Browsing Tag

Blackmagic Design

264 posts

LUTs, Tags, or ICC: Getting Colours Right in Resolve on a Mac

For years, proper monitoring in DaVinci Resolve meant a Blackmagic I/O box and a calibrated display. On recent Macs, Resolve has become more predictable without dedicated hardware, but that does not make calibration optional. Here is where the situation has improved, where it still falls apart, and why Rec.709 scene remains the least bad common denominator.
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A visually striking image featuring the text "ProRes vs. BRAW" in neon blue and red against a patterned backdrop of barcodes and geometric shapes, symbolizing a comparison between the two video formats.

ProRes RAW vs. BRAW

BMPCC 4K just learned a new trick: ProRes RAW via firmware. We stacked it against BRAW Q0. One’s cleaner, one’s bigger. Which would you shoot?
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The DaVinci Resolve logo centered, featuring three colorful dots, surrounded by icons of Premiere Pro (Pr), After Effects (Ae), and Audition (Au) on a dark background.

Goodbye Adobe Premiere

I whispered, "Goodbye, Adobe!" as I pressed the unsubscribe button. To me it sounded very much like “Hasta la vista” but less dramatic. We had a good run, but it was time to move on.
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A laptop displaying video editing software, showcasing a green car drifting on dirt, with editing tools and timeline visible on the screen.

Final Cut Pro:Mac mini or iPad M4?

Let's evaluate the M4 iPad Pro and Mac mini Pro for video editing, especially with DaVinci Resolve and Final Cut Pro X. While the iPad shares advantages with integrated hardware for certain formats, the Mac mini excels in handling high-end camera sources in raw formats. Or does it?
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A woman in a green dress surrounded by flowers on a reflective surface.

Mac mini or iPad Pro M4 for Post?

The iPad Pro, with its M4 processor, shows potential for video editing, particularly with applications like DaVinci Resolve. However, limitations arise, notably in memory capacity (16 GB max), affecting stability with high-resolution projects.
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Wenig hilfreich war eine Normalisierung der Lautstärke.

DaVinci Resolve Version 19 – Speech recognition

The public beta version has been available for some time and once again offers numerous new functions. Blackmagic Design (BM for short) is still releasing improved versions every few weeks, but many of the new features are already relatively stable and allow initial tests.
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Blackmagic PYXIS Monitor

Compact 5" HDR touchscreen monitor with full camera control for Blackmagic PYXIS 6K offers improved rigging options, high brightness, and single-cable integration.
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A digital editing console with multiple dials and buttons, connected to a screen displaying video editing software, including colorful graphics and timeline elements.

BMD Micro Color Panel

In addition to some new cameras, the Australians have also released a revised version of their smallest grading panel. Unlike the new camera models, it was already available for us to test.
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Die magische Maske – hier wurde das rechte Bild, die süße Katze von Marko Blazevic, auf Pexels zur Verfügung gestellt, mit zwei Strichen maskiert (im Modus „better“). Im Node-Fenster (rechts) ist der Alpha-Ausgang zu sehen (Rechtsklick und „Add Alpha Output“), unten die Masken- und tracking-Optionen (zum Tracken eines Clips auf die Play-Buttons klicken).

Animating images with Resolve

"Breathing life" into static images with effects from DaVinci Resolve - so-called Cinemagrams - are easy to do - and in our new series "Resolve Tricks for Beginners" we'll start with them!
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Blackmagic Design: Apple Immersive Video

Blackmagic Design has introduced a new workflow that supports the production of Apple Immersive Video for the Apple Vision Pro. The centrepiece is the Ursa Cine Immersive Camera System, designed for 8K, 3D video with a 180-degree field of view and spatial audio. This format is designed to offer an immersive experience, but it remains to be seen how the untested technology will perform in practice.
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Apple wirbt selber mit DaVinci Resolve für das iPad Pro M2.

Tech demo or working tool? DaVinci Resolve on the iPad Pro

You would expect Apple itself to demonstrate the enormous performance of its tablet devices in practice. So far, only gamers have been able to utilise such an iPad, and they are rarely out and about with it. Otherwise, the many cores usually twiddle their thumbs. But instead of a port of Final Cut Pro X, Apple itself uses DaVinci Resolve in its own advertising, which has already been ported, albeit with a limited range of functions. Can you seriously work with it?
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Saving audiovisual cultural heritage with Topaz Video AI 3.0

In DP 04:20, we have already tested the artificial intelligence for upscaling video. Topaz Video AI (TVAI for short), as it is now called in version 3.0, has, according to the manufacturer, been developed from scratch developed from scratch to incorporate additional capabilities and enable the stacking of AI models with filters and parallel operation.
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