A Blackmagic Design URSA Mini Pro 12K camera, showcasing its robust design. The camera features a lens mount, an array of buttons, a digital display screen, and a compact structure suited for professional filmmaking.

17K Camera from Blackmagic Design on Preorder

Are YOU suffering from empty storage? Do you need EVERY pixel there is? Well, BMD has a camera for that – now on preorder, or live at the IBC.

The Blackmagic URSA Cine 17K with a massive 65mm image sensor and 17K resolution is now available for pre-order, priced at $29,995. Deliveries are set for later this year.

The Blackmagic URSA Cine 17K marks a step beyond the already impressive URSA 12K models. This camera is aimed squarely at high-end productions requiring extreme detail for large format screens or immersive environments – with a 65mm image sensor measuring 50,808×23,316mm and a resolution of 17,520×8,040 pixels (140MP per frame). Each pixel measures 2.8 microns, contributing to the camera’s reported 16 stops of dynamic range.

Physically, the URSA Cine 17K is nearly identical to its predecessor, the URSA Cine 12K, featuring the same magnesium alloy body with carbon fiber polycarbonate skin. The camera also supports interchangeable ARRI LPL and Hasselblad lens mounts, allowing flexibility in lens choices for different production needs.

Blackmagic’s emphasis on modularity is evident in the URSA Cine 17K. It comes equipped with an 8TB internal media module, providing four hours of 17K footage recording in RAW format. The camera also supports 10G Ethernet for uploads and direct access to files over a network, eliminating the need for transfers between devices. Dual CFexpress card slots offer additional flexibility for different types of media recording. The media can be transferred directly into DaVinci Resolve for real-time editing via high-speed Ethernet, reducing downtime between shoots.

Cloud and Streaming Integration

In an effort to modernize on-set workflows, the URSA Cine 17K introduces live streaming capabilities, allowing users to stream directly to clients or platforms via RTMP and SRT protocols. Whether connecting through Ethernet, high-speed Wi-Fi, or even mobile data, this camera can stream live from sets, making it ideal for remote monitoring.

For those working outdoors or in handheld configurations, the optional URSA Cine EVF offers a 1920×1080 OLED display with focus-assist tools, enhancing accuracy during filming. The camera’s extensive connectivity includes Lemo and Fischer connectors for lens motors and accessories, alongside 12G-SDI output, 10G Ethernet, and XLR audio inputs. The fold-out 5” HDR touchscreen provides essential monitoring options, while an additional touchscreen aids focus pullers or other crew members working on set.

Storage and Workflow Enhancements

Blackmagic’s new Cloud Store technology, built into the URSA Cine 17K, allows syncing of footage to Blackmagic Cloud. This feature simplifies on-set workflows. With high-speed networking and Blackmagic’s Media Dock, up to three cameras can be synchronized, providing faster access to recorded media and immediate availability for editing.

For proxy workflows, the camera creates H.264 files that upload quickly to Blackmagic Cloud, further enabling remote collaboration. This integration into the cloud and the ease of syncing media directly into DaVinci Resolve ensures a streamlined workflow from acquisition to post-production.

Pricing and Availability

The Blackmagic URSA Cine 17K is priced at $29,995, with an EVF package priced at $31,495. Both models are available for pre-order, with delivery scheduled for later this year. The camera will also be showcased at Blackmagic’s booth at the IBC 2024 in Amsterdam, providing attendees with a hands-on experience of this product.

Licensing and Compatibility

The URSA Cine 17K ships with DaVinci Resolve Studio, ensuring compatibility with the post-production suite right out of the box. Licensing for additional Blackmagic Cloud services is separate, though media recorded in Blackmagic RAW format seamlessly integrates into DaVinci Resolve without further conversion.

While Blackmagic is clearly excited about the potential of this camera, users should evaluate its features within the context of their own projects. Each new feature, from sensor size to post-production integration, should be thoroughly tested in the specific workflows you’re using.

Conclusion

The URSA Cine 17K is positioned as a premium tool for filmmakers and VFX professionals working on cutting-edge projects that demand the highest possible resolution. At nearly $30,000, it is a investment, but its feature set justifies the price for productions that require unparalleled image quality. Just make sure your data storage solution can handle the output—this camera will fill up your drives faster than you can say “post-production.”

Want to learn more? Check out the full specs and documentation on the Blackmagic Design website and the official product documentation.