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	<title>firmware update - DIGITAL PRODUCTION</title>
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		<title>Sony VENICE 2 Firmware 4.0 Adds EL Zone Tool</title>
		<link>https://digitalproduction.com/2025/08/04/sony-venice-2-firmware-4-0-adds-el-zone-tool/</link>
		
		<dc:creator><![CDATA[Bela Beier]]></dc:creator>
		<pubDate>Mon, 04 Aug 2025 04:37:00 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Camera Extension System]]></category>
		<category><![CDATA[CGI]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Ed Lachman]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[EL Zone system]]></category>
		<category><![CDATA[exposure tool]]></category>
		<category><![CDATA[firmware update]]></category>
		<category><![CDATA[game development]]></category>
		<category><![CDATA[post-production]]></category>
		<category><![CDATA[Sony]]></category>
		<category><![CDATA[Sony Camera]]></category>
		<category><![CDATA[VFX]]></category>
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					<description><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://digitalproduction.com/wp-content/uploads/2025/08/VENICE_Gallery_01.avif" width="1200" height="720" title="Sony Venice" alt="A professional cinema camera from Sony, featuring a large lens, a matte box, and control buttons on the side. The camera is mounted on a support rig for stability." /></div><div><p>Sony’s VENICE 2 firmware 4.0 introduces EL Zone exposure system and tri‑colour frame line display plus camera extension support.</p>
<p>The post <a href="https://digitalproduction.com/2025/08/04/sony-venice-2-firmware-4-0-adds-el-zone-tool/">Sony VENICE 2 Firmware 4.0 Adds EL Zone Tool</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/qualityjellyfish45275761d0/">Bela Beier</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://digitalproduction.com/wp-content/uploads/2025/08/VENICE_Gallery_01.avif" width="1200" height="720" title="Sony Venice" alt="A professional cinema camera from Sony, featuring a large lens, a matte box, and control buttons on the side. The camera is mounted on a support rig for stability." /></div><div><div class='__iawmlf-post-loop-links' style='display:none;' data-iawmlf-post-links='[{&quot;id&quot;:1140,&quot;href&quot;:&quot;https:\/\/www.sony.com\/electronics\/support\/professional-cameras-digital-cinema-cameras\/mpc-3626\/software\/00355566&quot;,&quot;archived_href&quot;:&quot;http:\/\/web-wp.archive.org\/web\/20251017110900\/https:\/\/www.sony.com\/electronics\/support\/professional-cameras-digital-cinema-cameras\/mpc-3626\/software\/00355566&quot;,&quot;redirect_href&quot;:&quot;&quot;,&quot;checks&quot;:[{&quot;date&quot;:&quot;2025-12-27 17:32:40&quot;,&quot;http_code&quot;:403},{&quot;date&quot;:&quot;2026-01-02 08:21:25&quot;,&quot;http_code&quot;:403},{&quot;date&quot;:&quot;2026-01-05 14:29:17&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-01-17 10:47:35&quot;,&quot;http_code&quot;:403},{&quot;date&quot;:&quot;2026-01-26 21:06:34&quot;,&quot;http_code&quot;:403},{&quot;date&quot;:&quot;2026-02-06 16:29:54&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-18 07:41:46&quot;,&quot;http_code&quot;:403},{&quot;date&quot;:&quot;2026-02-21 22:48:54&quot;,&quot;http_code&quot;:403},{&quot;date&quot;:&quot;2026-02-27 06:17:37&quot;,&quot;http_code&quot;:403},{&quot;date&quot;:&quot;2026-03-21 14:09:44&quot;,&quot;http_code&quot;:403},{&quot;date&quot;:&quot;2026-03-27 10:52:50&quot;,&quot;http_code&quot;:403},{&quot;date&quot;:&quot;2026-04-23 09:22:04&quot;,&quot;http_code&quot;:403},{&quot;date&quot;:&quot;2026-04-29 05:34:08&quot;,&quot;http_code&quot;:403}],&quot;broken&quot;:true,&quot;last_checked&quot;:{&quot;date&quot;:&quot;2026-04-29 05:34:08&quot;,&quot;http_code&quot;:403},&quot;process&quot;:&quot;done&quot;}]'></div>
<p class="wp-block-paragraph"><a href="https://digitalproduction.com/tag/sony/" title="Sony">Sony </a>has made available<a href="https://www.sony.com/electronics/support/professional-cameras-digital-cinema-cameras/mpc-3626/software/00355566" title=""> the Sony VENICE 2 firmware version 4.0</a> (models MPC‑3626 / MPC‑3628). This update introduces the EL Zone exposure system, enables up to three colour‑coded frame lines, adds support for the CBK‑3621XS Camera Extension System, and includes unspecified usability and operability improvements.</p>



