Silhouette 2026 upgrades AI mattes, adds Head Track ML and better tracking, boosts paint tools and performance, and finally gets serious about pipelines.
FMX celebrates its 30th edition with a planned handover: Mario Müller steps down after 2026 and Agon Ushaku takes over the mantle for 2027 and onwards.
Framestore hosts World VFX Day 2025 live from London. Free talks, panels and meet-ups unite global VFX artists for one day only. And now you can see who the speakers are!
Foundry’s Flix 8.0 tightens its Storyboard Pro link, retools shots UI, refines ingest monitoring, still “priced on request”, which probably means “too expensive”.
Free node setup Easy Photorealism turns Blender’s compositor into a one-stop post-processing station with glare, noise, vignetting, and colour tweaks included.
On September 8th, 1966, the U.S.S. Enterprise flew across American screens for the first time - since then, "Star Trek" in all its various iterations has become part of the zeitgeist. And, in keeping with the Enterprise's mission, it has also repeatedly stepped into new areas of visual effects, making it one of the many trailblazers for our industry. In this retrospective, we want to take a closer look at some of these milestones.
New free preset "3D Dust & Pollen Free" for After Effects simulates pollen, dust, spores, dander and other floating irritants – without triggering allergies.
An in-depth look at "WOHIN"—a film project by VFX students that blends reality and fantasy, exploring journeys of self-discovery and the magic hidden in everyday places.
Game trailers should make you interested in the game, obviously, and since we can't wait for Trialmakers 2, the trailer did its job - so, we are talking to the creatives behind the trailer!
Visual Effects Society Awards, VES Awards 2025, Kingdom of the Planet of the Apes VFX, Dune Part Two visual effects, The Wild Robot animation, Shōgun TV series VFX, VES, Awards, VFX, Animation
The Prequel of a remake of a animated movie, based on a Shakespeare play... and still worth watching! We got a Chance to talk to Audrey Ferrara, MPCs VFX Supervisor for Mufasa
When we think of compositing systems of the late nineties and early two thousands, Discreet and Quantel come to mind. But for a brief time, there was a real contender to those two powerhouses: 5D Cyborg!
In this episode, Bela and Christoph discuss means of staying connected - from informal groups and meetups to the Societies and Associations that define our industry.
FilmConvert introduces Hazy, a plugin for Resolve, Premiere and FCP. bringing mist filter effects to post-production workflows. Aimed at enhancing cinematic visuals digitally.
How can you get a number of companies that are in extreme competition with each other and, therefore, do not trust each other to work together? You introduce an independent third organization in which all competitors are jointly involved.
Photogrammetry is an important part of digital asset creation and has helped countless projects create realistic digital actors, assets and environments.
A clear workflow is essential for seamless collaboration and communication between departments. The term "pipeline" is often used in this context, but it can sound technical and complex. This article simplifies how to build a pipeline, with or without coding.
Paul Hatton catches up with Nikita Travnikov, an executive producer for Huuuge Games and 3D tinkerer - and we chat about the whole Fusion/Resolve pipeline!
Sometimes there are fantastical productions, where you get a
monster that feels fresh and new – and once we had seen Season 2 of “Carnival Row” (Release on Amazon Prime), we needed to talk about
the toothy skinned bat: Sparas!
Color, Comp und Conform! Nuke and Nuke X are the de facto-standard in node-based compositing. But even seasoned Nuke artists have often had little or no contact with the closely related reviewing and finishing products.
You’ve surely seen the posters: There’s a new Pixar movie, this time asking “What if the Aristotelian elements have feelings?” The story plays out in Element City, where fire-, water-, land- and air-residents live together.
When we talked about the Virtual Production of Strange New Worlds, we only talked about one side – the interiors and strange
planets. But Star Trek is called STAR Trek –
so who made the Spaceships?
The Visual Effects Society named James Cameron and Gary Demos honorary members, announced four new VES Fellows and revealed its 2021 Hall of Fame class.
ILM VFX supervisor Roger Guyett discusses the global production, practical and digital techniques, virtual production and fleet work behind The Rise of Skywalker.
Unionised animators at Montreal studio Oasis Animation demonstrated for transparent dismissals, recognition of seniority and fair pay amid a wider organising drive in Canada.
Clarisse 5 brought more than 100 features and improvements for set dressing, look development, lighting, rendering and workflow, plus new pricing options.
Lucerne University of Applied Sciences and Arts expanded its animation education with a master’s specialisation beginning in the 2021/22 academic year.
Tenet won the 2021 BAFTA for Special Visual Effects, while Sound of Metal, Soul and Nomadland received awards in editing, animation and cinematography.