DaVinci Resolve 21 Public Beta 4 is out

Beta 4 tightens still-image FX, fixes Canon highlights, exposes Fusion motion paths in the keyframe editor, and refines Studio AI tools.
An editing software interface displays four images of a woman in a pink dress against a textured white wall. On the left, a histogram and color adjustment sliders indicate brightness and color settings, enhancing the visual display of the subject's features.

For those who don’t know the tool: DaVinci Resolve is an NLE plus color grading plus compositing and audio in one app, with Fusion tools and a Studio tier called DaVinci Resolve Studio.

A model in a striking red gown with large, dramatic sleeves stands confidently on outdoor steps, surrounded by lush greenery. The vibrant fabric contrasts beautifully against the blue sky, enhancing the elegant atmosphere of the fashion shoot.

Resolve Stills stop skating around

Blackmagic Design pushed DaVinci Resolve 21 Public Beta 4 with a fairly specific mission: make small things stop being annoying. On the Photo page, Resolve FX behave more reliably when you transform still images. Resize or reposition a photo with an effect applied, and the overlays and on screen controls now stay aligned so you can keep adjusting instead of chasing UI handles.

The update also improves transparency handling for effects on stills, remembers effect favourites between launches, and fixes warper tool behaviour on photos for more accurate reshaping and manipulation. Also in the stills corner, Canon CR2 and CR3 highlights now render more accurately. Bright areas should keep a more natural look and no longer appear darker than expected when grading or compositing.

https://images.blackmagicdesign.com/images/products/davinciresolve/fusion/workflow/tune@2x.jpg?_v=1649745374

Fusion keyframes, meet the timeline

On the Edit and Cut pages, the keyframe editor now supports Fusion motion paths and other modifiers. That means you can tweak animation curves, motion paths, and linked parameters from Fusion titles, effects and macros right next to timeline keyframes, instead of bouncing between editors and hoping you clicked the same parameter twice. It is a fiine quality of life win for anyone who lives on the keyframe lane.

An image comparison showing the iconic Uluru rock formation in the Australian desert. The top half labeled'Before' appears softer, while the bottom half labeled 'After' presents a sharper focus with enhanced detail. The right side features an editing interface with settings for focus adjustments and depth properties, highlighting the technical enhancements.

Resolve Studio AI gets a cosmetic touch up

For DaVinci Resolve Studio users, AI CineFocus has improved visual quality for shallow depth of field simulation. Better and Faster modes now handle subtle blur more cleanly, with reductions in edge shimmer, stair stepping and halos so subjects separate more naturally from backgrounds.

AI beauty tools also get refinement. The blemish removal tool allows greater precision for facial area so corrections stay focused where needed, and the face refinement tool now better supports alpha layer workflows, helping isolate and track facial adjustments with less manual masking.

https://images.blackmagicdesign.com/images/products/davinciresolve/whatsnew/ai/blemish@2x.jpg?_v=1775106162

Immersive and raw handling: small, useful plumbing

Beta 4 adds support for Insta360 native colorspace, plus improved DNG decode handling with color value and profile look table support for more consistent image reproduction. DaVinci Resolve 21 Public Beta 4 is available as a free download. As always, test any new beta build on a copy of a project before you let it anywhere near a real delivery.

https://www.blackmagicdesign.com