DPIntensiv seminars: professional tips in March and April

Whether Disney, Dreamworks or Scanline – the speakers have worked on major blockbuster productions and offer seminar participants insights behind the scenes.

Archive notice: This article was originally published on March 7, 2008. Links and embedded videos are preserved as part of the historical record.

DPIntensiv seminars will take place again in March and April. Participants can improve their expertise through practical tips from experienced instructors and gain insights into well-known German and international productions.

The next seminar dates:

March

CHARACTER RIGGING IN MAYA

FOR BEGINNERS AND PROFESSIONALS

March 15, 2008, in Munich

Speaker: Carla Heinzel

Graduate of the renowned Filmakademie Baden-Württemberg GmbH, specialising in character rigging, with project experience at CA Scanline (“Lissi und der wilde Kaiser”) and Trixter Film GmbH (“Lilly the witch – the dragon and the magic book”).

Content: The seminar is divided into a beginners’ section in the morning and a professional course in the afternoon. Participants’ own questions will also be discussed through practical exercises.

Another seminar will take place in Berlin at the end of March:

ANIMATED CHARACTERS –

DESIGN AND ANIMATION PRINCIPLES

  1. and March 30, 2008, in Berlin

Speakers: character animator Harald Siepermann and character designer Greg Manwaring

Both speakers have worked on international productions and draw on a wealth of professional experience. Whether Brother Bear, Mulan or The Lion King – these speakers were involved and offer a behind-the-scenes look at major blockbuster productions from Disney or Dreamworks.

Content: The “Animated Charaters” seminar is devoted entirely to character animation. The internationally distinguished speakers will share their experience and knowledge from various areas of character animation with participants.

April

ACTING FOR ANIMATORS

April 12, 2008, in Unterföhring near Munich

Speaker: Arne Sinnwell

Director of children’s television and documentaries, lecturer in

film dramaturgy and improvisational theatre, improvisational actor.

Content:

One of the most important prerequisites for creating a character is that all the creative people involved in an animated film know the fundamentals of acting – and not just in theory. Everyone should learn for themselves how to use gestures and facial expressions, speech, pace and rhythm to create characters that audiences love.

  • DPIntensiv seminars