<p class="wp-block-paragraph">The firmware package—including firmware module, update manual, and release notes—is available directly from Sony’s support site here: <strong>F</strong><a href="https://www.sony.com/electronics/support/professional-cameras-digital-cinema-cameras/mpc-3626/software/00355566" title=""><strong>irmware: VENICE 2 (MPC‑3628 MPC‑3626) v4.00</strong></a>.</p>



<figure class="wp-block-image"><img data-recalc-dims="1"  decoding="async"  src="https://i0.wp.com/pro.sony/s3/2021/10/04173913/VENICE_Gallery_02.jpg?w=1200&quality=80&ssl=1"  alt="https://pro.sony/s3/2021/10/04173913/VENICE_Gallery_02.jpg" ></figure>



<h3 id="el-zone-exposure-precise-stop-based-tool" class="wp-block-heading">EL Zone Exposure: Precise Stop‑based Tool</h3>



<p class="wp-block-paragraph">The <strong>EL Zone system</strong>, designed by cinematographer <strong>Ed Lachman ASC</strong>, overlays fixed-colour zones to indicate exposure in <strong>1‑stop and ±½‑stop increments</strong> relative to <strong>18% grey</strong>. This brings consistency between meter readings, logs, and visual feedback across camera and monitoring systems. EL Zone is applied in both the viewfinder and monitor outputs. Lachman commented that its integration into VENICE 2 is among the best implementations he has encountered. EL Zone provides more standardized exposure information compared to false colour tools that rely on IRE scales and vary between equipment.</p>



<figure class="wp-block-image"><img data-recalc-dims="1"  decoding="async"  src="https://i0.wp.com/pro.sony/s3/2021/10/28152436/TMV_36x24mm-Full-Frame-Sensor-for-Cinema.png?w=1200&quality=72&ssl=1"  alt="https://pro.sony/s3/2021/10/28152436/TMV_36x24mm-Full-Frame-Sensor-for-Cinema.png" ></figure>



<h3 id="colour-frame-lines-for-multi-format-shoots" class="wp-block-heading">Colour Frame Lines for Multi‑Format Shoots</h3>



<p class="wp-block-paragraph">Firmware v4.0 allows display of <strong>up to three simultaneous frame lines</strong>, each in a different colour. This feature simplifies shooting for multiple formats (e.g. theatrical, broadcast, streaming) in a single take while reducing framing confusion.</p>



<figure class="wp-block-image"><img data-recalc-dims="1"  decoding="async"  src="https://i0.wp.com/pro.sony/s3/2021/10/10105418/8k-venice2.png?w=1200&quality=72&ssl=1"  alt="https://pro.sony/s3/2021/10/10105418/8k-venice2.png" ></figure>



<figure class="wp-block-image"><img data-recalc-dims="1"  decoding="async"  src="https://i0.wp.com/pro.sony/s3/2021/10/10105436/6K-VENICE2.png?w=1200&quality=72&ssl=1"  alt="https://pro.sony/s3/2021/10/10105436/6K-VENICE2.png" ></figure>



<h3 id="extension-system-support-and-firmware-enhancements" class="wp-block-heading">Extension System Support and Firmware Enhancements</h3>



<p class="wp-block-paragraph">The update adds compatibility with Sony’s <strong>CBK‑3621XS Camera Extension System</strong>, expanding usage scenarios including remote and rig-based configurations. Sony notes “improved usability and operability” in general but does not detail specific enhancements; such tweaks are typical of maintenance firmware.</p>



<figure class="wp-block-image"><img data-recalc-dims="1"  decoding="async"  src="https://i0.wp.com/pro.sony/s3/2021/10/31115504/VENICE-2_hero-image_without-Netflix.png?w=1200&quality=72&ssl=1"  alt="https://pro.sony/s3/2021/10/31115504/VENICE-2_hero-image_without-Netflix.png" ></figure>



