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	<title>The Boys Staffel 3 - DIGITAL PRODUCTION</title>
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		<title>The Boys &#124; VFX Breakdown</title>
		<link>https://digitalproduction.com/2023/03/09/the-boys-vfx-breakdown/</link>
		
		<dc:creator><![CDATA[Patrick Poti]]></dc:creator>
		<pubDate>Thu, 09 Mar 2023 06:30:23 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Fernsehserie]]></category>
		<category><![CDATA[Rising Sun Pictures]]></category>
		<category><![CDATA[rspvfx]]></category>
		<category><![CDATA[Serienstoffe]]></category>
		<category><![CDATA[series]]></category>
		<category><![CDATA[superhero VFX]]></category>
		<category><![CDATA[The Boys]]></category>
		<category><![CDATA[The Boys Staffel 3]]></category>
		<category><![CDATA[TV series]]></category>
		<guid isPermaLink="false">https://www.digitalproduction.com/?p=114510</guid>

					<description><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2023/01/The-Boys_VFX-Breakdown_Banner.jpg?fit=1200%2C675&quality=80&ssl=1" width="1200" height="675" title="" alt="" /></div><div><p>VFX house Rising Sun Pictures doesn't shy away from it - exaggerated comic book violence. Lively visual effects for the third season of the successful (anti)superhero series!</p>
<p>The post <a href="https://digitalproduction.com/2023/03/09/the-boys-vfx-breakdown/">The Boys | VFX Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2023/01/The-Boys_VFX-Breakdown_Banner.jpg?fit=1200%2C675&quality=80&ssl=1" width="1200" height="675" title="" alt="" /></div><div><p><strong>In nuce:</strong> VFX service provider Rising Sun Pictures (rspvfx for short) has released an almost three-and-a-half-minute VFX breakdown for the third season of the superhero streaming series The Boys. Based on the comic books of the same name by creative minds Garth Ennis and Darick Robertson, the series tells the story of the CIA commando “The Boys”, which confronts marauding (anti)superheroes in what will soon be four seasons. Just like the series, the VFX breakdown is not stingy with its explicit – yet humorously exaggerated – depiction of violence.</p>
<p><strong>Click further:</strong> In the past, readers of Digital Production have repeatedly marvelled at the eye-catching visual effects that are let off the proverbial leash by VFX service provider rspvfx. See below:</p>
<ul>
<li>8.<strong><a href="https://www.digitalproduction.com/2022/03/08/jungle-cruise-vfx-breakdown/">03.2022:</a> If Werner Herzog and Klaus Kinski only knew it:</strong> Rising Sun Pictures<strong>is</strong> filming the Amazon with wet VFXs (for the Disney film Jungle Cruise).</li>
<li>28.<strong><a href="https://www.digitalproduction.com/?p=114176&preview=true">02.2022: </a></strong>For the <strong>War of the Stars series Andor</strong>, VFX house Rising Sun Pictures overthrows the empire together with the rebellion.</li>
</ul>
<p><strong>Rising Sun Pictures (RSP) The Boys (Season 3) VFX Breakdowns</strong><br />
<iframe class="youtube-player" width="1200" height="675" src="https://www.youtube.com/embed/umjAVXKOnA0?version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent" allowfullscreen="true" style="border:0;" sandbox="allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox"></iframe><span hidden class="__iawmlf-post-loop-links" data-iawmlf-links="[{&quot;id&quot;:2921,&quot;href&quot;:&quot;https:\/\/www.digitalproduction.com\/2022\/03\/08\/jungle-cruise-vfx-breakdown&quot;,&quot;archived_href&quot;:&quot;http:\/\/web-wp.archive.org\/web\/20230601021245\/https:\/\/www.digitalproduction.com\/2022\/03\/08\/jungle-cruise-vfx-breakdown\/&quot;,&quot;redirect_href&quot;:&quot;&quot;,&quot;checks&quot;:[{&quot;date&quot;:&quot;2025-12-28 06:52:59&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-01-01 14:26:42&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-01-07 16:28:03&quot;,&quot;http_code&quot;:503},{&quot;date&quot;:&quot;2026-01-15 03:39:24&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-01-20 18:28:01&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-01-24 15:33:49&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-01-27 22:59:06&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-01 18:42:04&quot;,&quot;http_code&quot;:503},{&quot;date&quot;:&quot;2026-02-06 10:13:52&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-20 10:40:32&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-25 07:16:59&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-28 07:27:24&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-03-04 15:18:16&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-03-07 17:43:56&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-03-20 12:36:13&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-04-27 22:40:40&quot;,&quot;http_code&quot;:503}],&quot;broken&quot;:false,&quot;last_checked&quot;:{&quot;date&quot;:&quot;2026-04-27 22:40:40&quot;,&quot;http_code&quot;:503},&quot;process&quot;:&quot;done&quot;},{&quot;id&quot;:2922,&quot;href&quot;:&quot;https:\/\/www.digitalproduction.com\/?p=114176\u0026preview=true&quot;,&quot;archived_href&quot;:&quot;&quot;,&quot;redirect_href&quot;:&quot;https:\/\/digitalproduction.com\/?p=114176&quot;,&quot;checks&quot;:[],&quot;broken&quot;:false,&quot;last_checked&quot;:null,&quot;process&quot;:&quot;done&quot;}]"></span></p><p>The post <a href="https://digitalproduction.com/2023/03/09/the-boys-vfx-breakdown/">The Boys | VFX Breakdown</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/patrick-poti/">Patrick Poti</a>. </p></div>]]></content:encoded>
					
		
		
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