Browsing Tag

Compositing

127 posts
A person's hand holding a stylus, drawing on a digital tablet with a colorful character illustration on the screen, surrounded by software tools and graphics, in a modern workspace.

Huion Kamvas 13 (Gen 3): Welcome to Sensible Pen Tablets

Sometimes you just want a tablet that works without selling your workstation. That was the starting point for our test of Huion’s Kamvas 13 (Gen 3). In times where many artists keep an eye on their budgets, the idea of a small, solid, and affordable pen display is tempting. So we teamed up with Huion to see what this one could actually do.
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Screenshot of Adobe Premiere Pro interface showcasing the Effect Controls panel on the left and a nighttime video preview, featuring cars and city lights, in the main window.

Neat Video 6: Smarter Noise Reduction for Nuke and Beyond

Neat Video 6 automates what used to be manual: GPU tuning, CPU balancing, and memory management. The result: up to twice the render speed and half the RAM usage inside Nuke, Premiere, and Resolve. A quiet but meaningful upgrade for anyone tired of watching progress bars instead of pixels.
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Coffee bag and cup on a wooden surface

Continuum 2025.5

Continuum 2025.5 expands its AI arsenal with automated masking, 2D depth mapping, frame repair, and UV warping—plus 8K titling and smoother FX editing.
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Two lion head sculptures surrounded by flames in a digital editing interface.

Fusion 20: a deep look at the core

With its latest release, Blackmagic Fusion is positioning itself more aggressively than ever as a powerful and cost-effective complete package for node-based compositing and motion graphics. We check whether Fusion 20 lives up to the high expectations.
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The Rise and Fall of Cyborg

When we think of compositing systems of the late nineties and early two thousands, Discreet and Quantel come to mind. But for a brief time, there was a real contender to those two powerhouses: 5D Cyborg!
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Magic Nodes 2: New functions

The "Magic Nodes" extension for "Adobe After Effects" has has been around for a while. This enables compositing in a Nodes network with the Adobe programme. A look at the changes and improvements in version 2.
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From the left..

Nomen est omen. When reading the company name "Left Angle", anyone with any mathematical knowledge will think: "There's no such thing!" And it's a bit like that with your product, Autograph: a new compositing and motion design application that stands up to comparison with Nuke and After Effects. That doesn't even exist. Or is there?
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Die AI, hier Aion, kann es besser, aber nicht perfekt.

The discovery of slowness

Artificial slow motion, i.e. the calculation of additional intermediate images, has been around for a long time. The best methods to date have been called "optical flow", although this actually refers to the visual perception of movement in general. Now A.I. or neural networks are also establishing themselves here. We compare Twixtor 8, DaVinci Resolve 18.6 and Topaz Video AI 4.
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The new kid on the block!

The market for VFX and motion design software seems pretty saturated. Nuke for VFX, After Effects for Motion Design, sprinkle in a little bit of Flame and Fusion and that’s about it. Or is it?
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Nuke UtilitiesVolume 6 – Keying

Admittedly, if you look at the keyers that are included with Nuke out of the box, it's a who's who of clipping tools: Primatte, Ultimatte, Keylight & IBK, plus Luma, Difference & Co. However, as everyday working life throws all kinds of challenges at us, there are also some clever little helpers that we want to take a look at here.
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A digital interface showcasing Nuke Studio, featuring animation elements like a 3D cat and a blue character, alongside multiple editing tools and color grading options. The Nuke Studio logo is displayed prominently at the bottom.

Timeline Tools von The Foundry 2

Color, Comp und Conform! Nuke and Nuke X are the de facto-standard in node-based compositing. But even seasoned Nuke artists have often had little or no contact with the closely related reviewing and finishing products.
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A stage featuring animated characters as a band: a guitarist with a notable hairstyle, a singer with a microphone, a drummer, and a bassist, set against a backdrop of artwork depicting musical elements.

The Puppet Groove

The animated film "The Puppet Groove", which looks like a music video, shows a rocking puppet band on stage. In the background, the singer narrates their success story in an animated film sequence. But whether the musicians really have everything under control is only revealed at the end.
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Trash, Dance & Robots

In winter 2021, we decided to make a film as a group of three under the guidance of our professor Jürgen Schopper about a robot whose purpose in life is to pick up rubbish. A lot has happened in the meantime: the robot is now controlled by an old lady and can - surprise! - dance very well. We have spent many enjoyable, stressful and also funny days at the HFF with our robot and the old lady. The original idea resulted in a four-minute animated film. We - three visual effects students (Valentin Dittlmann, Hannes Werner, Felix Zachau) at the University of Television and Film in Munich - developed, realised and completed this film in the course of our first year of study.
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