Browsing Tag
Color Grading
106 posts
Resolve 20.3 brings 32K support, metadata tools and stability fixes
DaVinci Resolve 20.3 rolls out: 32K on M5 Macs, more flexible metadata and HDR10+ export, plus a slew of bug patches.
Crawly for Videoscreens: SpyderPro
SpyderPro gets serious: anorganic filters, 12,000 nits, 3D LUT export, OLED support, and proper profiling tools make it fit for postproduction again. Let's see if the claims hold up!
Analog Soul, Digital Body: ARRI Film Lab Arrives
ARRI’s new OpenFX plugin Film Lab emulates analog film’s grain, halation, and weave in real time for any camera. Free trial now via RE:Vision Effects.
Nobe OmniScope, Pomfort, and RePro sync up on set
RePro connects Pomfort Livegrade and Nobe OmniScope for a unified on-set-to-post workflow. Real-time streaming, shared looks, and synced scopes cut guesswork.
Dolby Vision, Dolby Vision 2, and Beyond!
HDR isn’t just a jungle of acronyms on your TV box—though it may feel that way. To bring some order, we sat down with Michael Hackl from Dolby to talk about Dolby Vision, how it compares to HDR10 and HDR10+, how it is made, and what’s new in Dolby Vision 2.
Continuum 2026: AI masks, fixes, and faces
Continuum 2026 upgrades AI masking, keying, and transitions. Face ML, Matte Refine ML, and smarter Pixel Chooser save time on tedious isolation work.
Affinity: free all-in-one design suite
Canva folds Affinity into one free-forever app, marking a major shift for design tools and putting the old perpetual-licence model on hold.
Photoshop 27.0: Now with Harmonise, Upscale & Firefly Video
Photoshop 27.0 is official. You get Harmonise, Generative Upscale, Firefly video export, and selectable AI models. Test before rollout.
ASUS unveils 32″ 8K HDR Mini-LED ProArt monitor. Yes, 8K.
ASUS launches its 32″ 8K HDR Mini-LED monitor, the ProArt PA32KCX with great brightness and pro-features. Not for everyone, but if you edit 8K or need huge desktop real-estate, this is serious.
Ugly Gets an Upgrade: Digital Anarchy’s Free Halloween Plugins
Digital Anarchy resurrects its Ugly Box and Flicker Freak plugins just in time for Halloween. Free, frightful, and gloriously hideous.
Need an AI Video Enhancer in Your Workflow? Aiarty Video Enhancer!
Blocky VHS? Grainy DSLR shots? Aiarty Video Enhancer upscales, denoises, and restores video locally—no cloud upload required. (Sponsored Post)
After Effects Gets Hands-On: Victoria Nece Shows Off Quick Offset & Co.
At IBC 2025, I talked with Adobe’s Victoria Nece about Quick Offset, Smooth Zoom, and 3D compositing in After Effects. It’s tactile, fast and oddly fun.
ProRes RAW vs. BRAW
BMPCC 4K just learned a new trick: ProRes RAW via firmware. We stacked it against BRAW Q0. One’s cleaner, one’s bigger. Which would you shoot?
ProRes RAW News – Fresh from the Freezer
Resolve 20.2.1 + Sequoia = real ProRes RAW. Sonoma users: no dice. iPhone 17 footage shows the difference...
Blackmagic Camera 3.0: Remote Clip Syncing and Multi-Cam Control Arrive on Smartphones
Blackmagic Camera 3.0 syncs clips between phones, adds live streaming, LUT upgrades and more, making moile multi-cam shoots less painful.
ARRI Packs Virtual Production Into a Box
ARRI’s turnkey stage bundles LED wall, ALEXA 35, audio, and server into a scalable studio package with automation and colour management.
Mistika 11 Adds “The Gallery” for Colourists Who Hoard Looks
Mistika 11 adds The Gallery: unlimited presets, FX stacks, metadata control, and Apple Silicon optimisation. For colourists who like tidy chaos.
DaVinci Resolve 20.2: Ripple Discipline, ProRes RAW, and AI Fog on Demand
Resolve 20.2 ships with ProRes RAW decoding on all OS, AI-driven haze, cleaner ripple edits, immersive EXR support, and metadata flexibility.
VEGAS Pro 23 Boosts Engine, Streamlines Colour-Grading, Modernises Interface
TL;DR: VEGAS Pro 23 adds ARM-native support, GPU Core Engine, refreshed UI and flexible licensing. Now with both perpetual and subscription pricing.
