After eight months of silence, The Mill has been revived. The VFX and post-production icon, once shuttered under Technicolor in February 2025, re-emerges under new ownership: global translation and transcreation heavyweight TransPerfect. TransPerfect acquired The Mill in April 2025, with a stated goal to preserve the studio’s creative heritage while expanding its global reach. The company, active in 140 markets, describes the move as a “commitment to creative excellence”, combining The Mill’s artistry with its own infrastructure and AI-driven localisation technology.
Familiar Faces, New Era
Continuity appears central to the relaunch. In London, creative directors Ross Urien and Ben Blundell (returning from No. 8) are joined by Matthew-Ben Campbell as head of design and Liam Collinwood as VP managing director. The Paris studio also brings back familiar names: Fabien Godeneche as managing director, Benoit Holl leading creative operations, Guillaume Ho as VFX supervisor and creative director, Guillaume Parra as head of CG, Damien Canameras as head of 2D, and Vincent Venchiarutti as head of design.
In Paris, the leadership speaks of both legacy and evolution. Guillaume Ho calls it “breathing new life” into The Mill’s tradition of pushing creative and technical limits, while Guillaume Parra emphasises a “commitment to embracing emerging technologies” to exceed client expectations. Across statements, the tone is clear: the revival is not nostalgic, but operational. Teams are already active in London, Paris, Seoul, and Bangalore, with expansion into the US market under consideration.
From Gladiator to GlobalLink
Founded in 1990, The Mill became synonymous with cinematic craftsmanship, from Ridley Scott’s Gladiator (2000) to pioneering work in real-time and immersive media. The closure of its Technicolor parent earlier this year marked what many in the industry feared was an end to that legacy. Now, with TransPerfect’s backing, The Mill positions itself as a creative brand with “independent spirit and global reach”. The company claims that its new infrastructure will enable faster, scalable production across languages and markets.
Conclusion: Revival with Caveats
The return of The Mill is undeniably good news for the VFX and post community. The brand’s craft-driven ethos and long-standing team continuity offer stability in an industry still recovering from multiple studio closures. However, the success of this new chapter will depend on how well TransPerfect’s corporate infrastructure coexists with The Mill’s culture of artistry. For now, the team’s optimism and The Mill’s survival are reasons to celebrate.
