Archive notice: This article was originally published on May 28, 2008. Links and embedded videos are preserved as part of the historical record.
“We are very proud that our material has made it to the big screen. We are especially pleased that we were able to provide a breathtaking landscape shot for the year’s most eagerly anticipated film, Indiana Jones,” commented Framepool CEO Stephan Bleek. “And there will certainly be more from us to see soon.”
Framepool shots had already appeared in films including “The Reaping,” “ATL,” “Beerfest,” “The Butterfly Effect 2,” “Slither,” “Blades of Glory,” and “Chapter 27.” Framepool also placed additional shots in “CSI: New York” and “CSI: Miami,” “Sleeper Cell,” the documentaries “Spider-Man Tech,” “Star Wars: The Legacy Revealed,” and the “Mega Disasters” series, as well as in twelve episodes for TLC, “The Learning Channel.” Last but not least, Framepool is the proud coordinator and executor of B-unit shots in Paris for an episode of “NCIS.”
“Producers and editors in Hollywood value the online availability of our masters and our fast, reliable rights clearance and licensing,” said Los Angeles-based Framepool representative Alexander von Roon. “Framepool has made a name for itself here in Hollywood as a genuinely reliable specialist.”