Pixel 10 Pro unlocks true 12-bit RAW with DCG
Pixel 10 Pro quietly enables true 12-bit RAW video via DCG. Good for BCAM, photogrammetry, or set refs. But don’t expect it to replace your cinema cam.
Blackmagic Rents out Resolve: Subscriptions in the Cloud
Resolve goes rental: Blackmagic now lets individuals rent DaVinci Resolve Studio via Cloud. Not a shift, but an optional offer.
Dolby Vision 2 Rewrites HDR
TL;DR: Dolby Vision 2 upgrades HDR with AI-driven tone-mapping, ambient adjustments, and creative motion control, first to be seen in Hisense TVs, coming in 2026-2027.
SDI inside: EIZO’s CG2400SV aims at serious video work
SDI, HDR, 10-bit colour, and a carry handle: EIZO’s new 24" ColorEdge CG2400SV is aimed at post houses, studios, and on-set use.
Goodbye Adobe Premiere
I whispered, "Goodbye, Adobe!" as I pressed the unsubscribe button. To me it sounded very much like “Hasta la vista” but less dramatic. We had a good run, but it was time to move on.
Making it Soft – Diffusion in Post II
We looked at Halation and Diffusion before - but how about the new Tools from FilmConvert and Resolve 20?
EIZO CG3100X: The New Gold Standard for Colour-Critical Work?
EIZO’s new ColorEdge CG3100X offers DCI-4K, HDR presets, 99% DCI-P3 coverage and True Black filter. Available November 2025 for less money than you'd expect!
LumaFusion 5.3 Lands on iOS with New Workflow Tools and a Door for Plugins
LumaFusion 5.3 for iOS adds workflow updates, introduces plugin API, and launches CoreMelt’s PaintX as first third-party effect tool.
Resolve 20.1: Apple Vision Pro, Magic Mask V2, and a Few More Reasons to Backup
DaVinci Resolve 20.1 delivers Apple Vision Pro support, Magic Mask v2, and new editing, Fusion, and Fairlight tools. Backup before updating.
Imagen AI Automates Frame‑by‑Frame Grading: An interesting Beta
Imagen for Video (Beta!) adds AI grading to Premiere with full controll in Lumetri, promising time savings.
LensNode Evolving Vintage Lens Emulation in DaVinci Resolve
LensNode uses real‑lens profiles, GPU acceleration, ACES‑ready processing and granular controls in DaVinci Resolve for authentic vintage lens emulation. Get into early acces now!
Wacom MovinkPad 11: Standalone Sketching, No PC (or iPad) Required
Wacom MovinkPad 11 offers an 11.45″ Android tablet, pro-grade pen, and PC-free sketching for $449. Ready for artists wanting less Apple, more drawing.
„For Those Who Dare“
These days you wouldn’t always have to go for an expensive, professionally calibrated screen if you are not working for extremely demanding clients. Has the age of correct colors finally arrived? What about HDR? Let’s have a broader look!
Blackmagic URSA Cine 17K Slides Into Netflix’s List
Blackmagic URSA Cine 17K is now Netflix-approved but still unavailable to general buyers—professionals might consider early Christmas shopping.
Pomfort Debuts Silverstack XT v9 with Real‑Time Workflow Automation
Pomfort releases Silverstack XT v9, featuring chained, parallel workflow automation, real‑time Jobs View, and Stream Deck integration.
WeFX Saddles Up for “1923”
From pristine scans to viscous blood foam: how 50 artists spent six months on 20 shots that make one horse’s final tumble painfully believable.
LiDAR Librarian: Cyclone 3DR Shelves Your Point-Cloud Clutter
Leica unveils Cyclone 3DR: an AI-powered LiDAR toolkit that spots, edits and recycles real-world objects straight from your scan.
AccuPOSE Infinity Expansion 4: Kids, Kicks & Caffeine-Free Chaos
Subscribers to Reallusion’s AccuPOSE INFINITY now get eight fresh AI motion models spanning playground high-jinks to full-contact kicks.
Pencil-Sharp Update: Cintiq 16, 24 and 24 Touch Hit 2.5K
Wacom rolls out Cintiq 16, 24 and 24 Touch with Pro Pen 3, 2.5K panels, silent chassis and bundled Clip Studio Paint EX.
Maxon Acquires Autograph: A New Chapter in Compositing Tools
Maxon welcomes the Autograph team from Left Angle, aiming to integrate their compositing expertise into its suite of creative tools,
MetaHumans Graduate: Ready for Unity, Godot, and the Fab Cash Register
MetaHuman is out of early access, baked into UE 5.6, licensable for Unity & Godot, and finally up for sale on Fab?
