LUT Tuner Makes LUTs Tunable in Resolve
Excerpt: Cutpoint Labs turns edited .cube LUTs into adjustable Resolve DCTLs, complete with fit metrics, range controls and an inverse workflow.
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LUT
43 posts
Resolve 21 Manual Reaches 4,443 Pages
Blackmagic’s updated Resolve 21 reference manual documents editing, colour, Fusion, Fairlight, codecs, APIs and delivery across 4,443 pages.
Dehancer Brings Film Dirt to SCRATCH
SCRATCH users get Dehancer’s OFX film-emulation stack, with camera profiles, film stocks, print films and analogue damage for tasteful decay.
The Right Colours Without a Computer
SpyderPro exports a 33-point correction LUT, but you want one compact converter to apply it between SDI gear and an HDMI display.
Imagen Video brings AI grading to timelines
Imagen Video applies AI-based colour correction to Premiere Pro and DaVinci Resolve timelines using AI Profiles or uploaded LUTs. The pitch is less Hollywood finishing suite, more high-volume editor.
LUTs, Tags, or ICC: Getting Colours Right in Resolve on a Mac
For years, proper monitoring in DaVinci Resolve meant a Blackmagic I/O box and a calibrated display. On recent Macs, Resolve has become more predictable without dedicated hardware, but that does not make calibration optional. Here is where the situation has improved, where it still falls apart, and why Rec.709 scene remains the least bad common denominator.
Lutbake adds one-key LUT export to Resolve
Time in Pixels releases Nobe LutBake, a macOS tool for one-key high resolution LUT export from Resolve Studio.
Mavis adds LUTs, Open Gate and a “Film Kit” to iOS camera app
Mavis Camera 7.4 introduces Film Kit: a $9.99 add-on with LUT workflows, Open Gate capture, MLUTs, and ATOMOSphere C2C upload.
Blackmagic Camera 3.0: Remote Clip Syncing and Multi-Cam Control Arrive on Smartphones
Blackmagic Camera 3.0 syncs clips between phones, adds live streaming, LUT upgrades and more, making moile multi-cam shoots less painful.
Calibration for less – Part 3
Part 3 of the "Calibration for Less" series - we get into the settings with DisplayCal, Connect Software, Hardware and Wetware, and are chasing the elusive perfect colours!
Colour Monitoring for Cheapskates! Part 2
Now that your I/O-Hardware should be up and running, let’s get into equipment for profiling the screen (aka…
CineMon 1.0: Correcting the Signal
Let's talk about using low-cost HDMI video capture devices for accurate signal representation, particularly with log formats like S-log3. And also the development and application of a correction LUT using Resolve to enhance the accuracy of color and luminance.
Look development between DoP & colourist
There's a word on everyone's lips at the moment: "look development".
DoP Matthias Bolliger and colourist Louise "Lou" Temmesfeld take a look behind this term.
Premiere Pro Beta Adds Color Management and Performance Boosts
Adobe Premiere Pro's beta introduces an automatic color management system, enhancing efficiency for editors handling RAW and log formats without LUTs. Other updates include a new Properties panel and improved hardware acceleration.
Fallout becomes cinematic.
Paul Hatton catches up with Nikita Travnikov, an executive producer for Huuuge Games and 3D tinkerer - and we chat about the whole Fusion/Resolve pipeline!
Colourlab Ai 1.3 and 1.4 Released
Colourlab Ai delivered versions 1.3 and 1.4 in quick succession, adding HDR scopes, LUT tools and NDI support.
MagicTints 2.0 Adds LUT Export
MagicTints 2.0 transfers colour looks between Adobe applications and exports CUBE or PNG LUTs for renderers and game engines.
Cinema Grade Review: Intuitive Colour Correction Directly in the Image
Cinema Grade brings direct, image-based colour correction to Premiere Pro, Final Cut Pro X and, with limitations, DaVinci Resolve.
Magic Bullet Suite 14 Expands Colour Workflows and LUT Tools
Magic Bullet Suite 14 added guided colour correction, Huenity, Color Remap, a LUT browser, new presets and improved colour transforms.
