Archive notice: This article was originally published on May 8, 2009. Links and embedded videos are preserved as part of the historical record.
Before HD filming begins, the complete workflow must be defined: intended delivery formats, camera settings and decisions deferred to postproduction. HD offered numerous possibilities and pitfalls, and not every camera suited every project.
The seminar addressed these questions and important workflow decisions before shooting, relating different camera HD formats to ARD and ZDF broadcast standards and other potential content distributors. It also covered HDCAM.
Part two, held on May 8, 2009, addressed postproduction and mastering.
Cameras from Sony, Panasonic and RED were available.
Speakers:
Thomas Schick had worked as an editor for broadcasters including WDR, DW-World and Reuters Tokyo since 1992. A graduate in editing from HFF Potsdam and an Avid Certified Instructor, he taught at film schools and led planning and sales of postproduction systems at BPM Berlin.
Cinematographer Stefan Grandinetti had worked with numerous HD formats. A graduate of HFF Potsdam, his awards included Emmy and Grimme prizes.
Target audience: production managers and producers
Date: Friday, May 8, 2009
Time: 10 a.m.–6 p.m.
Location: Potsdam
Cost: €120; €100 for medianet members
Organiser: Medien Bildungsgesellschaft Babelsberg.
Further Links:
- Further information and registration
