The Blackmagic URSA Cine 17K is Netflix Approved – Blackmagic Design’s URSA Cine lineup builds directly on the URSA Mini Pro 12K precedents. The 17K version shares the same body as the Cine 12K, swapping in a 65 mm 17K digital sensor and offering interchangeable LPL and Hasselblad mounts while retaining the integrated ND filters, built‑in monitors, and 8 TB media module architecture. The Cine 12K, introduced in April 2024, established the full‑frame large format sensor platform with a staggering 16‑stop dynamic range (claimed) and support for 80 fps in 12K, 144 fps in 8K, and 240 fps in 4K.
Netflix Approval and Capture Protocols
Netflix requires at least 90 percent of a program’s final runtime be captured on approved cameras that meet strict benchmarks for dynamic range, color, detail, signal‑to‑noise ratio, resolution, and workflow compatibility (partnerhelp.netflixstudios.com). The URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K OLPF versions are already on that approved list. The URSA Cine 17K, having passed Netflix’s technical evaluation, joins that roster—even though it’s not yet available for sale.
Netflix’s minimum capture requirements include a resolution of at least 3840 photosites in width, 10‑bit (or higher) codec support, and a data rate of 240 Mbps at 24 fps. Capture must use lightly compressed or uncompressed RAW or intra‑frame 4:2:2 codecs in scene‑referred color space with log transfer functions. Cameras must also support external jamming and accurate timecode metadata. Approved devices provide reliable logging, consistent naming conventions, and professional media that withstands the rigours of extended shoots.
Launched over the years, the broader URSA family spans multiple sensor and resolution formats. It began with the original URSA (4K/4.6K) in 2014, expanded through the Mini, Mini Pro (with interchangeable lens, ND filters, and dual media slots), then advanced to the URSA Mini Pro 12K in July 2020, and subsequently the OLPF variant (approved by Netflix in April 2023). Meanwhile, URSA Broadcast models catered to ENG and studio workflows. The Cine series now reflects Blackmagic’s top range, focusing on large‑format cinematography with high‑resolution capture and professional rig compatibility.
Best Practices for On-Set Netflix Capture
When shooting with Netflix-approved cameras, productions should capture in the native wide-gamut log format (e.g., S‑Log3, LogC, VLog) or RAW, and avoid baking in any looks. RAW remains preferred for metadata flexibility, but high-quality intra-frame codecs like ProRes 4444(XQ), DNxHR 444, or XAVC‑I are acceptable when storage constraints apply .
Monitoring setups should replicate the camera’s capture characteristics, and footage needs to be lapped by framing charts and dead-pixel checks. Use CDL or LUT-based workflows for non-destructive on-set grading, and ensure all monitors are calibrated ahead of runtime . Productions must test any non-approved ‘B‑cam’ systems under real conditions to confirm compatibility, and confirm fallback to approved workflows if necessary.
Availability and Holiday Planning
Despite its Netflix endorsement, the URSA Cine 17K is not yet on the shelves, so professionals hoping to upgrade should not expect immediate availability—perhaps start your Christmas wishlist early. While Blackmagic announces “will be available soon,” no exact ship date has been confirmed.
Testing Reminder
All technical advances, even Netflix-approved models, should be tested thoroughly in your own environment before integrating them into production pipelines. Each project presents unique challenges in logistics, workflow, and image capture—due diligence is essential.
Netflix Partner Help Center (partnerhelp.netflixstudios.com)
