Browsing Tag

post-production

289 posts

Mufasa heads to MPC

The Prequel of a remake of a animated movie, based on a Shakespeare play... and still worth watching! We got a Chance to talk to Audrey Ferrara, MPCs VFX Supervisor for Mufasa
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A grid of thumbnails displaying various cinematic scenes, featuring characters in diverse settings and expressions, with colorful lighting. The left panel contains project navigation options for multimedia storage.

FilmLight sends your frames!

FilmLight’s Nara simplifies media workflows and improves collaboration. And you don't even need to have Baselight in your pipeline! The latest version enables seamless progress reviews, approvals, and compliance processes—all without proxies. Interested?
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The Rise and Fall of Cyborg

When we think of compositing systems of the late nineties and early two thousands, Discreet and Quantel come to mind. But for a brief time, there was a real contender to those two powerhouses: 5D Cyborg!
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Twixtor Goes Solo

Revision Effects introduces Twixtor Standalone , combining standalone flexibility and machine learning-based retiming to elevate slow motion workflows.
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RenderMan 26.3

Pixar rolls out RenderMan 26.3 with updates focused on real-time rendering, denoising, and artist-friendly features.
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Sony Alpha 1 II

Sony introduces the Alpha 1 II, a second-generation full-frame camera with 8K video recording, dual processors, and key updates for post-production workflows
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Adobe Fresco Goes Free

Adobe Fresco is now free for all users. Does it fit into your pipeline? Here’s what you need to know about its potential use in painting and beyond.
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Die AI, hier Aion, kann es besser, aber nicht perfekt.

The discovery of slowness

Artificial slow motion, i.e. the calculation of additional intermediate images, has been around for a long time. The best methods to date have been called "optical flow", although this actually refers to the visual perception of movement in general. Now A.I. or neural networks are also establishing themselves here. We compare Twixtor 8, DaVinci Resolve 18.6 and Topaz Video AI 4.
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YC Onion Chocolate Cameraslider

A cheese that glides smoothly over chocolate?! When I was at this year's IBC in Hall 11, I met the well-known video blogger Aaron Parecki at Yolobox, who was travelling with an interesting monopod tripod tripod. When I asked him where he had got it, he pointed to the neighbouring stand. Like Ulanzi, YC Onion has a broad portfolio of camera gear in its programme Programme. From various tripods with practical quick-release fasteners to LED lamps, camera heads and mounts as well as some interesting camera slider models. A trademark of this company is that they name almost all their products after food.
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A collage of various digital artworks showcasing abstract designs, an explosion, a colorful sweater, a futuristic car, and organic shapes on different backgrounds.

The easy Cloudrendering?

There are many, many companies offering cloudrendering services – and most tell you how you can tweak everything, you have all the control – and therefor you also need a TD and DEEP pockets, because the first time the bill from the cloud infrastructure arrives, it’s going to be massive.
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A stylized skeleton figure with exaggerated features, showcasing an open cape against a black background. The skeleton has a human-like skull and a dramatic pose, giving an artistic interpretation of a humanoid skeleton.

All the teeth!

Sometimes there are fantastical productions, where you get a monster that feels fresh and new – and once we had seen Season 2 of “Carnival Row” (Release on Amazon Prime), we needed to talk about the toothy skinned bat: Sparas!
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A digital interface showcasing Nuke Studio, featuring animation elements like a 3D cat and a blue character, alongside multiple editing tools and color grading options. The Nuke Studio logo is displayed prominently at the bottom.

Timeline Tools von The Foundry 2

Color, Comp und Conform! Nuke and Nuke X are the de facto-standard in node-based compositing. But even seasoned Nuke artists have often had little or no contact with the closely related reviewing and finishing products.
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A digital editing interface displaying a grid of images featuring a tabby cat on a patterned rug, along with editing tools on the right side.

New in the toolbox

Standing around the DP stand at FMX and (as so often) looking stupid, various people came by and wanted to know something special. "Do you know anything for..." - and we were able to answer almost everything, and one of them (Hello Ralf!) said we should put the list in the magazine. Okay, here you go - the best tools we've recommended to people directly. You might find them helpful too!
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A cartoon scene showing an animated dog and a blue creature inside a colorful spaceship cockpit filled with buttons and levers. The dog is excitedly steering, while the blue creature looks surprised. The Blender logo is at the top left corner.

Performance across the board in Blender 3.6 LTS

Blender 3.6 is the last release before the big jump to 4.0 and again with Long Term Support (LTS). Important work on the substructure has been continued, so that a leap in performance is noticeable across almost all areas. Other areas such as the viewport compositor have been completed and Cycles now supports significantly more hardware. However, this does not mean that the developers have skimped on new features. The Geometry Nodes can now finally run simulations, the Video Sequence Editor has been given a new retiming tool and there is much more to discover.
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Firefly_Banana+Pirates Birthday on a big yellow steampunk sailing ship made of bananas

Firefly –AI for the Creative Cloud?

Everyone is talking about AI, and even in the general interest One of the points of criticism is copyright, as most programmes simply use the internet to learn how to generate images and text. Adobe has now also released an AI image generator with the beta version of Firefly, but it has a slightly different approach. I was one of the first beta testers to see how well it works.
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Stylized text spelling 'PRESENT' in white and yellow on a teal background.

Got you a Present!

