CineMon 2 – now a Videorecorder and Audiomixer
CineMon 2 adds video recording, audio mixing and dual-input monitoring. Our Mac review explores image quality, timecode and capture limitations.
Latest articles
BlackRAW – a pocket-sized Studio
BlackRAW Studio brings BRAW and ProRes RAW playback, grading, proxies and NLE hand-off to iPhone and iPad. We test its speed and workflow limits.
All the World’s Codecs out of DaVinci Resolve
InterX brings FFmpeg-backed encoding, compliance checks and deep codec controls straight into DaVinci Resolve’s Deliver page on macOS.
Hearing Voices: What can AI in DaVinci Resolve 21 do for you?
We have been looking into transcription and subtitles from audio before, but Resolve 21 has added background processing and more AI in this field. Like going the other way, from text to audio, or from one voice to another. Are these features production-ready?
How much Intelligence in DaVinci Resolve’s AI?
DaVinci Resolve 21 spots faces, cats and chaotic slates. We tested how smart IntelliSearch really is before the RAM starts sweating.
Docking an iPhone or M5 Mac
The hardware On the physical side, the Prodock is a sturdy box made of metal, which should be…
Asus ProArt 16 USV: A Laptop-Sized Production Monitor
The ASUS ProArt PA16USV LED-Monitor, a 15.6-inch 4K HDR portable display that incorporates a 12G-SDI marks a significant pivot for ASUS into hardware that explicitly targets on-set workflows and DIT (digital imaging technician) monitoring tasks rather than solely desktop creative use. But is it any good?
The Right Colours Without a Computer
SpyderPro exports a 33-point correction LUT, but you want one compact converter to apply it between SDI gear and an HDMI display.
LUTs, Tags, or ICC: Getting Colours Right in Resolve on a Mac
For years, proper monitoring in DaVinci Resolve meant a Blackmagic I/O box and a calibrated display. On recent Macs, Resolve has become more predictable without dedicated hardware, but that does not make calibration optional. Here is where the situation has improved, where it still falls apart, and why Rec.709 scene remains the least bad common denominator.
Nobe OmniScope is a Live Act now!
OmniScope LivePack turns your scopes rig into a live-friendly sidekick, with SDI out, Livegrade hookup, and recordings that behave. Really? We run it through its paces!
Hawaiki Keyer – for those who don’t trust all the magic of AI
Hawaiki Keyer 5 brings AI tracking and dual-key control to Resolve, handling messy greenscreen shots more reliably than Magic Mask. Or does it?
Crawly for Videoscreens: SpyderPro
SpyderPro gets serious: anorganic filters, 12,000 nits, 3D LUT export, OLED support, and proper profiling tools make it fit for postproduction again. Let's see if the claims hold up!
Rack ’n’ Mini: Sonnet Turns Mac mini into Studio Hardware
No more desk spaghetti: Sonnet’s xMac mini (2024+) mounts up to two Mac minis in a 2U rack, adds PCIe via Thunderbolt, and finally brings order to your studio.
ProRes RAW vs. BRAW
BMPCC 4K just learned a new trick: ProRes RAW via firmware. We stacked it against BRAW Q0. One’s cleaner, one’s bigger. Which would you shoot?
ProRes RAW News – Fresh from the Freezer
Resolve 20.2.1 + Sequoia = real ProRes RAW. Sonoma users: no dice. iPhone 17 footage shows the difference...
Hell Froze Over – ProRes RAW for Resolve
For an eternity, it seemed, Blackmagic Design (BM for short) refused to support the import of Apple's ProRes RAW format into their flagship app DaVinci Resolve (DR for short).
Making it Soft – Diffusion in Post II
We looked at Halation and Diffusion before - but how about the new Tools from FilmConvert and Resolve 20?
„For Those Who Dare“
These days you wouldn’t always have to go for an expensive, professionally calibrated screen if you are not working for extremely demanding clients. Has the age of correct colors finally arrived? What about HDR? Let’s have a broader look!
Final Cut Pro:Mac mini or iPad M4?
Let's evaluate the M4 iPad Pro and Mac mini Pro for video editing, especially with DaVinci Resolve and Final Cut Pro X. While the iPad shares advantages with integrated hardware for certain formats, the Mac mini excels in handling high-end camera sources in raw formats. Or does it?
Getting Colors Right with the Datacolor LightColor Meter
Let's test! The Datacolor LightColor Meter Model LCM200 is designed for accurate light source measurement, addressing challenges in color matching across different light sources.
Mac mini or iPad Pro M4 for Post?
The iPad Pro, with its M4 processor, shows potential for video editing, particularly with applications like DaVinci Resolve. However, limitations arise, notably in memory capacity (16 GB max), affecting stability with high-resolution projects.
Cinemon 1.0: Signal Correction Done Right
Cinemon 1.0 is here. Color pipeline analysis, waveform monitor, and Scopes — now out of beta and ready for your iPad workflow.
Calibration for less – Part 3
Part 3 of the "Calibration for Less" series - we get into the settings with DisplayCal, Connect Software, Hardware and Wetware, and are chasing the elusive perfect colours!
Colour Monitoring for Cheapskates! Part 2
Now that your I/O-Hardware should be up and running, let’s get into equipment for profiling the screen (aka…