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This time in Digital Production
This week: cleaner retopology, deliberately damaged meshes, EIZO going OLED and fewer repetitive clicks. And Tyflow Cars. And very rough edges on purpose. We’re already looking forward to Amsterdam’s bitterballen: crisp geometry, excellent texture, dangerously high core temperatures. But first, here are the top topics of the last two weeks.
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retoPoly puts manual retopology in 3ds Max
Mihail Lupu’s retoPoly adds projected drawing, flow tools and stack-editable artist-directed retopology to 3ds Max 2023–2027.
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EDGY Cuts Mesh Damage in C4D and Blender
EDGY cuts chips, cracks, craters and breaks into closed Cinema 4D and Blender meshes while leaving the original object untouched.
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tyFlow 2.100 Adds PhysX Vehicles
tyFlow adds PhysX vehicle rigs to 3ds Max, plus 3DGS interchange for Max 2027+ and a lower-VRAM Inferno advection mode.
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Finally, EIZO does OLED: CG3200X
EIZO finally gives ColorEdge an OLED panel, with 1,000 cd/m² maximum luminance and unusually transparent control over ABL behaviour.
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PostPro Analytics Counts Creative Work
PostPro Analytics logs project activity across nine Mac creative apps and turns it into local dashboards, CSV reports and billing evidence.
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Command Frame: After Effects macros without writing scripts
Command Frame turns After Effects actions into reusable command chains. The duller and more repetitive the job, the more sense it starts to make.
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Exclusive for subscribers
Time to bite into the bitterballen. Inside: AI workflows for Premiere, our EIZO CS3200X review and Fusion lens flares, node by node. Plenty to chew on while we await the real thing in Amsterdam. As usual, after the free test, with a subscription you can get all the long reads, plus plenty more!
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Automation Agent for Premiere: Why I Built an AI Workflow Layer Around the Timeline
I built Automation Agent to give AI real Premiere context, scoped permissions and reusable workflows without handing it the creative edit.
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ColorEdge CS3200X review: The EIZO feeling without the colourist tax?
Two weeks with EIZO’s new 31.5-inch CS3200X reveal a colour-accurate 4K production monitor that retains much of the CG experience at roughly a thrid of the price. How?
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Fridays for Fusion: Lens flares, node by node
LFTools turns Fusion lens flares into modular node graphs, with procedural irises, bitmap elements, global controls and a $10 preset pack.
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Ready for Bitterballen!
Heading to IBC? Let’s meet in Amsterdam, talk shop and conduct a bitterballen tasting! We’re looking forward to seeing you and burning our mouths because “let them cool” is optional advice. Drop us a line and let’s find a time!
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Digital Production · Bela Beier UG (haftungsbeschränkt), Munich, Germany
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