<h3 id="roadmap-and-context" class="wp-block-heading">Roadmap and Context</h3>



<p class="wp-block-paragraph">This release aligns with Sony’s Cinema Line firmware roadmap, with v4.0 scheduled for mid-2025 and subsequent updates—v5.0 in 2026 and v6.0 in 2027—confirming continued platform evolution through updates rather than hardware changes. Beyond the VENICE 2, EL Zone has been adopted in other tools, including Panasonic VariCam LT/35 (since April 2021), Sigma fp/fp L, SmallHD PageOS 6 monitors, and Colourlab Ai software.</p>



<h3 id="installation-advice" class="wp-block-heading">Installation Advice</h3>



<p class="wp-block-paragraph">The firmware v4.0 package is <strong>free to download</strong> for users of VENICE 2. The update file includes release notes and an installation manual. Users are advised to follow Sony’s installation instructions carefully. Testing exposure accuracy and frame-line output under controlled lighting conditions before deploying in active productions is strongly recommended.</p>



<p class="wp-block-paragraph"></p><p>The post <a href="https://digitalproduction.com/2025/08/04/sony-venice-2-firmware-4-0-adds-el-zone-tool/">Sony VENICE 2 Firmware 4.0 Adds EL Zone Tool</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/qualityjellyfish45275761d0/">Bela Beier</a>. </p></div>]]></content:encoded>
					
		
		
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<post-id xmlns="com-wordpress:feed-additions:1">193377</post-id>	</item>
		<item>
		<title>Blackmagic Camera 9.2 Update: Pyxis 6K Gets Remote Love</title>
		<link>https://digitalproduction.com/2024/12/30/blackmagic-camera-9-2-update-pyxis-6k-gets-remote-love/</link>
		
		<dc:creator><![CDATA[Bela Beier]]></dc:creator>
		<pubDate>Mon, 30 Dec 2024 10:24:30 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Blackmagic Camera 9.2]]></category>
		<category><![CDATA[Blackmagic Camera App]]></category>
		<category><![CDATA[Blackmagic Design]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[filmmaking tools]]></category>
		<category><![CDATA[firmware update]]></category>
		<category><![CDATA[post-production]]></category>
		<category><![CDATA[Pyxis 6K remote control]]></category>
		<category><![CDATA[remote shooting]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[VFX]]></category>
		<guid isPermaLink="false">https://digitalproduction.com/?p=156948</guid>

					<description><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2024/12/formats-xl.jpg?fit=1200%2C558&quality=80&ssl=1" width="1200" height="558" title="" alt="" /></div><div><p>Control the Pyxis 6K remotely, courtesy of the new Blackmagic Camera App. Firmware updates that might actually make life easier.</p>
<p>The post <a href="https://digitalproduction.com/2024/12/30/blackmagic-camera-9-2-update-pyxis-6k-gets-remote-love/">Blackmagic Camera 9.2 Update: Pyxis 6K Gets Remote Love</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/belabeier/">Bela Beier</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2024/12/formats-xl.jpg?fit=1200%2C558&quality=80&ssl=1" width="1200" height="558" title="" alt="" /></div><div><div class='__iawmlf-post-loop-links' style='display:none;' data-iawmlf-post-links='[{&quot;id&quot;:2312,&quot;href&quot;:&quot;https:\/\/apps.apple.com\/de\/app\/blackmagic-camera\/id6449580241&quot;,&quot;archived_href&quot;:&quot;http:\/\/web-wp.archive.org\/web\/20251107102405\/https:\/\/apps.apple.com\/de\/app\/blackmagic-camera\/id6449580241&quot;,&quot;redirect_href&quot;:&quot;&quot;,&quot;checks&quot;:[{&quot;date&quot;:&quot;2025-12-28 01:01:46&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-01-01 04:02:25&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-01-12 17:50:56&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-01 13:03:39&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-10 07:56:12&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-02-16 13:23:13&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-04-16 05:00:24&quot;,&quot;http_code&quot;:200},{&quot;date&quot;:&quot;2026-04-20 22:56:22&quot;,&quot;http_code&quot;:200}],&quot;broken&quot;:false,&quot;last_checked&quot;:{&quot;date&quot;:&quot;2026-04-20 22:56:22&quot;,&quot;http_code&quot;:200},&quot;process&quot;:&quot;done&quot;},{&quot;id&quot;:2313,&quot;href&quot;:&quot;https:\/\/play.google.com\/store\/search?q=Blackmagic%20Camera&c=apps&quot;,&quot;archived_href&quot;:&quot;&quot;,&quot;redirect_href&quot;:&quot;https:\/\/play.google.com\/store\/search?q=Blackmagic+Camera&c=apps&quot;,&quot;checks&quot;:[],&quot;broken&quot;:false,&quot;last_checked&quot;:null,&quot;process&quot;:&quot;done&quot;},{&quot;id&quot;:2314,&quot;href&quot;:&quot;https:\/\/forum.blackmagicdesign.com\/viewtopic.php?f=2&t=213775&quot;,&quot;archived_href&quot;:&quot;&quot;,&quot;redirect_href&quot;:&quot;&quot;,&quot;checks&quot;:[],&quot;broken&quot;:false,&quot;last_checked&quot;:null,&quot;process&quot;:&quot;done&quot;}]'></div>
<p class="wp-block-paragraph">The latest Blackmagic Camera 9.2 firmware update introduces remote control functionality for the Pyxis 6K cinema camera via the Blackmagic Camera App. Designed for filmmakers and production artists, this update adds new capabilities that might make you rethink your current setup—assuming, of course, you’re working with the Pyxis 6K.</p>



