Time travel has always been an important theme at FMX - and it will be again this year. The already confirmed glimpses into the timeline chaos of LOKI 2 will now be joined by one of the special episodes of the series DOCTOR WHO, which the BBC has produced to mark the 60th birthday of the time-travelling alien.
For Marvel Studio‘s most recent streaming series, “She-Hulk: Attorney at Law”, the concept of a workplace dramewdy (think Ally McBeal, 90s kids!) merges with Superhero-battles (think all the Marvel movies, comic-book-geeks!) – leading to 6-foot-
7-inch-sized, gorgeously green,
super-powered viewing pleasures.
A conversation with VFX Production Coordinator Erika Feijoo Spena and Visual Effects Supervisor Chris Smallfield about Hulk-ifications at VFX-powerhouse Trixter.
With mega pug power through the most eye-popping visual effects - together with Doctor Strange (aka Sorcerer Supreme), the E.T.s from Men in Black and poodle-fresh four-paws.
The DC Universe has a new “Hero” – well, not really a hero, but you’ll have to watch the movie for that. What is one of the best entries into that universe though, is Digital Domains work in the beginning – the “Introduction” of Black Adam is a superpower-extravaganza, with super-speed, bullets everywhere, punching through walls and a healthy dose of electricity – and we asked DD’s Supervisor Nikos Kalaitzidis how that was done.
Method Studios do it in monochrome: visual effects on the moon - and with ridiculously low gravity. How did visual effects supervisor Pete Dionne & team manage that?
John Lepore, Principal Creative Director of Perception, explains what he learnt from the major Marvel production Black Panther - and how this relates to vehicle interiors.
Are digital dogs the new cat content? Pizza dog Lucky blinks through the Marvel series Hawkeye - sometimes one-eyed, sometimes two-eyed. Fluffy VFXs with Image Engine!
Known from Avengers: Infinity War: Bbbn19, 3D artist from the USA, shows you how to create the shiny nano-tech effect for Tony Stark's superhero exoskeleton. Suit up - and shiny!
Review: In DP 04 : 2007, Spidey made his third appearance on the big screen and had to fight three villains at the same time. Imageworks created characters made of air, sand and black mass.
The (canine) FMX mascot goes crazy in the pan: "Eternals" and "What if...?" from Marvel, but also the aesthetically valuable Netflix film "The House" await you - and everything about the wonderfully complex world of NFTs!
The Oscar nominations for this year have now been announced. Naturally, we are primarily interested in the VFX and animation categories. Here is the overview.
Review: In DP 07 : 2014, the most popular spider-man in film history was electrostatically charged. "The Amazing Spider-Man 2: Rise of Electro" was one of the most elaborate projects for Sony Pictures Imageworks in 2014. We caught up with digital effects supervisor David A. Smith.
Another MARVEL hero sees the light of the cinema world: "Iron Man". In May 2008, Concorde Filmverleih brings the adaptation of the successful Marvel comic to German cinemas, packed with action and effects and boasting a star-studded cast.
Comic fans will be pleased. Little by little, every hero ever born on paper is being brought to the big screen—thanks to increasingly sophisticated technical possibilities. And Marvel has plenty of heroes. On Labour Day, what the distributor calls the coolest superhero in comic-book history fights injustice in the world.