Digital Production, 2026/04/27

FMX is approaching, which means Stuttgart will soon be full of people explaining pixels, pipelines, perception, and why sound is apparently important after all. Pack headphones, business cards, and the traditional FMX survival kit: coffee, charging cable, and one facial expression for "interesting pipeline choice."

This week we turn the volume up with Oscar-winning sound, AI keyframe-noise, spatial craft, free V-Ray for Blender, ARRI changing hands, Flame hoarding metadata, and Premiere trying to make grading feel less like a small tax audit.

FMX 2026 bets on sound and spatial craft

FMX 2026 turns the volume up: Nina Hartstone, David Fluhr, and an AI keyframe-to-sound workflow. Your temp mix just got nervous.

Beeble adds CorridorKey green screen model

CorridorKey lands in Beeble Background Remover. Pick MatAnyone or CorridorKey before upload, then export RGBA or alpha for comps.

ShaderError Light Painter paints light in Blender

Light Painter turns lighting into brush strokes on a light texture, with layers and masks. Cycles only, so keep Eevee in its lane.

Maxon Autograph 2026 is here

Maxon Autograph went free for individuals, learned USD, and picked up OpenFX. Nice.

A futuristic landscape featuring a large robotic vehicle and floating rock formations against a twilight sky. The scene includes text that reads 'THE ROAD AHEAD' and details about the FMX 2026 film and media exchange event.

Adobe brings Color mode to Premiere beta

Premiere beta gets Color mode: new grading controls, Operations, Clip Grid, and color management that tries to keep editors in flow.

Thomas Riedel buys ARRI

ARRI changes hands, keeps Munich HQ, and lines up a Eurovision camera debut. Big signal chain meets big glass.

Chaos launches free V-Ray for Blender Community Edition

Chaos has released a free Community Edition of V-Ray for Blender
, giving solo users access to the renderer for learning, portfolio work, teaching and smaller freelance tasks. The catch is not especially well hidden: the free tier comes with clear limits on output, support and production features, while the paid version keeps the heavier pipeline machinery.

Autodesk Flame 2027: metadata and depth maps

Flame 2027 keeps frame metadata intact, adds frame annotations, and brings Depth maps plus OCIO 2.5.1. More pipeline glue, fewer hacks.

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Switching to Resolve: Selects and Assembly in Multicam editing

Two cameras, one interview, zero chaos: timecode sync, multicam cuts, gap trimming, quick audio leveling, and titles in Resolve Studio.

LUTs, Tags, or ICC: Getting Colours Right in Resolve on a Mac

For years, proper monitoring in DaVinci Resolve meant a Blackmagic I/O box and a calibrated display. On recent Macs, Resolve has become more predictable without dedicated hardware, but that does not make calibration optional. Here is where the situation has improved, where it still falls apart, and why Rec.709 scene remains the least bad common denominator.

MPC's Cold Storage

MPC Paris delivered 575 shots on Cold Storage, from invisible fixes to slime, creatures and a nuclear finale. But how?

Everybody, take cover ...

So we are still sorting through the nets for NAB-bycatch, and are ramping up for FMX - see you there! If you have story ideas, drop us a line, drop by, and don't drop your coffee!

Greetings,

Bela and the Floof

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