With 50 days to go until FMX, there's just enough time to go through the programme and see what you want to see on site - She-Hulk, 1899 or even Dave McKean? (Yes, that's the one!). Early Bird tickets are still available until tomorrow!
And here is the spring edition of DP! On board this time: Emil / MaxR at the Filmakademie, Nuke 14 (including part three of the best little helpers) and a big workshop on BMD Cloud. For those who prefer to read about projects: Trixter's work on Shehulk, a dialect comedy in HFR and two award-winning student projects from HFF Munich.
For Marvel Studio‘s most recent streaming series, “She-Hulk: Attorney at Law”, the concept of a workplace dramewdy (think Ally McBeal, 90s kids!) merges with Superhero-battles (think all the Marvel movies, comic-book-geeks!) – leading to 6-foot-
7-inch-sized, gorgeously green,
super-powered viewing pleasures.
A conversation with VFX Production Coordinator Erika Feijoo Spena and Visual Effects Supervisor Chris Smallfield about Hulk-ifications at VFX-powerhouse Trixter.
The VFX studio Trixter, probably familiar to most people, is undergoing a change at management level. Cinesite has taken on the German company and will act as its parent from now on.
Around 250 professionals and students met at the University of Television and Film Munich (HFF) for the 20th Animation Meeting. The talks revolved around Hollywood VFX, robots and current developments in the industry.
They normally work behind the camera. That is why MedienNetzwerk Bayern exceptionally brought some of the speakers and nominees at this year’s animago event 2017 in front of the lens to learn more about their work.
There are just under two weeks to go until the submission deadline for this year's animago AWARD. Here we introduce you to this year's animago jury members, who bring CG experience and expertise from their work at ILM, Disney, Mackevision, Arri or Trixter.
There was a lot going on at the animago CONFERENCE 2015: Speakers from The Mill, Pixar, Weta Digital, Illumination Mac Guff, Trixter, Pixomondo, MPC and many other studios were there with exciting presentations. Here are the photos.
For the film adaptation of a Stephen King story, students at HFF Munich created a freeze scene in a train in cooperation with Trixter and the Filmic Space department.
Trixter recently gave us an interview about "Avenger 2" for the upcoming issue, and in 2013 the studio was nominated for an animago AWARD with the BBC series "Wolfblood".
Tony Andreas Rudolph is a 3D matte painter and concept artist from Vancouver, Canada, and has already worked for companies such as Framestore, MPC, Scanline, and Trixter.
Specifically in the production and marketing of joint animation projects. The first joint project, “Ploe”, is an adventure for the whole family about a young golden plover.
"Lilly the Witch" is in the middle of filming. The children’s adventure is produced by blue eyes Fiction and TRIXTER in co-production with Buena Vista International Filmproduction, Babelsberg Film, Dor Film of Austria, and Steinweg Emotion Pictures of Spain. Stefan Ruzowitzky directs.
Surreal landscapes, jump & run action, imaginatively designed dragon creatures, French comic art – European animated cinema is different. And it is cool. DIGITAL PRODUCTION reports on technical challenges and the successful cooperation between Germany and France.