Browsing Tag
Digital Domain
19 posts
When Annabelle Grew Up: The Digital Domain Horror Pipeline
425 shots, one terrifying doll, and a CG mill town: Digital Domain’s Alex Millet explains how his team built the horror of The Conjuring: Last Rites and kept it real.
“A Model of Madness” Scott Ross Why VFX Fails as a Business
Scott Ross: VFX is “a model of madness.” ILM, Digital Domain, and decades later, the business still cannot stand on three legs.
Digital Domain on Fantastic Four: From Baby Mocap to Bearded Rock
Digital Domain’s Phil Cramer explains Fantastic Four VFX: Masquerade3, Baby Franklin, The Thing’s beard, and multi-vendor Marvel pipelines.
BMD ups the ante with 16 TB Media Module for URSA Cine 12K LF
Blackmagic Design introduces a 16 TB Media Module (M.2 SSD) for URSA Cine 12K LF, doubling storage to support 12‑bit BRAW at 1 432 MB/s and 10G workflows.
Thunderbolts* Vaults: Digital Domain on Marvel’s Most Grounded Brawl
Digital Domain VFX Producer Ryan Wilk breaks down Marvel’s Thunderbolts* vault chaos, Ghost phasing, and why less is more for photoreal CG.
Digital Domain vs. the Nether Horde: Behind the VFX of Minecraft
When Warner Bros. enlisted Digital Domain to tackle the final battle in Minecraft: The Movie, they weren’t just signing up for blocks and shaders...
Digital Domain Lets Agatha Fly
The prettiest Marvel show this year was "Agatha All Along" Time to ask Digital Domain how they did that!
All the teeth!
Sometimes there are fantastical productions, where you get a
monster that feels fresh and new – and once we had seen Season 2 of “Carnival Row” (Release on Amazon Prime), we needed to talk about
the toothy skinned bat: Sparas!
That girl is green!
For Marvel Studio‘s most recent streaming series, “She-Hulk: Attorney at Law”, the concept of a workplace dramewdy (think Ally McBeal, 90s kids!) merges with Superhero-battles (think all the Marvel movies, comic-book-geeks!) – leading to 6-foot-
7-inch-sized, gorgeously green,
super-powered viewing pleasures.
A conversation with VFX Production Coordinator Erika Feijoo Spena and Visual Effects Supervisor Chris Smallfield about Hulk-ifications at VFX-powerhouse Trixter.
Black Adam!
The DC Universe has a new “Hero” – well, not really a hero, but you’ll have to watch the movie for that. What is one of the best entries into that universe though, is Digital Domains work in the beginning – the “Introduction” of Black Adam is a superpower-extravaganza, with super-speed, bullets everywhere, punching through walls and a healthy dose of electricity – and we asked DD’s Supervisor Nikos Kalaitzidis how that was done.
A memorable VFX project
Review: In DP 06 : 2013, we spoke to VFX supervisors Thilo Ewers (Pixomondo) and Paul Lambert (Digital Domain) about the science fiction film Oblivion - and about Tom Cruise's 3D model.
RRR | VFX-Breakdown
Four fists for a triple-R: Digital Domain dominates in Bollywood blockbuster - and the Bollywood blockbuster dominates British colonial powers.
Lost in Space | VFX Breakdown
They just want to play: Robo-phobics should click away from the series finale of "Lost in Space".
Venom: Let there Be Carnage | VFX Breakdown
Facts, facts and more facts (in number): 12 is still too low, because you can expect 1003630198099968 bytes of hard facts for the Tom Hardy superhero hunt.
Matrix Resurrections | VFX Breakdown
The battle between man and machine continues: can the Wachowskis revive the Matrix - and is Digital Domain helping out?
Free Guy | VFX-Breakdown
More than just collateral damage: This breakdown smashes minivans and family cars into scrap metal!
And here comes the new DP!
The autumn issue (DP 06 : 2021) warms you up with RiseFX, RodeoFX and Digital Domain - and the much-loved GameBoy Classic finally gets a love letter..
The Twilight Zone | VFX-Breakdown
Proud as Sterling: Marble UFO, Monstermade & ghostly apparition.
Marvel’s Agents of S.H.I.E.L.D. | VFX-Breakdown
Digital Domain swings and jazzes through the MCU in Breakdown.