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EditingTools.io: The Post-production Toolbox
Rafael Maier explains why EditingTools.io bets on small tools, strict metadata, offline workflows and human support for modern postproduction.
PostPro Analytics Counts Creative Work
PostPro Analytics logs project activity across nine Mac creative apps and turns it into local dashboards, CSV reports and billing evidence.
ARRI ALEXA 35 Live Xtreme adds 8x SDI HFR
ARRI's ALEXA 35 Live Xtreme outputs HFR over SDI for live production, keeping slow motion inside the same camera pipeline.
SMPTE Opens Its Standards Library
SMPTE has opened its complete standards catalogue, giving engineers and developers free access to current and future documents.
ProArt goes 12G-SDI portable
12G-SDI on a 15.6-inch 4K portable panel, plus calibration reports, presets, and a box that turns into a hood. Enjoy the set life
Autodesk Flame 2027: metadata and depth maps
Flame 2027 keeps frame metadata intact, adds frame annotations, and brings Depth maps plus OCIO 2.5.1. More pipeline glue, fewer hacks.
Switching to Davinci Resolve: Your first cut
Frame rate locked? Source Tape magic? Here’s where Resolve hides the real editing speed so you can cut first and hunt menus never.
Adobe DNG becomes ISO standard (Not an April Fools joke)
DNG just got an ISO badge. That turns a popular RAW container into a formal standard and makes archives and pipelines a little less spooky.
Getting your bearings: Switching from Premiere Pro to DaVinci Resolve
When editing, I want to know how I can achieve something, and the tool I choose should not hinder my creative process. That's why people are often hesitant to switch software, and I was no exception when I switched from Premiere to Davinci Resolve.
QuickSweep sorts your Premiere bins while you blink
EditingTools.io ships QuickSweep for Premiere Pro: one-click bin sorting, optional auto-sweep every four seconds, and an item-move history log.
AFX Camera Tagger sorts your Resolve multicam chaos
Free Resolve script auto-tags camera metadata for clean multicam sync. Studio required.
Mnemonica sets out to fix digital cinema memory
Mnemonica Archive addresses digital film by treating preservation as an active, monitored process rather than passive storage.
Work Hard, Sort Fast: Project Sorter 1.75
Project Sorter 1.75 auto-sorts your Premiere and After Effects imports by type, path, or metadata. Fewer bins to drag, more time to cut.
Resolve 20.3 brings 32K support, metadata tools and stability fixes
DaVinci Resolve 20.3 rolls out: 32K on M5 Macs, more flexible metadata and HDR10+ export, plus a slew of bug patches.
Kyno Update: Still Alive, Still Useful
Kyno 1.9 isn’t new magic, but it proves the beloved media tool still lives. Apple Silicon, new RAW SDKs, proxy presets—IBC chat to follow.
After Effects 25.4 Lands in August: HDR Metadata, Text-Format Paste, and Layer Staggering
Adobe After Effects 25.4 introduces Quick Offset, Paste Text Formatting Only, and HDR CICP metadata support.
Sony Burano firmware 2.0 update — More Power, Less Fuss
New Sony Burano firmware 2.0 brings raw-friendly 3.8K/4.3K/1.9K modes, enhanced IBIS, better autofocus, metadata overlays — pro set-ready.
ACES 2.0 – available in Mistika!
Wait, there is already a new Version of ACES? We barely got used to the last one! And it is already working in SGO Mistika? Let's dive in!
Collaboration with Blackmagic Cloud
With the introduction of Blackmagic Cloud, Blackmagic Design offers a simple workflow for online collaboration
with DaVinci Resolve. Despite the ongoing beta phase, we dared to use Blackmagic Cloud productively a few weeks ago - with very positive results overall.
Assimilate Live FX
Assimilate Live FX brings post to set: live keying, LED walls, and DMX lighting, all in real time. It’s not quite StageCraft, but it’s definitely stage-crafty.