<h4 id="remote-shooting-with-pyxis-6k" class="wp-block-heading">Remote Shooting with Pyxis 6K</h4>



<p class="wp-block-paragraph">At the heart of the 9.2 firmware is the ability to control the Pyxis 6K remotely through the Blackmagic Camera App. Whether you’re adjusting settings or triggering a shot, this feature promises added convenience for productions where physical access to the camera is limited. Picture this: your camera’s perched on a crane, and you’re on the ground, smartphone in hand, pretending this level of convenience has always been part of your workflow.</p>



<figure class="wp-block-image size-large"><img data-recalc-dims="1" height="558" width="1200"  decoding="async"  src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2024/12/touchscreen-en-xl.jpg?resize=1200%2C558&quality=80&ssl=1"  alt=""  class="wp-image-156952" ></figure>



<h4 id="compatibility-and-usability" class="wp-block-heading">Compatibility and Usability</h4>



<p class="wp-block-paragraph">The Blackmagic Camera App is available for iOS and Android, so no one’s left out in the cold (unless your smartphone’s ancient enough to be mistaken for a prop). This compatibility means you can now manage your Pyxis 6K directly from your device, with real-time adjustments for settings such as focus, aperture, and shutter speed.</p>



<h4 id="improved-workflow-for-complex-setups" class="wp-block-heading">Improved Workflow for Complex Setups</h4>



<p class="wp-block-paragraph">Remote control isn’t just a gimmick; it’s a potential workflow revolution for productions with complex setups. Think multi-camera environments, booms & cranes, or shots where camera operators can’t physically intervene during takes. The update reduces downtime and increases precision—both critical in professional settings where time is money, and stability isn’t just a buzzword but an expectation.</p>



<h4 id="pricing-and-availability" class="wp-block-heading">Pricing and Availability</h4>



<p class="wp-block-paragraph">The update is available for free, which is a rarity in a world where even air feels monetizable. The Blackmagic Camera App can be downloaded from the <a href="https://apps.apple.com/de/app/blackmagic-camera/id6449580241">Apple App Store</a> and <a href="https://play.google.com/store/search?q=Blackmagic%20Camera&c=apps">Google Play Store</a>. While Pyxis 6K owners are the real winners here, others can explore Blackmagic’s ecosystem to see what else might add value—or frustration, depending on your current gear compatibility.</p>



<h4 id="fact-check-before-you-shoot" class="wp-block-heading">Fact Check Before You Shoot</h4>



<p class="wp-block-paragraph">As with any firmware update, testing is crucial. While the new features are exciting on paper, production professionals should ensure the update integrates seamlessly into their existing pipelines. For more details, visit <a href="https://forum.blackmagicdesign.com/viewtopic.php?f=2&t=213775">Blackmagic Design’s official forum</a>.</p>



<hr class="wp-block-separator has-alpha-channel-opacity"/>



<p class="wp-block-paragraph"></p><p>The post <a href="https://digitalproduction.com/2024/12/30/blackmagic-camera-9-2-update-pyxis-6k-gets-remote-love/">Blackmagic Camera 9.2 Update: Pyxis 6K Gets Remote Love</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/belabeier/">Bela Beier</a>. </p></div>]]></content:encoded>
					
		
		
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