:\/\/www.digitalproduction.com\/?p=114176&preview=true","archived_href":"","redirect_href":"https:\/\/digitalproduction.com\/?p=114176","checks":[],"broken":false,"last_checked":null,"process":"done"}]</script><strong>In nuce:</strong> VFX service provider Rising Sun Pictures (rspvfx for short) has released an almost three-and-a-half-minute VFX breakdown for the third season of the superhero streaming series The Boys. Based on the comic books of the same name by creative minds Garth Ennis and Darick Robertson, the series tells the story of the CIA commando “The Boys”, which confronts marauding (anti)superheroes in what will soon be four seasons. Just like the series, the VFX breakdown is not stingy with its explicit – yet humorously exaggerated – depiction of violence.</p>
<p><strong>Click further:</strong> In the past, readers of Digital Production have repeatedly marvelled at the eye-catching visual effects that are let off the proverbial leash by VFX service provider rspvfx. See below:</p>
<ul>
<li>8.<strong><a href="https://www.digitalproduction.com/2022/03/08/jungle-cruise-vfx-breakdown/">03.2022:</a> If Werner Herzog and Klaus Kinski only knew it:</strong> Rising Sun Pictures<strong>is</strong> filming the Amazon with wet VFXs (for the Disney film Jungle Cruise).</li>
<li>28.<strong><a href="https://www.digitalproduction.com/?p=114176&preview=true">02.2022: </a></strong>For the <strong>War of the Stars series Andor</strong>, VFX house Rising Sun Pictures overthrows the empire together with the rebellion.</li>
</ul>
<p><strong>Rising Sun Pictures (RSP) The Boys (Season 3) VFX Breakdowns</strong><br />
<iframe class="youtube-player" width="1200" height="675" src="https://www.youtube.com/embed/umjAVXKOnA0?version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent" allowfullscreen="true" style="border:0;" sandbox="allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox"></iframe></p><p>The post <a href="https://digitalproduction.com/2023/03/09/the-boys-vfx-breakdown/">The Boys | VFX Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></content:encoded>
					
		
		
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<post-id xmlns="com-wordpress:feed-additions:1">114510</post-id>	</item>
		<item>
		<title>Andor &#124; VFX Breakdown</title>
		<link>https://digitalproduction.com/2023/02/28/andor-vfx-breakdown/</link>
		
		<dc:creator><![CDATA[Patrick Poti]]></dc:creator>
		<pubDate>Tue, 28 Feb 2023 06:30:50 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[krieg der Sterne]]></category>
		<category><![CDATA[Rising Sun Pictures]]></category>
		<category><![CDATA[Star Wars]]></category>
		<guid isPermaLink="false">https://www.digitalproduction.com/?p=114176</guid>

