Browsing Tag
professional
20 posts
EIZO ColorEdge CG3100X review: Is this the last great IPS monitor?
Four months with EIZO’s 30.5-inch DCI-4K flagship reveal a superbly uniform, silent IPS monitor that leaves very little room for excuses.
Affinity: free all-in-one design suite
Canva folds Affinity into one free-forever app, marking a major shift for design tools and putting the old perpetual-licence model on hold.
ASUS unveils 32″ 8K HDR Mini-LED ProArt monitor. Yes, 8K.
ASUS launches its 32″ 8K HDR Mini-LED monitor, the ProArt PA32KCX with great brightness and pro-features. Not for everyone, but if you edit 8K or need huge desktop real-estate, this is serious.
VEGAS Pro 23 Boosts Engine, Streamlines Colour-Grading, Modernises Interface
TL;DR: VEGAS Pro 23 adds ARM-native support, GPU Core Engine, refreshed UI and flexible licensing. Now with both perpetual and subscription pricing.
„For Those Who Dare“
These days you wouldn’t always have to go for an expensive, professionally calibrated screen if you are not working for extremely demanding clients. Has the age of correct colors finally arrived? What about HDR? Let’s have a broader look!
BlenderDay & Summer School 2025 return to Mannheim
BlenderDay and Summer School take over Mannheim July 25–27 featuring a keynote by Laura Körting and game‑focused workshops.
ASUS ProArt Display 5K PA27JCV
Let's not faff about: 5K Screens? Really? I tested one, and here are the results - the Use Case is not what you might think it is.
iClone 8.52: A Major Leap for Animation Editing
iClone 8.52 delivers a highly anticipated update for professional animation editing, packed with groundbreaking features driven by user feedback. Despite its numerical step from 8.51, this release introduces transformative tools to elevate animation workflows.
Blackmagic’s $30,000 URSA Cine Immersive Camera Enters Pre-Order Stage
Blackmagic Design's new URSA Cine Immersive Camera targets VR pros with stereoscopic 3D video capture at a steep $30,000 price tag.
Sony Alpha 1 II
Sony introduces the Alpha 1 II, a second-generation full-frame camera with 8K video recording, dual processors, and key updates for post-production workflows
Academy Software Foundation Welcomes OpenAPV as a New Codec Standard
Academy Software Foundation adopts OpenAPV, Samsung's royalty-free codec for high-quality, space-efficient video production.
QD-Oleds by Asus
ASUS launches its ProArt Display OLED PA32UCDM, a 32-inch QD-OLED monitor aimed at creators, offering precise color accuracy
Moho 14 – the most advanced 2D animation
"Unlock your creativity and discover that the future is 2D!" This is what Lost Marble LCC, the company that developed Moho (and is now marketing it again), proudly claims on its website announcing the new version of Moho 14.
GoPro HERO9 Black Records 5K Video
GoPro’s HERO9 Black introduced 5K video, 20-megapixel photos, HyperSmooth 3.0, longer battery life and new front and rear displays.
Sony Launches Cinema Line with FX6 Preview
Sony’s Cinema Line grouped Venice and FX9 with the forthcoming FX6 while outlining firmware updates for its cinema cameras.
ATEM Mini Update Adds Adjustable Audio Delay
Blackmagic’s ATEM Switchers update added adjustable analogue-input audio delay to ATEM Mini and ATEM Mini Pro.
Samyang VDSLR MK2 Cinema Lenses Cover Seven Mounts
Samyang’s VDSLR MK2 cinema-prime range launched in 24, 35, 50 and 85 mm versions across seven camera mounts.
Sony HDC-P31 POV Camera Supports Remote HDR Workflows
Sony’s compact HDC-P31 combined remote operation, a 2/3-inch global-shutter sensor and simultaneous HDR/SDR production.
Cortex 5.3 Expands Dailies Processing
Cortex 5.3 added simultaneous deliverables, loudness metering, dead-pixel ROI controls and ARRI Alexa Mini LF support.
One for all? The Ursa Mini 4.6K Pro from Blackmagic
At NAB 2O17, the new version of the Ursa Mini 4.6K Pro (UM Pro for short) received a lot of attention, with Videomaker even honouring it as the "Best camera of NAB". But what does the "Pro" in the name mean? For whom is the new camera more professional than its predecessor with the same sensor? Can it satisfy in documentary and nature film or even in reportage?