Digital Production is taking a short end-of-year break. Back up your data, sort out the chaos folder, enjoy the holidays, and we will be back next year.
Looking back: In DP 03 : 2015, Lighting Boy Studio realised the film project Le Gouffre. A Kickstarter campaign brought the animated film over the finishing line. An animago AWARD-nominated short film.
Review: In DP 06 : 2014, the second instalment of Planes rotated its way into the inbound flight path. Disneytoon Studios increased the budget for software licences and personnel at the time - but does the film come close to Disney-Slash-Pixar major productions such as Frozen or Brave?
Review: In DP 05 : 2005, ILM chased special effects through a brand new pipeline for Steven Spielberg's War of the Worlds film. A test run with time pressure - in the middle of a big-budget production.
Looking back: A special film school opened in Mannheim in DP 06 : 2014. The non-profit organisation Flimmermenschen views film as a holistic cultural phenomenon. An educational programme for students, hobbyists and newcomers to the industry.
Review: In DP 06 : 2014, we went into conversation with performance capturing pioneer Andy Serkis - chatting about Planet of the Apes. An encounter at FMX 2014.
DeepSearch is being modernised, new connectors are to ensure better collaboration - and Omniverse is to become more performant and user-friendly in general.
Looking back: In DP 03 : 2015, we found out that Rise Visual Effects Studios has been around since 2007 - eight years later, in 2015, it even had four locations. Founder Florian Gellinger explained to us how the expansion of the VFX business was achieved.
Review: In DP 02 : 2013, we spoke to Florian Gellinger, founder of VFX studio Rise, about the David Mitchell film Cloud Atlas. The sci-fi epic was realised by: the Wachowski siblings.
Review: In DP 01 : 2013, a world-famous manufacturer of sugar water commissioned a commercial from Bent Image Lab. Grading artist Jalal Jemison was responsible for the bright red colour typical of the beverage brand. An interview.
Telescope Animation releases the concept trailer for its tricky triad: The Last Whale Singer is a film, series and game all in one - thanks to Unreal Engine. Readers of DP 05 : 2022 can find out more!
Review: In DP 01 : 2013, Weta Digital went back to Middle-earth with Peter Jackson. For the prequel trilogy "The Hobbit", the New Zealanders transferred fantasy author J.R.R. Tolkien's prequel to the big screen.
In the spring issue (DP 02:2022), we let the asset manager hang out, because with the two super tools "Dropbox Replay" and "das element", asset shuffling in VFX studios could finally outgrow its infancy!
Digital Production 03:2021 surveys VFX and animation education, Mass Effect remastering, Weta Digital, Blender 2.92, Resolve codecs and production technology.
The tools are only half the battle—the rest is using them. The seventh episode of the Resolve tutorials is about an efficient workflow and how you should handle your footage within it.
Review: In DP 04 : 2014, we let the engines roar in the racing game Krautscape by developers Mario von Rickenbach and Michael Burgdorfer - including procedurally generated racetracks. A game project from the Zurich University of the Arts.
Review: In DP 03 : 2014, we climbed into the opening scene of the bestselling film adaptation of The Book Thief. Rise Visual Effects Studios realised a long cloud sequence including a 3D tracking shot with Houdini. How do artists create the perfect cumulus cloud?
“Nosferatu” (1921), a classic of German silent cinema, also underwent extensive digital restoration last year, following its analogue restoration in 2005/2006.
If Apple's original slogan long ago was “The Computer for the Rest of Us”, Soundtrack Pro 2 could today be called “The Recording Studio for the Rest of Us”.
The DP website has been expanded with interactive PDFs as of today. After putting more videos and photos on the site, we will now offer interactive PDFs here for free download.
The current issue of DP is available in shops and once again offers a host of highlights from the areas of Current Affairs, Production Spotlight, Computer Graphics, Video, Compositing, Broadcast, Interactive, Jobs, Workshops and Community.
Pixar traditionally tries out new tricks in its short films. In the supporting film for “Ratatouille”, Oscar winner Gary Rydstrom and his team experimented with light and unusual aliens.
Directing a CG film like a feature film? In their joint 3D animated-film debut, CA Scanline and Bully Herbig proved that it can be done. DIGITAL PRODUCTION was on location and reports on the production.