Unreal Engine 5.6, Fully released. Still 60 FPS, still Smarter MetaHumans, and still possibly Fewer CPU Tantrums
Unreal Engine 5.6 brings integrated MetaHuman Creator, Control Rig Physics, 60 FPS optimization, and enhanced Sequencer tools for streamlined game development.
Resolve 20 Leaves Beta
DaVinci Resolve 20 exits beta. Yes, that’s the news. The final version is now available from Blackmagic Design. Time to update, everybody.
Edit: Microsoft’s Tiny Text Editor Sneaks into the Terminal
Microsoft's new open-source CLI editor, Edit, comes to Windows 11 - keyboard-only, small-footprint, and intentionally not Vim.
Unreal Engine 5.6 Preview: Now with 60Hz Open Worlds and In-Engine MetaHumans
Unreal Engine 5.6 Preview introduces 60Hz open worlds, an overhauled animation toolset, in-engine MetaHuman Creator, and enhanced procedural workflows.
Nara: Now with More Sync, Less Scream
Filmlight’s Nara adds remote realtime playback sync, review-in-Baselight, and more versioning features for collaborative post and color workflows.
Sapphire 2025: Now with More Zap, Less Crap
Sapphire 2025 introduces VHS Damage, new lens flares, and enhanced Mocha AI-Matte-tracking, refining your VFX workflow with precision and style.
Neat Video 6.0.5: Noise Reduction Gets a Patch-Up
Neat Video 6.0.5 squashes bugs, improves GPU performance, fixes color channel issues, and updates presets – denoising stays smooth across video workflows, even in Resolve and Fusion 20
FMX 2025: AI, Arcane, and a Light Stage Walk into a Conference
FMX 2025 unleashes Arcane secrets, Houdini hocus pocus, and a swarm of AI panels onto Stuttgart. Turquoise flags and login buttons now live!
DaVinci Resolve 20 Beta: AI Edits – so you can panic about something else
DaVinci Resolve 20 launches as public beta at NAB Show. New tools include IntelliTrack AI, Chroma Warp, Smart Reframe and animated subtitles.
Flame 2026: OCIO, Files and Timeline Magic
Discover the seven key innovations in Flame Family 2026—from OpenColorIO to AI-enhanced video quality.
Adobe’s Premiere Pro and After Effects 25.2
Adobe unveils Premiere Pro and After Effects 25.2 at NAB 2025, introducing AI-driven tools like Generative Extend, enhanced search capabilities, and HDR monitoring.
Unlocking the Mysteries of FX-Map: A Free Guide That Doesn’t Require a Map
Dive into Andrei Zelenco's free four-part video series demystifying Substance 3D Designer's FX-Map node, from basics to advanced procedural techniques.
Blackmagic’s URSA Cine 17K 65: The Camera That’s More ‘K’ Than Your Keyboard
Blackmagic Design's URSA Cine 17K 65 camera showcases its 17K resolution and 65mm sensor in new films "Iceland" and "The Ranch," offering unparalleled cinematic depth and flexibility.
DaVinci Resolve 19.1.4: ProRes Support Now on Windows and Linux
Blackmagic Design's DaVinci Resolve 19.1.4 update introduces ProRes support for Windows and Linux, enhancing cross-platform workflows.
Godot 4.5 Dev 1: The Feature Freeze Thaw Begins
Godot 4.5's first development snapshot introduces a "Mute Game" toggle, enhanced UID support, and addresses over 400 bug fixes.
FumeFX 6.7 for 3ds Max: Stoke Up Your Sims
FumeFX 6.7 delivers fire presets, Arnold 2024 support, and Stoke MX compatibility for 3ds Max—now available for $695.
ACES 2.0, Deinterlacing and Topaz: Mistika’s Triple Threat Update
ACES 2.0, AI deinterlacing, Topaz Labs and SDK support: Mistika Boutique and Ultima update integrates new tech for color, footage, and pipeline flexibility.
Blender 4.4 Arrives: Slots, Planes, and Glare—Oh My!
Blender 4.4 launches today, introducing slotted Actions, a versatile Plane brush, an overhauled Glare node, and enhanced Cycles rendering. Dive into the details!
Baselight Goes Mac: FilmLight Introduces Baselight S and M
Baselight S and Baselight M bring FilmLight’s high-end grading tools to macOS with subscription-based access for freelancers and facilities.
