Archive republication: This article was originally published on 7 September 2020. It has been translated into English and lightly updated for clarity while preserving the original reporting and context.
Texture artist Jonathan Benainous completed a Victorian office environment using Autodesk Maya, Substance tools and Marmoset for lighting and rendering.
For the floor, walls and ceiling, he used simple planes carrying tessellation and UV data. Rather than modelling every architectural detail, the workflow relied heavily on displacement driven by height maps.
The breakdown is useful for studying environment construction, but artists should test tessellation cost, silhouette quality and texture resolution against target hardware.
Benainous shared the project through his social account.