					<description><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2023/01/Andor-VFX-Breakdown_Banner.jpg?fit=1200%2C675&quality=80&ssl=1" width="1200" height="675" title="" alt="" /></div><div><p>Streaming the Star Wars: For the War of the Stars series, VFX house Rising Sun Pictures overthrows the Empire together with the Rebellion.</p>
<p>The post <a href="https://digitalproduction.com/2023/02/28/andor-vfx-breakdown/">Andor | VFX Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2023/01/Andor-VFX-Breakdown_Banner.jpg?fit=1200%2C675&quality=80&ssl=1" width="1200" height="675" title="" alt="" /></div><div><p><script type='application/json' class='__iawmlf-post-loop-links'>[{"id":2998,"href":"https:\/\/www.digitalproduction.com\/ausgabe\/digital-production-05-2022","archived_href":"http:\/\/web-wp.archive.org\/web\/20240523154236\/https:\/\/www.digitalproduction.com\/ausgabe\/digital-production-05-2022","redirect_href":"","checks":[{"date":"2025-12-28 06:58:50","http_code":404},{"date":"2026-01-01 14:26:44","http_code":404},{"date":"2026-01-07 16:28:02","http_code":404},{"date":"2026-01-10 18:48:00","http_code":404},{"date":"2026-01-14 02:32:00","http_code":404},{"date":"2026-01-18 05:38:28","http_code":404},{"date":"2026-01-22 11:36:56","http_code":404},{"date":"2026-01-26 08:06:17","http_code":404},{"date":"2026-01-30 07:00:19","http_code":404},{"date":"2026-02-02 15:44:36","http_code":404},{"date":"2026-02-07 08:26:34","http_code":404},{"date":"2026-02-11 11:17:51","http_code":404},{"date":"2026-02-14 19:39:23","http_code":404},{"date":"2026-02-20 10:40:24","http_code":404},{"date":"2026-02-25 07:16:57","http_code":404},{"date":"2026-03-03 20:11:32","http_code":404},{"date":"2026-03-07 17:43:53","http_code":404},{"date":"2026-03-13 18:46:28","http_code":404},{"date":"2026-03-18 08:56:24","http_code":404},{"date":"2026-03-21 20:55:21","http_code":404},{"date":"2026-04-22 01:56:35","http_code":404},{"date":"2026-04-27 22:40:38","http_code":404},{"date":"2026-05-05 13:42:24","http_code":404}],"broken":true,"last_checked":{"date":"2026-05-05 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10:40:29","http_code":404},{"date":"2026-02-25 07:16:55","http_code":404},{"date":"2026-03-03 20:11:30","http_code":404},{"date":"2026-03-07 17:43:53","http_code":404},{"date":"2026-03-13 18:46:26","http_code":404},{"date":"2026-03-18 08:56:22","http_code":404},{"date":"2026-03-21 20:55:18","http_code":404},{"date":"2026-04-06 17:45:11","http_code":404},{"date":"2026-04-22 01:56:33","http_code":404},{"date":"2026-04-27 22:40:36","http_code":404},{"date":"2026-05-05 13:42:22","http_code":404}],"broken":true,"last_checked":{"date":"2026-05-05 13:42:22","http_code":404},"process":"done"},{"id":2921,"href":"https:\/\/www.digitalproduction.com\/2022\/03\/08\/jungle-cruise-vfx-breakdown","archived_href":"http:\/\/web-wp.archive.org\/web\/20230601021245\/https:\/\/www.digitalproduction.com\/2022\/03\/08\/jungle-cruise-vfx-breakdown\/","redirect_href":"","checks":[{"date":"2025-12-28 06:52:59","http_code":200},{"date":"2026-01-01 14:26:42","http_code":200},{"date":"2026-01-07 16:28:03","http_code":503},{"date":"2026-01-15 03:39:24","http_code":200},{"date":"2026-01-20 18:28:01","http_code":200},{"date":"2026-01-24 15:33:49","http_code":200},{"date":"2026-01-27 22:59:06","http_code":200},{"date":"2026-02-01 18:42:04","http_code":503},{"date":"2026-02-06 10:13:52","http_code":200},{"date":"2026-02-20 10:40:32","http_code":200},{"date":"2026-02-25 07:16:59","http_code":200},{"date":"2026-02-28 07:27:24","http_code":200},{"date":"2026-03-04 15:18:16","http_code":200},{"date":"2026-03-07 17:43:56","http_code":200},{"date":"2026-03-20 12:36:13","http_code":200},{"date":"2026-04-27 22:40:40","http_code":503}],"broken":false,"last_checked":{"date":"2026-04-27 22:40:40","http_code":503},"process":"done"},{"id":2960,"href":"https:\/\/www.rsp.com.au","archived_href":"http:\/\/web-wp.archive.org\/web\/20251116160044\/https:\/\/www.rsp.com.au\/","redirect_href":"","checks":[{"date":"2025-12-28 06:56:25","http_code":206},{"date":"2026-01-01 14:26:42","http_code":206},{"date":"2026-01-07 16:28:00","http_code":206},{"date":"2026-01-15 03:39:23","http_code":206},{"date":"2026-01-22 11:36:56","http_code":206},{"date":"2026-01-26 08:06:17","http_code":206},{"date":"2026-02-20 10:40:30","http_code":206},{"date":"2026-02-25 07:16:59","http_code":206},{"date":"2026-03-07 17:43:54","http_code":206},{"date":"2026-04-27 22:40:38","http_code":206}],"broken":false,"last_checked":{"date":"2026-04-27 22:40:38","http_code":206},"process":"done"}]</script><strong>In nuce:</strong> Visual effects service provider Rising Sun Pictures (The Boys, Thor: Love and Thunder, Black Widow, etc.) has released a one-and-a-half-minute VFX breakdown for the first season of the Star Wars series Andor. The series tells the prequel to the film Rogue One: A Star Wars Story.</p>
<p><strong>Turn the page:</strong> In our <strong><a href="https://www.digitalproduction.com/ausgabe/digital-production-05-2022/">Digital Production 05 : 2022</a> went </strong>up – with the thematic focus on Star Wars. We watched the comedic unpacking short film E-11 (named after the laser cannon of the same name). In the accompanying workshop report “Unpacked! Or: The Making of E-11: A Star Wars Fan Film”, filmmaker Robert Hranitzky poses the question “What if the E-11 blaster was a real, new product – and a stormtrooper unboxed and reviewed the thing on YouTube?” On the other hand, 15 years of heart and soul went into the second fan film called Descendants of Order 66 den Weg before the love letter to the George Lucas Cinematic Universe could celebrate its premiere. In terms of content, Descendants of Order 66 dares to build a bridge between Star Wars Episode III and IV. <strong><a href="https://e-paper.digitalproduction.com/de/profiles/f497e922657d/editions/7ddab1f43091e8c4a29e">The issue is also available as a free e-paper.</a></strong></p>
<p><strong>Click further:</strong> <strong><a href="https://www.digitalproduction.com/2022/03/08/jungle-cruise-vfx-breakdown/">8 March 2022</a></strong> was the last time Digital Production reported on a VFX breakdown from Rising Sun Pictures – back then it was the action fun Jungle Cruise from Disney and starring Emily Blunt and Dwayne “The Rock” Johnson, the same ones with their steamboat … looking behind the back of the water? <strong><a href="https://www.rsp.com.au/">To the website of Rising Sun Pictures.</a></strong></p>
<p><strong>Rising Sun Pictures (RSP) Andor (Season 1) VFX Breakdowns</strong><br />
<iframe class="youtube-player" width="1200" height="675" src="https://www.youtube.com/embed/iYqwyaCQG3M?version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent" allowfullscreen="true" style="border:0;" sandbox="allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox"></iframe></p><p>The post <a href="https://digitalproduction.com/2023/02/28/andor-vfx-breakdown/">Andor | VFX Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></content:encoded>
					