ACES – Control over the primaries at last!
For many CG artists, discussions about colour spaces and colour pipelines are a tedious part of their work. However, the basic rule applies: only those who know and can use their digital colour palette will make the technically correct decisions in the creative process. For an accurate work process, it is therefore necessary to know the pipeline in order to produce controlled results.
Free LUT Library for VariCam and EVA1 Cine Cameras
Panasonic has released some useful things here.
New HDR grading monitor from EIZO
At the IBC in Amsterdam, EIZO presented its ColorEdge PROMINENCE CG3145 HDR monitor for the first time - everyone is talking about HDR. Not least because many 4K televisions are already being sold with an HDR label and HDR is therefore a buzzword for end users.
Spectracal Calman 2016
Why calibrate monitors? Our most important tool in the production of media content is the monitor, as a control tool in the first instance of production via the reference monitor in post-production during finishing and as a presentation tool in the final use of the content.
BaseGrade and the evolution of colour grading
At NAB 2O16, colour grading specialist Filmlight caused quite a stir in the colourist scene. BaseGrade - a completely newly developed grading operator for Baselight - was presented, which is intended to replace classic tools such as Lift, Gamma and Gain. That sounds like a small revolution. Filmlight promises more consistent results and a more natural way of working. Reason enough not only for Baselight colourists to take a detailed look at it.
Resolve Editing Workshop #10 – Delivery
The final episode deals—what a surprise—with the final step of the workflow: delivery. Once everything has been cleanly edited and graded, you also want to export the finished video and show it to people.
Resolve Editing Workshop #09 – Color Grading
This time it is about color grading—what possibilities the interface provides, and how to get primary grading done cleanly and efficiently.
On-Set Tools
Review: In DP 06 : 2016 we introduced four helpers that will help you to find out the exact position of the light emitter sun, preview LUTs in the browser, and always have a collection of knowledge with you.
Creating LUTs for Better Colour Matches
And this is how you can easily create 3D LUTs to match the light and colours of two shots recorded with different cameras.
Quick LUT Preview in the Browser
This online tool makes it easy to view LUTs at low resolution as a browser preview.
Teltec Workshops
Teltec is running a spring training series for VFX enthusiasts, covering topics including editing, LUTs and camera lenses.
LUTs for Noobs
Of course our readers know what a LUT is. Anyone who still needs a little tutoring can use the tutorial to learn what lookup tables are and what an artist does with them.
Print Film Emulation LUTs
Four Print Film Stock Emulations for Blackmagic Design Resolve are currently available as a free download—so that grading after the film print no longer brings surprises.
Blackmagic Design HDLink Pro now available
HDLink Pro converts SDI video for display on DVI-D LCD computer monitors.
M.I.R. 1.3 retouches film with Click & Fix
HS-ART’s M.I.R. 1.3 provides manual dust busting and wire removal for Windows and Mac film-restoration workflows.
IBC: New Functions for Mistika
Spanish manufacturer SGO presents new features using beta version 2.01 / Full version 2.5 will not arrive until 2007
Iridas launches SpeedGrade OnSet 2006
At the Cine Gear Expo in Los Angeles, Iridas showed a new version of its system that allows cinematographers to determine the look of a film
NAB: Filmlight shows Northlight successor
Film scanner now four times faster / New solutions Baselight HD and Truelight Colorist Package
NAB: Iridas – Updates for FrameCycler and SpeedGrade
Iridas gives new functions to its FrameCycler playback software and its SpeedGrade color-grading tool
Eizo Adopts 16:10 Format for 21- and 24-Inch Displays
Large-format LCDs target accurate colour reproduction and use overdrive for moving-image playback
DaVinci Presents Resolve Systems and Transformer
Products are expected during 2005; prices have not yet been announced
Siggraph: The Pixel Farm Announces PFPlay 2.0 and PFClip 1.0
The Disk-Based DI Review Tool Gets a Little Brother