Browsing Tag

Camera

342 posts
A visually striking image featuring the text "ProRes vs. BRAW" in neon blue and red against a patterned backdrop of barcodes and geometric shapes, symbolizing a comparison between the two video formats.

ProRes RAW vs. BRAW

BMPCC 4K just learned a new trick: ProRes RAW via firmware. We stacked it against BRAW Q0. One’s cleaner, one’s bigger. Which would you shoot?
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A grid of thumbnails displaying various cinematic scenes, featuring characters in diverse settings and expressions, with colorful lighting. The left panel contains project navigation options for multimedia storage.

FilmLight sends your frames!

FilmLight’s Nara simplifies media workflows and improves collaboration. And you don't even need to have Baselight in your pipeline! The latest version enables seamless progress reviews, approvals, and compliance processes—all without proxies. Interested?
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ARRI professional digital cinema camera with lens mount, control buttons, display screen, and separate Codex media card.

More ALEXA 35, Less Budget—But Still ARRI

ARRI introduces the ALEXA 35 Base Model, a lower-cost version of its flagship ALEXA 35. The new model offers the same sensor and image quality but trims the price tag by making advanced features available as separately licensed upgrades.
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Sony Alpha 1 Mark II mirrorless camera with large G Master lens on light gray background

Sony Alpha 1 II

Sony introduces the Alpha 1 II, a second-generation full-frame camera with 8K video recording, dual processors, and key updates for post-production workflows
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OBSBOT AI-powered webcam with black base, red accent, wide lens, designed for video streaming and conferencing.

Obsbot: 4K, CI, Gimbal, ..

In 2022, Obsbot surprised us with its 4K AI model (see issue DP 22:06). Now they're back with Obsbot Tiny 2. Is the upgrade really 2024 fair or just a warm rehash like the next FIFA [year]? Let's find out!
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Closeup of brushed titanium smartphone corner highlighting three large camera lenses against black background.

Film with a Phone?

It's almost 10 years since Austin Reza shot a film for Bentley's luxury cars: on an iPhone 5S. At the time, it was still in stylish black and white and with high contrasts - no doubt also to prevent artefacts from becoming too obvious. Back in 2011, Park Chan-wook and Park Chan-kyong from South Korea even shot the fantasy horror "Night Fishing" on an iPhone 4 in colour and won a Golden Bear for the best short film. Apple itself, on the other hand, has generally shot its advertising films on cameras such as the Arri Alexa.
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Blackmagic Design professional 3D video camera with dual lenses, LCD display, and control buttons on blue background.

Blackmagic Design: Apple Immersive Video

Blackmagic Design has introduced a new workflow that supports the production of Apple Immersive Video for the Apple Vision Pro. The centrepiece is the Ursa Cine Immersive Camera System, designed for 8K, 3D video with a 180-degree field of view and spatial audio. This format is designed to offer an immersive experience, but it remains to be seen how the untested technology will perform in practice.
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Hand holding portable color calibration chart with color swatches and grayscale bars for photography or video editing.

Spyder Checkr Video

Wasn't everything better when video by definition was still in black and white? Since colour was added, it has only become more complicated - but what the heck, there are helpers for that!
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