Browsing Tag
Color
28 posts
FilmLight Extends Colour Awards Deadline
FilmLight extends the 2026 Colour Awards deadline to 10 August and announces the first 15 jurors from cinematography and colour grading.
FilmLight fl-enhance: Baselight Tools Escape Into Python
FilmLight’s fl-enhance repository brings Baselight and Daylight scripts, shaders and FLAPI tools to GitHub, including LUT wrapping, ACES EXR transcoding and colour utilities.
BMD European Tour 2026 lets you touch the gear
Blackmagic Design’s Workflow Tour lands in Amsterdam and Berlin in March with ATEM ISO and Resolve sessions aimed at fast podcast delivery.
Grading Kraken: insights from the colour grade
Senior Colourist Dylan Hopkin (Shortcut Oslo) outlines the grading process behind the new sci-fi film Kraken, and how contrast, colour and AI-assisted tools were used to support storytelling.
DJV 3.3.3 fixes flipped export and adds Escape
DJV 3 brings sequence-aware browsing, expanded shortcuts, OCIO UI updates and flipped export fixes through 3.3.3.
Lutbake adds one-key LUT export to Resolve
Time in Pixels releases Nobe LutBake, a macOS tool for one-key high resolution LUT export from Resolve Studio.
Blackmagic Schedules Free Resolve School
Blackmagic runs free live Resolve training from February to April covering edit, Fusion, colour and audio.
RealBlend brings mesh painting back to Unity
New Unity mesh painting tool targets Polybrush users with in editor vertex colour and mesh editing features.
Hawaiki Keyer – for those who don’t trust all the magic of AI
Hawaiki Keyer 5 brings AI tracking and dual-key control to Resolve, handling messy greenscreen shots more reliably than Magic Mask. Or does it?
Resolume adds 10 bit colour and speed fixes
Resolume update adds 10 bit output, faster loading, Wire usability changes, and capture updates for live graphics.
RGB sliders now judge your colour skills
A free Android game turns RGB value matching into a timed test of colour perception. No scopes. No mercy.
Baselight v7 refines the colourist’s toolkit
FilmLight’s Baselight v7 adds smarter mattes, new depth tools and workflow upgrades for complex grading and VFX-heavy productions.
Resolve 20.3 brings 32K support, metadata tools and stability fixes
DaVinci Resolve 20.3 rolls out: 32K on M5 Macs, more flexible metadata and HDR10+ export, plus a slew of bug patches.
Crawly for Videoscreens: SpyderPro
SpyderPro gets serious: anorganic filters, 12,000 nits, 3D LUT export, OLED support, and proper profiling tools make it fit for postproduction again. Let's see if the claims hold up!
SketchUp 2026.0
SketchUp 2026.0 adds in-app collaboration, AO colour control, faster performance, improved DWG/IFC workflows, new LayOut drafting tools, and scan-to-mesh features for Studio users.
Datacolor’s SpyderExpress: Colour Calibration on a Budget, Now with Growth Path Options
Cheapest Spyder yet does pro-level colour calibration in 90 sec—and grows with your ambitions. Budget-friendly colour accuracy, now modular.
SDI inside: EIZO’s CG2400SV aims at serious video work
SDI, HDR, 10-bit colour, and a carry handle: EIZO’s new 24" ColorEdge CG2400SV is aimed at post houses, studios, and on-set use.
Samsung Debuts Corporate LED Studio Bundle: ARRI ALEXA 35 Camera Included
Samsung’s Corporate LED Studio Bundle: ARRI ALEXA 35, The Wall IVC, and UNIQVUE. A complete turnkey in-house broadcast offering - Sounds interesting?
Panasonic Brings ARRI Log C3: A $199 Key Opens Cinema-Level Color
Panasonic’s DMW‑SFU3A key adds ARRI‑certified Log C3 to LUMIX GH6, S1II, S1RII, S1IIE and GH7.
Getting Colors Right with the Datacolor LightColor Meter
Let's test! The Datacolor LightColor Meter Model LCM200 is designed for accurate light source measurement, addressing challenges in color matching across different light sources.
ACES 2.0 – available in Mistika!
Wait, there is already a new Version of ACES? We barely got used to the last one! And it is already working in SGO Mistika? Let's dive in!
Cinemon 1.0: Signal Correction Done Right
Cinemon 1.0 is here. Color pipeline analysis, waveform monitor, and Scopes — now out of beta and ready for your iPad workflow.
Color Monitoring for Cheapskates?Part 1
Colour Monitoring is cheap, easy, and fast. As usual, you can pick two of those adjectives — and in this series, we are going for cheap and will make it easy for you!
FilmLight sends your frames!
FilmLight’s Nara simplifies media workflows and improves collaboration. And you don't even need to have Baselight in your pipeline! The latest version enables seamless progress reviews, approvals, and compliance processes—all without proxies. Interested?
ASUS ProArt Display 5K PA27JCV
Let's not faff about: 5K Screens? Really? I tested one, and here are the results - the Use Case is not what you might think it is.
CineMon 1.0 (Beta) for iPad and Mac
The times of expensive hardware-based scopes are gone. Modern software scopes are versatile, flexible, and can be adapted to new technologies. Until now, Nobe OmniScope by Time in Pixels was the leading solution, both under Windows and MacOS. But there’s a new kid on the block for MacOS and iOS now, called CineMon (with a charming agnomination to a popular spice).
Final Cut Pro 11 Introduces Magnetic Mask and Transcribe-to-Captions—Finally
Apple unveils Final Cut Pro 11 after an 11-year gap, adding features like magnetic masking and automatic transcriptions—but are these enough to keep pace with competitors?
Spyder Checkr Video
Wasn't everything better when video by definition was still in black and white? Since colour was added, it has only become more complicated - but what the heck, there are helpers for that!
