The OBSBOT Meet Flip is tiny, genuinely portable and physically private. Add very good 4K video and surprisingly mature software, and this may be the travel webcam we have been waiting for.
Two weeks with EIZO's new 31.5-inch CS3200X reveal a colour-accurate 4K production monitor that retains much of the CG experience at roughly a thrid of the price. How?
The ASUS ProArt PA16USV LED-Monitor, a 15.6-inch 4K HDR portable display that incorporates a 12G-SDI marks a significant pivot for ASUS into hardware that explicitly targets on-set workflows and DIT (digital imaging technician) monitoring tasks rather than solely desktop creative use. But is it any good?
The Asus ProArt PA27UCGE is a 27-inch 4K 10-bit IPS monitor with hardware calibration, , USB-C with 96 W Power Delivery, HDR10, 160 Hz refresh rate and a monitor hood. It is not a Class A reference monitor, but for general production work, it is annoyingly sensible.
Open Light is a new tool that generates procedural HDR light textures. It builds softboxes, gobos, Kino Flo style sources and other modifiers as 32-bit EXR or HDR files, with support for ACEScg and resolutions up to 4K.
Senior Colourist Dylan Hopkin (Shortcut Oslo) outlines the grading process behind the new sci-fi film Kraken, and how contrast, colour and AI-assisted tools were used to support storytelling.
(Advertorial) Projection is out, pixels are in: Samsung’s Onyx Cinema LED aims to replace cinema projectors with HDR-capable LED walls and flexible sizing.
HDR isn’t just a jungle of acronyms on your TV box—though it may feel that way. To bring some order, we sat down with Michael Hackl from Dolby to talk about Dolby Vision, how it compares to HDR10 and HDR10+, how it is made, and what’s new in Dolby Vision 2.
Neat Video 6 automates what used to be manual: GPU tuning, CPU balancing, and memory management. The result: up to twice the render speed and half the RAM usage inside Nuke, Premiere, and Resolve. A quiet but meaningful upgrade for anyone tired of watching progress bars instead of pixels.
ASUS launches its 32″ 8K HDR Mini-LED monitor, the ProArt PA32KCX with great brightness and pro-features. Not for everyone, but if you edit 8K or need huge desktop real-estate, this is serious.
TL;DR: Dolby Vision 2 upgrades HDR with AI-driven tone-mapping, ambient adjustments, and creative motion control, first to be seen in Hisense TVs, coming in 2026-2027.
Blender 5.0 gains a built‑in ACES 2.0 view transform, new HDR and wide‑gamut export, and better OpenColorIO compatibility, making HDR pipelines more native.
First impression: The ASUS ProArt PA32UCDM is the Clark Kent of displays. On your desk, it could pass for a premium, but otherwise unassuming office monitor—sleek, thin, and lightweight, with none of that over-designed “gamer” bling. But underneath?
EIZO’s new ColorEdge CG3100X offers DCI-4K, HDR presets, 99% DCI-P3 coverage and True Black filter. Available November 2025 for less money than you'd expect!
These days you wouldn’t always have to go for an expensive, professionally calibrated screen if you are not working for extremely demanding clients. Has the age of correct colors finally arrived? What about HDR? Let’s have a broader look!
Colour Monitoring is cheap, easy, and fast. As usual, you can pick two of those adjectives — and in this series, we are going for cheap and will make it easy for you!
LightWave Digital unveils LightWave 2025, introducing RIPR for real-time HDR previews, enhanced Rhiggit tools, LW Construct for rapid asset creation, and a versatile Cel Shader for stylized rendering.
Dolby has unveiled its newest training course, Visual Storytelling in HDR, designed to bridge the knowledge gap around HDR and make this technology accessible for creatives at all skill levels. Developed over months by Dolby’s expert team, the course offers practical education and SDR/HDR examples, tailored especially for creatives who may be less familiar with the technical aspects of HDR.
Colorfront introduces innovative SDR/HDR tools that streamline mastering for cinema and television productions, maintaining creative intent across multiple display formats - including Dolby Vision!
