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		<title>SMPTE updates its AI report: a roadmap for media engineers</title>
		<link>https://digitalproduction.com/2025/12/17/smpte-updates-its-ai-report-a-roadmap-for-media-engineers/</link>
		
		<dc:creator><![CDATA[Bela Beier]]></dc:creator>
		<pubDate>Wed, 17 Dec 2025 10:00:00 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[topnews]]></category>
		<category><![CDATA[AI]]></category>
		<category><![CDATA[EBU]]></category>
		<category><![CDATA[engineering]]></category>
		<category><![CDATA[ETC]]></category>
		<category><![CDATA[ethics]]></category>
		<category><![CDATA[interoperability]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Model Context Protocol]]></category>
		<category><![CDATA[open source]]></category>
		<category><![CDATA[Security]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[standards]]></category>
		<guid isPermaLink="false">https://digitalproduction.com/?p=238433</guid>

					<description><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2025/12/screenshot-2025-12-18-122518.png?fit=1200%2C652&quality=72&ssl=1" width="1200" height="652" title="" alt="Logo of the Society of Motion Picture and Television Engineers (SMPTE) featuring a colorful camera aperture design with a red, yellow, green, and blue color scheme, accompanied by the bold white letters 'SMPTE' on a black background." /></div><div><p>SMPTE’s revised AI report defines where AI stands in media: open source, agentic systems, security, ethics, and data. Read before you automate.</p>
<p>The post <a href="https://digitalproduction.com/2025/12/17/smpte-updates-its-ai-report-a-roadmap-for-media-engineers/">SMPTE updates its AI report: a roadmap for media engineers</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/qualityjellyfish45275761d0/">Bela Beier</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div style="margin: 5px 5% 10px 5%;"><img src="https://i0.wp.com/digitalproduction.com/wp-content/uploads/2025/12/screenshot-2025-12-18-122518.png?fit=1200%2C652&quality=72&ssl=1" width="1200" height="652" title="" alt="Logo of the Society of Motion Picture and Television Engineers (SMPTE) featuring a colorful camera aperture design with a red, yellow, green, and blue color scheme, accompanied by the bold white letters 'SMPTE' on a black background." /></div><div><p class="wp-block-paragraph"><em>For those who don’t know the Smpte: The <a href="https://www.smpte.org/" title="">Society of Motion Picture and Television Engineers (SMPTE)</a> sets the technical standards behind nearly everything that moves on a screen. From colorimetry to file formats, SMPTE defines the backbone of professional workflows in postproduction, broadcast, and digital cinema. Their new engineering <a href="https://www.smpte.org/blog/smpte-releases-updated-engineering-report-on-artificial-intelligence-and-the-media" title="">report Artificial Intelligence and Media (ER 1011:2025)</a> updates the 2023 edition with the latest thinking on AI, and is freely available to non-members.</em></p>
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<h3 id="open-source-and-open-ai" class="wp-block-heading">Open source and open AI</h3>



<p class="wp-block-paragraph">The first section revisits the foundations of <em>machine learning</em> and <em>deep learning</em>, before expanding into what SMPTE now calls “open source artificial intelligence”. The report clarifies the difference between <em>open-weight</em> and truly <em>open source</em> AI, where not just the model weights, but also code, data, and documentation are publicly accessible. It also points to the emerging concept of <em>Responsible AI Licenses</em> and frameworks like the <em>Model Openness Framework (MOF)</em>. SMPTE notes that “open-washing”, marketing closed systems as open, is a growing issue engineers must recognise.</p>



<h3 id="generative-models-and-interoperability" class="wp-block-heading">Generative models and interoperability</h3>



<p class="wp-block-paragraph">A substantial chapter examines <em>generative AI</em>, from <em>diffusion models</em> and <em>GANs</em> to <em>LLMs</em> and multimodal architectures capable of handling text, sound, image, and video simultaneously. The report highlights the growing influence of protocols like the <em>Model Context Protocol (MCP)</em> and Google’s <em>A2A</em> for <em>agent-to-agent</em> interoperability, described as the foundation for “agentic workflows.” SMPTE sees these protocols as key to connecting intelligent tools in post and broadcast environments, without locking developers into single ecosystems.</p>



<h3 id="security-ethics-and-regulation" class="wp-block-heading">Security, ethics, and regulation</h3>



<p class="wp-block-paragraph">Security receives dedicated attention. SMPTE warns of risks such as <em>data poisoning</em>, <em>jailbreaking</em>, and <em>intellectual property leakage</em> within AI-driven workflows. The report advocates <em>Zero Trust Architectures</em> (as defined by <em>MovieLabs</em>), calling for authentication and authorisation mechanisms even between AI agents. The ethics chapter, meanwhile, argues that AI in media must be both transparent and auditable “because failing is expensive, and media needs its own voice.” It outlines principles of inclusivity, transparency, and fit-for-purpose design, forming what SMPTE calls the “AI Ethics Pipeline”.</p>



<h3 id="standards-and-data-the-next-frontier" class="wp-block-heading">Standards and data: the next frontier</h3>



