Bela Beier

4163 posts

Bela Beier is the owner and one-man band behind Digital Production—and the company’s sole human employee. He joined the publication as an editor in July 2010, became Managing Editor in April 2014, and took over as Editor-in-Chief in February 2019. Having worked his way through the editorial hierarchy, he now also gets to be the hierarchy. His focus is digital imaging, VFX, 3D and postproduction: explaining what creative technology actually does once the launch presentation is over and somebody has to deliver something. The CEO is, obviously, the cat. Bela reports directly to management, usually when the food bowl is empty.

Before Digital Production, Bela worked in photography and technology journalism at PHOTOGRAPHIE and in T-Online’s computer editorial team. He studied online journalism at FH Darmstadt and wrote Social Media für Fotografen, bringing together technical reporting, publishing and the increasingly ambitious business of getting useful information in front of people. Today, editorial work, website maintenance, administration and the rest of Digital Production’s daily operations all arrive at the same desk. If an article, reply or website fix takes a little longer, that is why: the relevant departments are all Bela, and Bela is occasionally already doing something. The CEO has declined to help, citing an exceptionally demanding schedule of sleeping on the equipment.

On the desk: Keychron K5 Max · 3Dconnexion CadMouse Pro Wireless Left · beyerdynamic FOX microphone · EIZO CG3100X display flanked by two smaller LG office screens in a TIE-fighter configuration, because one screen would leave far too much desk visible · Android smartphone · No Apple devices. Somehow, the words still get written.

More articles

Glowing gold crown with blue gems in a neon data-center backdrop, celebrating 25 years

The Royal Way to Render

In 2001, render farms were local, internet connections still screamed through telephone lines, and launching jobs across several machines could consume an entire evening. Holger Schoenberger founded Binary Alchemy to remove some of that administrative misery
A browser-based COLMAP point-cloud view shows a dense golden 3D reconstruction centered on a pale canvas, surrounded by blue camera frustums and sparse floating points. A small control panel in the upper left labels Camera 1 and displays OpenCV calibration values, giving the interface a technical, workspace feel.

COLMAP Moves Into the Browser

Rafael Spring ports COLMAP’s sparse reconstruction workflow into a local browser app, with WebGPU acceleration and standard COLMAP output.