Browsing Tag
iPhone
16 posts
Cadrage Directors Viewfinder NO AI
Cadrage Studio sits in creative pre-production for directors and DPs, between script breakdown, previs and location prep. It…
ProDock-ing an iPhone
The iPhone 17 is the first smartphone ever to support external synchronisation, and Blackmagic (BM for short) offers the ProDock to connect it to a professional environment. What are its possibilities and limits?
Callipeg Studio Heads to Desktop
Callipeg goes desktop with macOS and Windows builds, familiar 2D tools, beta caveats and a price that avoids subscription bingo.
Apple Watch control for the Blackmagic Camera?
Blackmagic Camera now takes direction from your wrist. Great for shaky rigs, high mounts, and anyone tired of people poking the rig with their dirty fingers.
Mavis adds LUTs, Open Gate and a “Film Kit” to iOS camera app
Mavis Camera 7.4 introduces Film Kit: a $9.99 add-on with LUT workflows, Open Gate capture, MLUTs, and ATOMOSphere C2C upload.
Blackmagic Camera 3.2: iPhone Streams Live, No Extra Steps
Blackmagic Camera 3.2 turns your iPhone into a live streaming unit—now with native YouTube, Vimeo, and Twitch streaming, plus SRT for pro use.
ProRes RAW News – Fresh from the Freezer
Resolve 20.2.1 + Sequoia = real ProRes RAW. Sonoma users: no dice. iPhone 17 footage shows the difference...
Hell Froze Over – ProRes RAW for Resolve
For an eternity, it seemed, Blackmagic Design (BM for short) refused to support the import of Apple's ProRes RAW format into their flagship app DaVinci Resolve (DR for short).
Docking Phone to Pro: Blackmagic Adds Pro Controls to Mobile with Camera App and ProDock
Blackmagic’s ProDock equips iPhone 17 Pro with HDMI, genlock, SSD ports, audio and power—making it a true production camera, not just a smartphone.
iPhone for Tracking: Beeble Camera enables Free “Virtual Production”
Free iOS app turns an iPhone into a tracked camera for AI-powered VFX passes. Beeble Camera links directly to Beeble Web, Editor, and Blender.
Premiere Pro on iPhone: Adobe goes pocket-sized
Adobe shrinks Premiere into your pocket: free iPhone app with pro editing, Firefly AI, and one-tap TikTok exports.
iPhones Go “Pro” with Final Cut Camera 2.0
iPhones just levelled-up: Final Cut Camera 2.0 adds ProRes RAW, genlock, open-gate, Apple Log 2, timecode and multicam workflow tools – free update arriving later in September.
USDSkel: Optimized Character Rigging
USDSkel is an OpenUSD component that supports scalable, manipulable, and interchangeable skinned characters. Wanna know more?
Film with a Phone?
It's almost 10 years since Austin Reza shot a film for Bentley's luxury cars: on an iPhone 5S. At the time, it was still in stylish black and white and with high contrasts - no doubt also to prevent artefacts from becoming too obvious. Back in 2011, Park Chan-wook and Park
Chan-kyong from South Korea even shot the fantasy horror "Night Fishing" on an iPhone 4 in colour and won a Golden Bear for the best short film. Apple itself, on the other hand, has generally shot its advertising films on cameras such as the Arri Alexa.
The best light meter ..
... is the one you have with you. And what does everyone have in their pocket these days? Sure, a mobile phone. But can an app compete with a professional light meter? We did the maths. And aren't light meters terribly old-school? Not really for cameramfolks on a film set - except perhaps for solo entertainers on YouTube.
iHelper
It's been some time since we discussed the sense (and nonsense) of using iPhones and iPads on set. In the meantime, these devices are not only several generations further along in their development, but have also become indispensable on set. Whether as a production planner, shot list, weather forecast, digital clapperboard, viewfinder or extended calculator, there are countless ways to use the iPhone and/or iPad on set to make life a little easier. - by Andreas Zerr
