Digital Domain supervisors break down the design, rigging, lighting, and animation challenges behind the Skeleton Man creature for HBO’s return to the Stephen King universe.
425 shots, one terrifying doll, and a CG mill town: Digital Domain’s Alex Millet explains how his team built the horror of The Conjuring: Last Rites and kept it real.
Blackmagic Design introduces a 16 TB Media Module (M.2 SSD) for URSA Cine 12K LF, doubling storage to support 12‑bit BRAW at 1 432 MB/s and 10G workflows.
Sometimes there are fantastical productions, where you get a
monster that feels fresh and new – and once we had seen Season 2 of “Carnival Row” (Release on Amazon Prime), we needed to talk about
the toothy skinned bat: Sparas!
For Marvel Studio‘s most recent streaming series, “She-Hulk: Attorney at Law”, the concept of a workplace dramewdy (think Ally McBeal, 90s kids!) merges with Superhero-battles (think all the Marvel movies, comic-book-geeks!) – leading to 6-foot-
7-inch-sized, gorgeously green,
super-powered viewing pleasures.
A conversation with VFX Production Coordinator Erika Feijoo Spena and Visual Effects Supervisor Chris Smallfield about Hulk-ifications at VFX-powerhouse Trixter.
The DC Universe has a new “Hero” – well, not really a hero, but you’ll have to watch the movie for that. What is one of the best entries into that universe though, is Digital Domains work in the beginning – the “Introduction” of Black Adam is a superpower-extravaganza, with super-speed, bullets everywhere, punching through walls and a healthy dose of electricity – and we asked DD’s Supervisor Nikos Kalaitzidis how that was done.
Review: In DP 06 : 2013, we spoke to VFX supervisors Thilo Ewers (Pixomondo) and Paul Lambert (Digital Domain) about the science fiction film Oblivion - and about Tom Cruise's 3D model.
Facts, facts and more facts (in number): 12 is still too low, because you can expect 1003630198099968 bytes of hard facts for the Tom Hardy superhero hunt.
Epic Games’ second free Virtual Production Field Guide offered nearly 100 pages of interviews, remote collaboration guidance and Unreal Engine 5 coverage.
The two-day conference programme at animago was packed with presentations by Industrial Light & Magic, Framestore, Digital Domain, Pixar, Disney Animation Studios, and many more speakers. Here are a few impressions from the talks.
So ... our animago birthday party is slowly coming together! Here is an excerpt of the presentations at the animago CONFERENCE: Speakers from Disney, Pixar, ILM, Digital Domain, Platige Image and many other well-known animation and VFX studios will be there.
Bold: an artist formerly employed by DreamWorks Animation files a "Class Action" lawsuit against Pixar, Disney, SPI, Digital Domain 3.0 and Lucasfilm, among others.
"Ender's Game" is not only a film adaptation of Orson Scott Card's science-fiction book classic, but also a project crucial to the future of Digital Domain.
Oh dear, this is surely not what James Cameron had in mind when he founded Digital Domain around 20 years ago—tomorrow, the entire contents of the Florida department will be auctioned.
Digital Domain Media Group and Prime Focus World have reached an agreement after a lengthy patent dispute over the rights to a 3D conversion technology.
At the Cannes Film Festival, Digital Domain Media Group announced that it would work in the future with the Middle East-based twofour54 entertainment and media center to further advance Abu Dhabi's film, advertising, and TV industry.
Industry giant Digital Domain was among those responsible for the FX in Tron: Legacy. In an eight-minute video, the specialists show everything they did on Tron.