Colorfront’s New SDR/HDR Workflow Tools

Colorfront introduces innovative SDR/HDR tools that streamline mastering for cinema and television productions, maintaining creative intent across multiple display formats – including Dolby Vision!

Colorfront has launched a suite of new SDR/HDR color workflow tools aimed at simplifying the postproduction process for cinema and television. Built into their Transkoder and On-Set Dailies/Express Dailies products, these tools are designed to solve key challenges in the mastering process. The cornerstone of the update is the Colorfront Engine, a remapping system that uses the Human Perceptual Model to ensure that the visual integrity and creative intent of content are preserved across various displays.

A standout feature is the SDR-to-Dolby-Vision-Round-Trip tool, which converts SDR content into Dolby Vision HDR and generates Dolby Vision XML metadata. This ensures the output matches the original SDR content visually. This tool has already been used in high-profile projects like Taylor Swift: The Eras Tour for Disney+ and Welcome to Wrexham – Season 3 for Hulu, demonstrating its effectiveness in both scripted and unscripted content. Another significant addition is the DCI-to-Dolby-Vision Conversion tool. It converts cinema-grade XYZ content, optimized for 48-nit film projection, into Dolby Vision HDR, creating a version suitable for home viewing while retaining the original creative intent.

Furthermore, the new HDR-Roll-Off tool offers artists control over highlights in HDR content, helping them manage peak luminance and soft roll-off to preserve creative decisions.

For HDR content that may be overly bright or saturated, the HDR Harmony tool corrects these issues while preventing color artifacts, ensuring a clean and accurate HDR image. Additionally, Broadcast Converter Tools offer advanced controls for managing SDR, HDR PQ, and HDR HLG conversions, with specific tools like the Broadcast Converter Advanced allowing for SDR softening and BT2408 support.

Two tools focused on improving the postproduction workflow include the HDR Brightness Guard, which identifies overly bright areas within the timeline, and the Subtitle Recognition Tool, which detects and adjusts subtitles’ brightness during SDR to HDR conversion, ensuring an optimal HDR master.

For more detailed information, refer to the Colorfront documentation and the manufacturer here. If you want to see if that is something for your pipeline, you can contact our friends at DVE AS!