“Present” stands for “Photoreal REaltime Sentient ENTity”. During FMX 2022, Manne Öhrström, Global Head of Film Software at Framestore, delivered a talk about the Present project, where machine learning translates high-end film character rigs into real-time. A conversation with Manne Öhrström – and with Epic Game’s Research and De­velopment Technology Producer, Emelia Fiell.
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A stage featuring animated characters as a band: a guitarist with a notable hairstyle, a singer with a microphone, a drummer, and a bassist, set against a backdrop of artwork depicting musical elements.

The Puppet Groove

The animated film "The Puppet Groove", which looks like a music video, shows a rocking puppet band on stage. In the background, the singer narrates their success story in an animated film sequence. But whether the musicians really have everything under control is only revealed at the end.
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A woman working on a computer in an office with graphs on the screen.

Trust is good, control is… QScan?

While gazing across the internet in search for DCC-related news items, we stumbled across a report released on the 24th of October on postperspective.com titled “LWKS Offers Updated QScan for Automated QC”, announcing the launch of QScan 2023 – the most recent version of the automated quality control (AQC) platform, manufactured by Lightworks (LWKS). We got in touch with Daniel Roques, Product Manager for QScan to answer our questions about what improvements users can hope for with QScan 2023.
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A figure in a dark hooded cloak illuminated by a bright light emanating from their chest. The background is a dimly lit, cavernous space with rocks visible.

Black Adam!

The DC Universe has a new “Hero” – well, not really a hero, but you’ll have to watch the movie for that. What is one of the best entries into that universe though, is Digital Domains work in the beginning – the “Introduction” of Black Adam is a super­power-extravaganza, with super-speed, bullets everywhere, punching through walls and a healthy dose of electricity – and we asked DD’s Supervisor Nikos Kalaitzidis how that was done.
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Logo for ACES featuring a stylized golden Oscar statue and colorful letters spelling "ACES" on a dark background.

Putting the „Ace” in ACES

The fact that ACES is more than just another buzzword in the VFX industry should have t should have got around by now. And anyone who works at a major studio in a reasonably up-to-date pipeline will already have had contact with ACES. But what about one-person dancing bands, freelancers with mobile workstations and those who like to dance at several weddings?
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A keyboard with various keys and a large control knob.

Cut faster – The Blackmagic Speed Editor

In DP 02:20, we already presented the Editor Keyboard from Blackmagic Design (BMD for short). It used to be close to 1,000 euros, but when it didn't become a big seller, it was lowered to around 600. Meanwhile, the manufacturer has removed the regular keys in the centre, moved the side panels closer together and added a few extra keys. The result is called Speed Editor (SE for short) and is still being offered at the competitive price of 380 euros including a licence for DaVinci Resolve Studio. Some folks are even marketing the device for 199 euros without the licence, but it remains unclear whether this is permissible on the part of BMD.
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Premiere listens – and types!

New functions and tools are added with every Creative Cloud update. In the last major update for Premiere, there was an entire subsection - transcribing. But how exactly does it work? (Including self-test and prize draw)
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Schon vor der Kalibrierung war die Abweichung dieser App nicht größer als die der Messgeräte untereinander.

The best light meter ..

... is the one you have with you. And what does everyone have in their pocket these days? Sure, a mobile phone. But can an app compete with a professional light meter? We did the maths. And aren't light meters terribly old-school? Not really for cameramfolks on a film set - except perhaps for solo entertainers on YouTube.
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Stellarer Nebel aus ZDF „Terra X“, Episode „Eine Frage der Zeit“ (https://vimeo.com/renderbaron/txeinefragederzeit, Min OO:3O): Ein einziges sichtbares volume­trisches Licht dient hier als Aquarium für 3D-Noises und weitere volumetrische Shader, die als Textur auf der Lichtquelle liegen – Komplexität leicht gemacht.

Cloudy to fiery – Volumetric effects in Cinema 4D (Part 1)

In this two-part series of articles, we will provide the experienced Cinema 4D user with in-depth insights into the creation of volumetric effects with the onboard tools of Cinema 4D - without any plug-ins, particles or Pyro Cluster. The first part of the series is dedicated to visible lights and their texturing with volumetric shaders.
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Scratch… Scratch Play Pro

The trend towards packaging continues: Scratch Play Pro brings together a universal format player, an immersive media player, look creator, transcoder (Prores on Windows) and QC tool in one package, offering both filmmakers and post-production artists greater efficiency and productivity.
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Die Objektivfassung ist nun austauschbar, hier für PL-Objektive.

One for all? The Ursa Mini 4.6K Pro from Blackmagic

At NAB 2O17, the new version of the Ursa Mini 4.6K Pro (UM Pro for short) received a lot of attention, with Videomaker even honouring it as the "Best camera of NAB". But what does the "Pro" in the name mean? For whom is the new camera more professional than its predecessor with the same sensor? Can it satisfy in documentary and nature film or even in reportage?
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Put in the right light

Review: In DP 04 : 2014, Depeche Mode went on a major tour - and Cologne-based post-production house the editors cgn was responsible for the high-quality post-production of the concert events. How do post-pros make the performers look as good as possible? Head editor Tobias Berbuer explains in an interview!
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Visualising barley juice

Looking back: In DP 04 : 2013, we were thirsty for beer, because pilsner brand Warsteiner was celebrating its 260th birthday with an advertising campaign. The post-production studio nhb and the agency Kolle Rebbe created bottles in 3D for the Warsteiner brewery. Cheers!
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Archive

Alle DP-Ausgaben seit 2006 als Non-DRM-PDFs: Online fürs Lesen, Highres für Druck und Screenshots. Sonderhefte inklusive.
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