Colour Monitoring for Cheapskates! Part 2
Now that your I/O-Hardware should be up and running, let’s get into equipment for profiling the screen (aka…
Color Monitoring for Cheapskates?Part 1
Colour Monitoring is cheap, easy, and fast. As usual, you can pick two of those adjectives — and in this series, we are going for cheap and will make it easy for you!
Unlocking Unreal Engine 5’s February Freebies: From MetaHumans to PCG Tools
Unreal Engine 5's February free courses cover MetaHuman animation, PCG tools, VR development, and more.
FilmLight sends your frames!
FilmLight’s Nara simplifies media workflows and improves collaboration. And you don't even need to have Baselight in your pipeline! The latest version enables seamless progress reviews, approvals, and compliance processes—all without proxies. Interested?
The Rise and Fall of Cyborg
When we think of compositing systems of the late nineties and early two thousands, Discreet and Quantel come to mind. But for a brief time, there was a real contender to those two powerhouses: 5D Cyborg!
FilmLight REMOTE: Next-Generation Remote Color Grading
FilmLight introduces a new remote grading solution with JPEG-XS, NICE DCV, and full control surface integration.
Hardware for CineMon (et. al.)
After looking at the software side of CineMon, it's time to take a look at the hardware - whats good and what's not?
HDR Without Headaches: Dolby Vision Training by Matthias Bolliger
Matthias Bollinger’s Dolby Vision course "Advanced" simplifies HDR workflows, from color grading to light scripting. Certification prep included.
Sony Releases BURANO Test Files for Download
Test Sony’s BURANO camera with free downloadable footage for workflow evaluation.
FilmConvert Hazy: Digital Mist for Cinematic Post-Production
FilmConvert introduces Hazy, a plugin for Resolve, Premiere and FCP. bringing mist filter effects to post-production workflows. Aimed at enhancing cinematic visuals digitally.
Black Friday 2024: Best Deals for Post-Production Pros
This year’s Black Friday brings discounts on DaVinci Resolve, FilmConvert Nitrate, and OWC hardware—essential tools for post-production workflows.
Unreal Engine 5.5 Unleashes Color Grading, Virtual Production, and SMPTE 2110 Advances
UE 5.5 equips creators with new tools for animation, real-time IP workflows, and color grading—streamlining complex VFX and virtual production tasks.
DaVinci Resolve 19.1 Enhances Multicam, Audio, and VFX Workflow
The DaVinci Resolve 19.1 update adds new audio tools, Fusion effects, and color grading features, alongside support for spatial media and USD export.
D5 Render 2.9: Enhanced Terrain and Workflow
D5 Render 2.9 updates: Terrain tools, AI-based lighting, and pipeline optimizations for smoother real-time rendering.
Adobe Fresco Goes Free
Adobe Fresco is now free for all users. Does it fit into your pipeline? Here’s what you need to know about its potential use in painting and beyond.
Flow Warp Plugin for Nuke Bends Images with Precision
The free Nuke plugin, Flow Warp, lets artists bend images along custom paths with ease—ideal for particles and tricky compositing shots.
Freemium Stuff: Blender to Resolve Course!
Want to streamline your VFX projects? Blender and DaVinci Resolve now work better together. Here’s what you need to know about the latest integration.
Premiere Pro Beta Adds Color Management and Performance Boosts
Adobe Premiere Pro's beta introduces an automatic color management system, enhancing efficiency for editors handling RAW and log formats without LUTs. Other updates include a new Properties panel and improved hardware acceleration.
BMD Micro Color Panel
In addition to some new cameras, the Australians have also released a revised version of their smallest grading panel. Unlike the new camera models, it was already available for us to test.
DaVinci Resolve 19: Final Release
USD tools, multi-source editing, rotoscoping in Fusion and MUCH more!
Card game for colour fans!
If you already own the card set for the Datacolor Spyder Checkr discussed in the last issue, you can now extend or replace these cards.
Spyder Checkr Video
Wasn't everything better when video by definition was still in black and white? Since colour was added, it has only become more complicated - but what the heck, there are helpers for that!
Nobe OmniScope – so far!
Tom Huczek from TimeInPixels must be a very busy man. We have already presented his Nobe OmniScope in detail in DP 21:02 and 22:02, but enough new things have been added to take another look at this comprehensive display tool.
Fallout becomes cinematic.
Paul Hatton catches up with Nikita Travnikov, an executive producer for Huuuge Games and 3D tinkerer - and we chat about the whole Fusion/Resolve pipeline!