Tom Huczek from TimeInPixels must be a very busy man. We have already presented his Nobe OmniScope in detail in DP 21:02 and 22:02, but enough new things have been added to take another look at this comprehensive display tool.
Paul Hatton catches up with Nikita Travnikov, an executive producer for Huuuge Games and 3D tinkerer - and we chat about the whole Fusion/Resolve pipeline!
Lightmap, the developer of the lighting design software Light Studio, is making two download packages available - for HDRI maps and area light textures. These simulate realistic studio shots.
A look back: In DP 01:2019, we took a look at high-end grading with Baselight. We also spoke to Rotor Film about HDR material and the Amazon series "Deutschland 86".
If NeRF makes you think of toy guns, click on now. Everyone else will discover the advantages of neuronal radiation fields. Important for everyone who works with HDRs!
The fact that ACES is more than just another buzzword in the VFX industry should have
t should have got around by now. And anyone who works at a major studio in a reasonably up-to-date pipeline will already have had contact with ACES. But what about one-person dancing bands, freelancers with mobile workstations and those who like to dance at several weddings?
New machine-learning features, Physical Defocus effect, finishing updates and more: Flame 2021 from Autodesk comes with several practical new features.
Getting HDR out is still a bit tricky - in theory everything works or should work. But what if you have to KNOW it works? Well, Aja has presented a machine that can eliminate the guesswork.
IMF - Interoperable Mastering Format - has been around for a few years now. After a somewhat slow start, however, IMF experienced a boom at the beginning of 2O16 at the latest, when Netflix made it its main delivery format. What IMF is and what it is supposed to be good for, however, is still largely unknown to the broad masses of the media industry. This article is intended to provide a brief introduction to the format, shedding some light on its peculiarities and advantages as well as the costs involved. As the cover image suggests, this article will not be a colourful creative experience - but have fun anyway.
At the IBC in Amsterdam, EIZO presented its ColorEdge PROMINENCE CG3145 HDR monitor for the first time - everyone is talking about HDR. Not least because many 4K televisions are already being sold with an HDR label and HDR is therefore a buzzword for end users.
The UltraSharp 27 4K HDR monitor (UP2718Q) has a 4K display and provides a color depth of 1.07 billion colors. Dell has also added a VR-ready workstation and an 8K monitor to its range.
At NAB 2O16, colour grading specialist Filmlight caused quite a stir in the colourist scene. BaseGrade - a completely newly developed grading operator for Baselight - was presented, which is intended to replace classic tools such as Lift, Gamma and Gain. That sounds like a small revolution. Filmlight promises more consistent results and a more natural way of working. Reason enough not only for Baselight colourists to take a detailed look at it.
New update for Blackmagic Design’s color-correction and editing software: the new update includes support for Rec 2100, 2020, and special Dolby Vision support, among other things. We present the most important new features.
News from the YouTube world: alongside 4K, live streaming, and 360° videos, YouTube now also allows its community to upload HDR videos (and watch them—someday).
The International Telecommunication Union's (ITU) new HDR-TV BT.2100 standard is intended to deliver images with greater brightness and a wider dynamic range to TV viewers at home.
Great colour dynamics in moving images too: as scientists at the University of Warwick have announced, they have now succeeded in shooting a 20-stop Full-HD 30fps video.
Megapixels were yesterday; today quality is what matters. HDR photography has been gaining ground for years, and Jürgen Held reveals many secrets of DRI, HDR and HDR panoramas in foundations and practical workshops.
At the 2008 International Consumer Electronics Show (ICES), Dolby Laboratories, Inc. is presenting its new High Dynamic Range (HDR) Imaging technology suite and simultaneously announcing that Dolby Contrast, the first product, will be available to LCD manufacturers for distribution in Q1 2008.
At this year’s Consumer Electronics Show (ICES), Dolby Laboratories, Inc. is presenting technologies that transform picture and sound to greatly enhance the digital entertainment experience.
What began as a clever development for the own needs of a film and effects professional (Stu Maschwitz, including VFX Supervisor for Sin City) is now available from Red Giant Software as a comprehensive film look plugin for AE, FCP, Motion, Premiere Pro and Avid.