<p class="wp-block-paragraph">In its closing chapters, the report maps the <em>AI standards landscape</em>, noting gaps around <em>ontologies</em>, <em>benchmarking</em>, and <em>model metadata</em>. The authors identifie opportunities for collaboration with the <em>EBU</em>, <em>ISO/IEC</em>, and other bodies, stressing the need for shared <em>datasets</em> to train and validate media-specific AI systems. These datasets, the report says, are crucial for reproducible research and safe deployment in production pipelines. As always, SMPTE closes with a reminder that technology, especially AI, must prove itself in real-world conditions before being trusted in production.</p>



<p class="wp-block-paragraph"><br /></p>



<p class="wp-block-paragraph">The full <em>Engineering Report ER 1011:2025 – Artificial Intelligence and Media</em> is available for free download from the <em><a href="https://www.smpte.org/blog/smpte-releases-updated-engineering-report-on-artificial-intelligence-and-the-media" title="">SMPTE website</a></em>. It is dense, detailed, and refreshingly un-hyped. A technical must-read for anyone designing, coding, or approving AI-assisted tools in post, broadcast, or digital cinema. Before your next machine learning experiment runs in production, take an hour to read what SMPTE’s engineers have already tested and defined.</p><p>The post <a href="https://digitalproduction.com/2025/12/17/smpte-updates-its-ai-report-a-roadmap-for-media-engineers/">SMPTE updates its AI report: a roadmap for media engineers</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/qualityjellyfish45275761d0/">Bela Beier</a>. </p></div>]]></content:encoded>
					
		
		
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	<media:copyright>DIGITAL PRODUCTION</media:copyright>
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<post-id xmlns="com-wordpress:feed-additions:1">238433</post-id>	</item>
		<item>
		<title>Photoshop workshop at Macromedia</title>
		<link>https://digitalproduction.com/2009/04/01/photoshop-workshop-bei-macromedia/</link>
		
		<dc:creator><![CDATA[Bela Beier]]></dc:creator>
		<pubDate>Tue, 31 Mar 2009 22:00:00 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Hamburg]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Workshop]]></category>
		<guid isPermaLink="false">https://www.digitalproduction.com/?p=11158</guid>

					<description><![CDATA[<div><p>The Macromedia Academy of Media is offering a free short workshop on two special Photoshop topics. The renowned photographer and author Karsten Rose (Digital Face &#38; Body Styling, Addison-Wesley) will demonstrate the possibilities of digital face and body styling and introduce the automation and workflow of Photoshop. The workshop starts at 6 pm and lasts approx. 2 hours. </p>
<p>Karsten Rose is an internationally renowned photographer and image composer. For years he has been researching and perfecting the use of Adobe Photoshop in the professional post-processing of people images. He is the author of numerous specialised books, such as "Digital Face &#38; Body Styling (Addison-Wesley)" and a sought-after speaker at conferences (Photoshop Convention).</p>
<p>The post <a href="https://digitalproduction.com/2009/04/01/photoshop-workshop-bei-macromedia/">Photoshop workshop at Macromedia</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/qualityjellyfish45275761d0/">Bela Beier</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div><h3 id="further-links">Further links:</h3>
<ul>
<li>More information and registration
</li>
</ul><p>The post <a href="https://digitalproduction.com/2009/04/01/photoshop-workshop-bei-macromedia/">Photoshop workshop at Macromedia</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/qualityjellyfish45275761d0/">Bela Beier</a>. </p></div>]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">11158</post-id>	</item>
		<item>
		<title>Music Meets Media</title>
		<link>https://digitalproduction.com/2009/03/05/music-meets-media/</link>
		
		<dc:creator><![CDATA[Bela Beier]]></dc:creator>
		<pubDate>Wed, 04 Mar 2009 23:00:00 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[media]]></category>
		<guid isPermaLink="false">https://www.digitalproduction.com/?p=11755</guid>

					<description><![CDATA[<div><p>Music without pictures - no problem. But images without music? Hard to imagine for fiction and documentary films in cinema or TV, videos, commercials or games. Join us for a discussion about the challenges between harmonious interplay and fierce conflicts of interest at the one-day event "Music meets Media". </p>
<p>on 5 March 2009, 20 speakers from the music and media industry will explore topics ranging from "Music everywhere - and nobody listens" and "Who sets the tone - the image or the composer?" to new revenue models and a look at future developments.</p>
<p>The event is organised by Bayerischer Rundfunk, the Bavarian Regulatory Authority for New Media, medien-netzwerk-münchen, the Association of Independent Music Companies (VUT) and the Audiovisual Media Cluster (CAM).</p>
<p>The post <a href="https://digitalproduction.com/2009/03/05/music-meets-media/">Music Meets Media</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/qualityjellyfish45275761d0/">Bela Beier</a>. </p></div>]]></description>
										<content:encoded><![CDATA[<div><h3 id="further-links">Further links:</h3>
<ul>
<li>More information
</li>
</ul><p>The post <a href="https://digitalproduction.com/2009/03/05/music-meets-media/">Music Meets Media</a> first appeared on <a href="https://digitalproduction.com">DIGITAL PRODUCTION</a> and was written by <a href="https://digitalproduction.com/author/qualityjellyfish45275761d0/">Bela Beier</a>. </p></div>]]></content:encoded>
					
		
		
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