Browsing Tag
VFX supervisor
15 posts
Rendering the Inferno at RiseFX: The Lost Bus
128 shots, 15 sequences, and GPUs on the brink: RISE FX’s Oliver Schulz explains how his team built the burning world of The Lost Bus.
A memorable VFX project
Review: In DP 06 : 2013, we spoke to VFX supervisors Thilo Ewers (Pixomondo) and Paul Lambert (Digital Domain) about the science fiction film Oblivion - and about Tom Cruise's 3D model.
Interview zu Cloud Atlas
Review: In DP 02 : 2013, we spoke to Florian Gellinger, founder of VFX studio Rise, about the David Mitchell film Cloud Atlas. The sci-fi epic was realised by: the Wachowski siblings.
Songbird | VFX-Breakdown
Humpty Dumpty sits on a wall... while the world is on fire: Apokalyptische Visual Effects!
Matt Aitken on Weta’s Digital Characters
Matt Aitken traces Weta Digital’s character pipeline from Gollum and Kong to Thanos, facial solvers, Manuka and cloud rendering.
FMX Spotlight Explores the VFX Behind Mulan’s Imperial City
VFX supervisor Anders Langlands explains how the imperial city was created for Disney’s live-action Mulan.
The Old Guard’s Wounds Behind the Scenes
A featurette examines the prosthetic make-up and visual effects used to create wounds and injuries in Netflix's The Old Guard.
Warrior Nun | VFX-Breakdown von The Embassy
The Canadian visual effects house created supernatural creatures for the fantasy drama.
DNEG Breaks Down Westworld Robots
DNEG artists discuss robot characters from Westworld season three across animation, creature technical direction and asset build.
Dan Smiczek on Star Trek: Picard CG
Pixomondo CG supervisor Dan Smiczek discusses Borg Cube design, detailed greebles and integration with live-action sets for Star Trek: Picard.
RISE Rebuilds Hobbs & Shaw Chase
RISE replaced London backgrounds, vehicles and Idris Elba with CG elements for the motorcycle chase in Hobbs & Shaw.
VES Awards
On February 11, 2007, the Visual Effect Society (VES) presents the VES Awards for the 5th time for the best Visual Effects in 23 categories, including Visual Effects in a Visual Effects Driven Motion Picture or Visual Effect of the Year.
The submission deadline ends on December 2, 2006.
European VFX supervisors in particular are also addressed, because the invisible effects in cinema films (such as Perfume, Viktor Muller) or commercials (noitulovE, CFC Framestore) and TV movies (Dresden, Denis Behnke) need not fear international comparison.
VES Award: Submission Deadline Ends December 2
23 competition categories / awards ceremony in Hollywood