Grading tricks from a professional
Many of you come into contact with colour grading time and again, whether intentionally or unintentionally. For example, when thinking about colours in the context of a VFX workflow or, like me, because it has become part of my job as a filmmaker in the image film sector. It would be perfectly conceivable to have this work step done by a professional colourist, but the budget is often not sufficient for this...
New in the toolbox
Standing around the DP stand at FMX and (as so often) looking stupid, various people came by and wanted to know something special. "Do you know anything for..." - and we were able to answer almost everything, and one of them (Hello Ralf!) said we should put the list in the magazine. Okay, here you go - the best tools we've recommended to people directly. You might find them helpful too!
Tech demo or working tool? DaVinci Resolve on the iPad Pro
You would expect Apple itself to demonstrate the enormous performance of its tablet devices in practice. So far, only gamers have been able to utilise such an iPad, and they are rarely out and about with it. Otherwise, the many cores usually twiddle their thumbs. But instead of a port of Final Cut Pro X, Apple itself uses DaVinci Resolve in its own advertising, which has already been ported, albeit with a limited range of functions.
Can you seriously work with it?
Colourful balls
Review: In DP 01 : 2013, a world-famous manufacturer of sugar water commissioned a commercial from Bent Image Lab. Grading artist Jalal Jemison was responsible for the bright red colour typical of the beverage brand. An interview.
Live Assist 9.5 from Assimilate released
These eight functions are designed to further enhance the software for grading, comping and live streaming. A surprise awaits users at the International Broadcast Convention (IBC)!
Anastasiy Safari releases Magic Tints 3
As a standalone version, but also as a plugin for Photoshop, Illustrator or InDesign: Can the new convenience functions convince users?
Resolve 10 on tour
Review: In DP 01 : 2014, Resolve 10 went into open beta. We spoke to London-based videographer James Tonkin, who was on tour with Resolve 10 and Robbie Willliams. The perfect topic for the festival season!
Filmlight: Free event on the 25th of May!
Let's meet in Cologne: FilmLight's image processing specialists provide expert information on the latest in broadcast post-production!
How does the ACES work?
Anyone interested in the Academy Color Encoding System or colour correction should watch this short video.
Germany in Baselight
A look back: In DP 01:2019, we took a look at high-end grading with Baselight. We also spoke to Rotor Film about HDR material and the Amazon series "Deutschland 86".
Putting the „Ace” in ACES
The fact that ACES is more than just another buzzword in the VFX industry should have
t should have got around by now. And anyone who works at a major studio in a reasonably up-to-date pipeline will already have had contact with ACES. But what about one-person dancing bands, freelancers with mobile workstations and those who like to dance at several weddings?
Cut faster – The Blackmagic Speed Editor
In DP 02:20, we already presented the Editor Keyboard from Blackmagic Design (BMD for short). It used to be close to 1,000 euros, but when it didn't become a big seller, it was lowered to around 600. Meanwhile, the manufacturer has removed the regular keys in the centre, moved the side panels closer together and added a few extra keys. The result is called Speed Editor (SE for short) and is still being offered at the competitive price of 380 euros including a licence for DaVinci Resolve Studio. Some folks are even marketing the device for 199 euros without the licence, but it remains unclear whether this is permissible on the part of BMD.
Colour Award | Competition
Show your colours: Film Light presents its own award. Colourists wanted!
BlackMagic Livesessions
If you are already on holiday this week or urgently want to learn Resolve: Blackmagic is hosting free webinars on the individual parts Edit, Color, Fusion and Fairlight!
Cloudy to fiery – Volumetric effects in Cinema 4D (Part 1)
In this two-part series of articles, we will provide the experienced Cinema 4D user with in-depth insights into the creation of volumetric effects with the onboard tools of Cinema 4D - without any plug-ins, particles or Pyro Cluster. The first part of the series is dedicated to visible lights and their texturing with volumetric shaders.
Frame.io: Free Workflow Guide
From recording and codec selection to rough cut and export: Frame.io's Workflow Guide provides a good overview of the workflows.
The virtual glue press:CineXtools from Cinedeck
Non-linear video editing with computers (NLE for short) has given us enormous freedom. Not only the fiddling with adhesive presses and cotton gloves, synchronised tape machines or even toxic carbon tetrachloride in magnetic magnifiers from the early days of videotape are a thing of the past. today, "cuts" are non-destructive and can be altered at will (sometimes all too often). But the whole thing has one disadvantage .....