ARRI Film Lab 1.5 Adds More Film Formats
ARRI Film Lab 1.5 adds 8 mm, 16 mm and 65 mm looks, finer grain and halation controls, and ACES 2.0 support.
Browsing Tag
Filmlight Baselight
18 posts
Avid and FilmLight connect editorial colour
Avid and FilmLight want Baselight colour closer to the Media Composer timeline, with fewer handoffs from dailies through finishing.
Colour Awards deadline approaches
Entries for the 2026 colourist awards close 31 July, with documentaries folded into Spotlight and clear ProRes upload specs.
FilmLight fl-enhance: Baselight Tools Escape Into Python
FilmLight’s fl-enhance repository brings Baselight and Daylight scripts, shaders and FLAPI tools to GitHub, including LUT wrapping, ACES EXR transcoding and colour utilities.
Neat Video 6.1 updates OFX and host support
Neat Video 6.1 adds Baselight 7 support, new default profile controls and OFX updates across Windows, macOS and Linux.
Baselight v7 refines the colourist’s toolkit
FilmLight’s Baselight v7 adds smarter mattes, new depth tools and workflow upgrades for complex grading and VFX-heavy productions.
Analog Soul, Digital Body: ARRI Film Lab Arrives
ARRI’s new OpenFX plugin Film Lab emulates analog film’s grain, halation, and weave in real time for any camera. Free trial now via RE:Vision Effects.
Nara: Now with More Sync, Less Scream
Filmlight’s Nara adds remote realtime playback sync, review-in-Baselight, and more versioning features for collaborative post and color workflows.
Baselight Goes Mac: FilmLight Introduces Baselight S and M
Baselight S and Baselight M bring FilmLight’s high-end grading tools to macOS with subscription-based access for freelancers and facilities.
FilmLight sends your frames!
FilmLight’s Nara simplifies media workflows and improves collaboration. And you don't even need to have Baselight in your pipeline! The latest version enables seamless progress reviews, approvals, and compliance processes—all without proxies. Interested?
FilmLight REMOTE: Next-Generation Remote Color Grading
FilmLight introduces a new remote grading solution with JPEG-XS, NICE DCV, and full control surface integration.
Look development between DoP & colourist
There's a word on everyone's lips at the moment: "look development".
DoP Matthias Bolliger and colourist Louise "Lou" Temmesfeld take a look behind this term.
Grading tricks from a professional
Many of you come into contact with colour grading time and again, whether intentionally or unintentionally. For example, when thinking about colours in the context of a VFX workflow or, like me, because it has become part of my job as a filmmaker in the image film sector. It would be perfectly conceivable to have this work step done by a professional colourist, but the budget is often not sufficient for this...
BaseGrade and the evolution of colour grading
At NAB 2O16, colour grading specialist Filmlight caused quite a stir in the colourist scene. BaseGrade - a completely newly developed grading operator for Baselight - was presented, which is intended to replace classic tools such as Lift, Gamma and Gain. That sounds like a small revolution. Filmlight promises more consistent results and a more natural way of working. Reason enough not only for Baselight colourists to take a detailed look at it.
Pictorion das werk Invests in Düsseldorf Film Location
Branch is being expanded / Data grading new in the portfolio
IBC: Filmlight with Baselight 3.2 and Projector Probe
The grading specialist shows an improved Baselight software package as well as a device for calibrating projectors
NAB: Filmlight shows Northlight successor
Film scanner now four times faster / New solutions Baselight HD and Truelight Colorist Package
Pictorion das werk Builds Fully Data-Based Postproduction
Pictorion das werk adds an Imagica Imager XE Advanced scanner and FilmLight Baselight