3DEqualizer | DIGITAL PRODUCTION

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ArmorPaint’s interface displays a 3D character model in the main viewport, showing a red armored warrior with a horned helmet, leather straps, and a shield. Toolbars frame the scene on the left and top, while material and layer panels sit on the right against a dark workspace.

ArmorPaint 1.0 swaps Haxe for C

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12.09.2026

An Unreal Engine 5 scene shows a glowing, rigged humanoid figure in the viewport, surrounded by control handles and skeletal guides. Dark editor panels and parameter windows sit to the right, with a playback timeline along the bottom in a sleek black interface.

Vizibeat Drives UE5 Scenes From Music

News

12.09.2026

Five Datacolor Spyder Checkr cards fan out on a white background, including grayscale charts and color reference grids with matte black frames. The compact panels overlap in a neat arc, their vivid swatches and neutral patches creating a clean studio product display.

Datacolor expands Spyder Checkr card system

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11.09.2026

An expansive, dimly lit room with high ceilings, adorned with chandeliers. A large, bulbous object is positioned in the center, while a figure stands before it, surrounded by ornate decor and flowing curtains.

15 min

Infinity Hotel: Endless Rooms, Endless Renders

HFF Munich’s VFX students built Infinity Hotel, a hybrid short film merging live action with CGI, LiDAR scans, and Dolby Atmos sound.

HFF Hochschule für Fernsehen und Film München

02.02.2026

A close-up of an abstract arrangement of metallic wires, intertwining and reflecting light in various directions, set against a soft-focus background with gentle illumination.

2 min

3DEqualizer 8.1 Adds Piggyback Camera Solves

3DEqualizer 8.1 introduces piggyback rig solving, a rewritten Blender export script and new import and export options.

06.01.2026