Archive notice: This article was originally published on October 17, 2008. Links and embedded videos are preserved as part of the historical record.
“Our experience handling RED productions such as the TV pilot BRAINS has shown which special considerations must be addressed during production planning and on set to achieve the desired look and an optimal post-production result,” said Matthias Saulich, technical sales at CinePostproduction Geyer Berlin.
Workflow specialists therefore discuss the requirements with the production team before shooting, covering camera specifications, lens selection, and data management on set and among all production participants, including post-production.
Three Autodesk Lustre suites with BARCO Digital Cinema projectors in a fast SAN environment are available for processing film or RAW data. Preparations are currently under way for post-production on Jessica Hausner’s feature film LOURDES, on which cinematographer Martin Gschlacht used a RED ONE for the first time.
