Archive notice: This article was originally published on November 4, 2011. Links and embedded videos are preserved as part of the historical record.
After the Canon EOS 5D Mark II had already been used successfully for professional film productions, Canon wants to raise the level of success for the film sector with the new Cinema EOS System.
Both models are aimed at professional filmmakers, which is why there are no automatic systems such as autofocus, automatic exposure corrections or auto white balance. The two camera models are intended to differ only in the mount and thus in the choice of lenses. According to Canon, the EOS C300 is equipped with an EF lens mount and is therefore compatible with interchangeable EF lenses from the photography sector, while the EOS C300 PL is intended to have a PL lens mount.
Technology
Both models are intended to record FullHD 1080p30 and have a Super-35-millimeter CMOS sensor with 8.29 megapixels that is larger than classic 35-mm sensors. This is intended to increase light yield and minimize noise, because the individual pixels are intended to be significantly larger. In addition, the data from the sensor are intended to be read particularly quickly, thus making it possible to reduce rolling-shutter artifacts significantly.
The camera supports the frame rates 59.41i, 50.00i, 29.97P, 25.00P and 23.98P as well as a 24.00p mode. In addition, it is intended to be able to provide fast-motion recordings at up to 60 times speed and slow-motion recordings at up to 1/2.5 times speed.
Dimensions
The camera has a compact body measuring 133 x 179 x 171 millimeters and a modular design. The system is intended to be equipped with an external LCD monitor with a side XLR audio input, a side handle and a top handle, battery and charger.
Practical test
Short films produced with the C300 were shown at the camera presentation. These films were intended to make the range of functions clear; for example, a night shot is said to be possible entirely with natural light while capturing details in highlights and shadows at the same time. A greenscreen shot is also said to be recordable without problems at ISO 16000. Both models are intended to ship at the end of January and cost around 20,000 dollars.
Commercial filmmaker Vincent Laforet was already able to shoot with the EOS C3; here is an impression of the footage:
Making of the film:
Mobius :: Behind The Scenes from Blake Whitman on
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