		
		
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<post-id xmlns="com-wordpress:feed-additions:1">114176</post-id>	</item>
		<item>
		<title>Jungle Cruise &#124; VFX Breakdown</title>
		<link>https://digitalproduction.com/2022/03/08/jungle-cruise-vfx-breakdown/</link>
		
		<dc:creator><![CDATA[Patrick Poti]]></dc:creator>
		<pubDate>Tue, 08 Mar 2022 09:00:03 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Disney]]></category>
		<category><![CDATA[Rising Sun Pictures]]></category>
		<category><![CDATA[Walt Disney]]></category>
		<guid isPermaLink="false">https://www.digitalproduction.com/?p=99660</guid>

					<description><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2022/02/Jungle-Cruise_VFX-Breakdown_Banner.jpg?fit=1140%2C477&quality=80&ssl=1" width="1140" height="477" title="" alt="" /></div><div><p>If only Werner Herzog and Klaus Kinski knew: Rising Sun Pictures plays the Amazon with wet VFXs.</p>
<p>The post <a href="https://digitalproduction.com/2022/03/08/jungle-cruise-vfx-breakdown/">Jungle Cruise | VFX Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2022/02/Jungle-Cruise_VFX-Breakdown_Banner.jpg?fit=1140%2C477&quality=80&ssl=1" width="1140" height="477" title="" alt="" /></div><div><p><script type='application/json' class='__iawmlf-post-loop-links'>[{"id":4560,"href":"https:\/\/www.digitalproduction.com\/2015\/09\/21\/fx-reel-von-gabriel-roccisan","archived_href":"http:\/\/web-wp.archive.org\/web\/20200924211311\/https:\/\/www.digitalproduction.com\/2015\/09\/21\/fx-reel-von-gabriel-roccisan\/","redirect_href":"","checks":[{"date":"2025-12-28 16:15:44","http_code":404},{"date":"2026-01-02 07:59:10","http_code":404},{"date":"2026-01-26 09:45:29","http_code":404},{"date":"2026-01-30 07:08:36","http_code":404},{"date":"2026-02-27 22:57:58","http_code":404},{"date":"2026-03-03 20:39:28","http_code":404},{"date":"2026-04-16 00:35:21","http_code":404}],"broken":true,"last_checked":{"date":"2026-04-16 00:35:21","http_code":404},"process":"done"}]</script><strong>In nuce:</strong> This VFX breakdown is dedicated to the fun film adaptation of the famous and popular Disneyland ride called Jungle Cruise. This is also the name of the film, in which Emily Blunt and Dwayne Johnson verbally besiege each other as if we were still in the 1950s, where Katharine Hepburn and Humphrey Bogart slobbered over each other on a steamboat, as film fans know it from the classic African Queen.</p>
<p><strong>What attractions await you on the boat trip</strong> with Skipper alias “The Rock”? First and foremost, there is a lot of visual crashing and banging and rattling in this breakdown, which is what the pipeline of Australian VFX studio Rising Sun Pictures has to offer. However, if you want to know why Skippy, as Dr Lily Houghton (aka Emily Blunt) teasingly calls the sly boat captain Frank Wolff, is able to see the other side of the water in a completely different way, you should watch the entire 128 minutes of this comedic Disney adventure film. We hope you enjoy watching this entertaining boat trip.</p>
<p><strong>Click on:</strong> It’s been a while since we last told you about the Australian VFX artists from Rising Sun Pictures. It was on <strong><a href="https://www.digitalproduction.com/2015/09/21/fx-reel-von-gabriel-roccisan/">12 September 2015</a> </strong>when the visual effects of the blockbuster films Pompei, Gravity and the seventh Harry Potter film left you in awe.</p>
<p><strong>Rising Sun Pictures (RSP) – Jungle Cruise VFX breakdowns</strong><br />
<iframe class="youtube-player" width="1200" height="675" src="https://www.youtube.com/embed/Vu9FVAK42bo?version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent" allowfullscreen="true" style="border:0;" sandbox="allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox"></iframe></p><p>The post <a href="https://digitalproduction.com/2022/03/08/jungle-cruise-vfx-breakdown/">Jungle Cruise | VFX Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></content:encoded>
					
		
		
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