Browsing Tag

HDR

19 posts
A cozy living room scene featuring two people sitting on a sofa, watching a vibrant abstract display on a large television screen. The image showcases colorful swirling patterns, with a Dolby Vision logo in the bottom right corner.

Dolby Vision 2 Rewrites HDR

TL;DR: Dolby Vision 2 upgrades HDR with AI-driven tone-mapping, ambient adjustments, and creative motion control, first to be seen in Hisense TVs, coming in 2026-2027.
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A sleek gaming monitor displayed prominently with a vibrant, colorful abstract background that highlights its features. The monitor stands on a stylish base, emphasizing the modern design and advanced technology.

„For Those Who Dare“

These days you wouldn’t always have to go for an expensive, professionally calibrated screen if you are not working for extremely demanding clients. Has the age of correct colors finally arrived? What about HDR? Let’s have a broader look!
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Dolby Launches free Training : Visual Storytelling in HDR

Dolby has unveiled its newest training course, Visual Storytelling in HDR, designed to bridge the knowledge gap around HDR and make this technology accessible for creatives at all skill levels. Developed over months by Dolby’s expert team, the course offers practical education and SDR/HDR examples, tailored especially for creatives who may be less familiar with the technical aspects of HDR.
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Der neue Input Strip erleichtert die Zuordnung der Quellsignale, in der Fußzeile gibt’s Detailinformationen.

Nobe OmniScope – so far!

Tom Huczek from TimeInPixels must be a very busy man. We have already presented his Nobe OmniScope in detail in DP 21:02 and 22:02, but enough new things have been added to take another look at this comprehensive display tool.
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Germany in Baselight

A look back: In DP 01:2019, we took a look at high-end grading with Baselight. We also spoke to Rotor Film about HDR material and the Amazon series "Deutschland 86".
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Logo for ACES featuring a stylized golden Oscar statue and colorful letters spelling "ACES" on a dark background.

Putting the „Ace” in ACES

The fact that ACES is more than just another buzzword in the VFX industry should have t should have got around by now. And anyone who works at a major studio in a reasonably up-to-date pipeline will already have had contact with ACES. But what about one-person dancing bands, freelancers with mobile workstations and those who like to dance at several weddings?
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Video editing software interface with color grading tools and timeline

IMF – and what it’s all about

IMF - Interoperable Mastering Format - has been around for a few years now. After a somewhat slow start, however, IMF experienced a boom at the beginning of 2O16 at the latest, when Netflix made it its main delivery format. What IMF is and what it is supposed to be good for, however, is still largely unknown to the broad masses of the media industry. This article is intended to provide a brief introduction to the format, shedding some light on its peculiarities and advantages as well as the costs involved. As the cover image suggests, this article will not be a colourful creative experience - but have fun anyway.
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BaseGrade and the evolution of colour grading

At NAB 2O16, colour grading specialist Filmlight caused quite a stir in the colourist scene. BaseGrade - a completely newly developed grading operator for Baselight - was presented, which is intended to replace classic tools such as Lift, Gamma and Gain. That sounds like a small revolution. Filmlight promises more consistent results and a more natural way of working. Reason enough not only for Baselight colourists to take a detailed look at it.
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