VFX artist and environment specialist Simon Lachapelle has expanded his collection of high-resolution HDRIs for CGI and VFX lighting work. The library now includes over 60 HDRIs available at 8K resolution, all of which can be used in commercial projects. Each HDRI comes as a 32-bit .exr, and there’s now the option to download them in tone-mapped 16-bit TIFF format and as new greyscale versions designed for moodier lighting scenarios.
Greyscale and tone-mapped formats now included
The collection, originally launched with only 32-bit HDRIs, has now been updated to support two new formats. First, the new tone-mapped 16-bit TIFFs offer easier previewing in standard image viewers, without the need for linear workflow tools. Second, the greyscale versions are stripped of color information, which can help avoid unwanted colour tints in stylised or artistic lighting setups. Lachapelle mentions these are useful for “moodier” scenarios – and if your scene doesn’t scream “cheerful” by default, they’re worth trying.
Lighting captured by a VFX artist, not a streetlamp
Unlike many HDRI libraries shot without consideration for VFX usage, Lachapelle’s maps are designed for CGI artists and compositors. Locations range from urban streets and industrial zones to forests and interiors. The lighting setups are neutral enough for relighting or stylisation, but rich enough for accurate reflections and GI (global illumination).
Each HDRI was captured and processed by Lachapelle himself. These aren’t randomly stitched panoramas – they’re field-tested maps intended for production environments, with correctly exposed dynamic range and good colour fidelity. Or in plain words: You won’t have to fix the sun in post.
Available now, no sign-up needed
You can browse and download the full HDRI library directly at simonlachapelle.com/hdri.
Usability first – but always check before deployment
While the HDRIs are aimed at production workflows and have been field-tested, any lighting setup should be tested in context before being used in final renders. The new tone-mapped and greyscale formats are useful, but not necessarily universal solutions – test first, composite later.