The virtual glue press:CineXtools from Cinedeck
Non-linear video editing with computers (NLE for short) has given us enormous freedom. Not only the fiddling with adhesive presses and cotton gloves, synchronised tape machines or even toxic carbon tetrachloride in magnetic magnifiers from the early days of videotape are a thing of the past. today, "cuts" are non-destructive and can be altered at will (sometimes all too often). But the whole thing has one disadvantage .....
NAB 2008: Adobe advances dynamic-media workflows
Adobe previews metadata workflows and CinemaDNG while adding XDCAM EX support and releasing Flash Media Encoder 2.5.
NAB 2008: DVS Presents SpycerBox Media Hub
DVS presents SpycerBox, a storage system that can serve as a NAS, file server, or DVS-SAN backup and scale through SpycerLink clustering.
NAB 2008: DVS Software Duo Optimizes DVS-SAN Management
The DVS-SAN management tool and Spycer provide visibility into the performance and content of the central storage system.
NAB 2008: Blue Order Presents Media Archive Enhancements
At NAB 2008, Blue Order will present numerous new functions in the current Media Archive 3.2 release.
NAB 2008: Focus Enhancements Presents Recording and Management Products
Focus Enhancements will show the FS-5, FS-100, and MM-1 Universal Media Manager at NABShow in Las Vegas.
Final Cut Server Begins Shipping
Apple begins shipping Final Cut Server, a server-based media asset management and workflow-automation system.
BMF 1.2 Now Available
The IRT’s Broadcast Metadata Exchange Format (BMF) is now available in version 1.2, extending the format with new functions and application areas.
Optimised data management for Mac OS users with Spycer 1.3
From version 1.3, DVS's Spycer data management software also enables Mac OS users to manage content intuitively.
New business models on the mobile Internet
Successful business models on the mobile Internet will increasingly be based on offering so-called metadata. As contextual information, these describe, for example, the location where a photo was taken as determined by GPS, or the availability status of mobile subscribers.
PLAZAMEDIA Uses Blue Order Media Archive for Its Live Sports Production Environment
Customers benefit from faster and more flexible availability of production material.
MW: GridIron Software Demonstrates Flow
At Macworld, GridIron CEO Steve Forde demonstrated Flow, the new application and asset-management program for Mac and PC, to the DP editorial team.
ARD Launches MXF Video File Transfer System
D.A.V.I.D.’s system automates MXF replication, simplifies programme exchange and supports end-to-end tapeless workflows.
Quark Releases QuarkCopyDesk 7
QuarkCopyDesk 7 combines text and image editing with QuarkXPress 7, Quark Publishing System 7 and third-party workflows.
Acht Frankfurt: Digital tapeless broadcast-copy delivery with Leporello
Since June 2007, the Frankfurt company has used the digital delivery route for broadcast copies to broadcasters.
VPMS PlayoutControl from S4M at MDR
Mitteldeutscher Rundfunk is expanding its VPMS campus license with the PlayoutControl module from Cologne software forge S4M – Solutions for Media. The control tool for video servers will support control-room production in future.
VideoSnooper Launches Television Search
VideoSnooper.tv uses artec technologies' XentauriX technology to search television programmes for spoken keywords within seconds.
IBC: Pro-Bel Shows Morpheus Gateway
Solution for third-party content in automation and playout
NAB: Vizrt integrates Ardendo products
Ardendo expands Vizrt's product range with a content-management and playout system
NAB: DVD authoring for HD with Sonic
Sonic Scenarist 4 supports authoring projects for Blu-ray and HD-DVD productions
NAB: DVC Presents Megacine Field Recorder
Device for uncomressed recording of SD, HD and Digital Cinema in 2K is to debut at broadcast trade show
DVS and ARRI Build Digital Dailies Workflow
ARRISCAN, DVS-SAN and Clipster form a data-centric path from scanning through offline dailies and final DI.
Quantel Adds AAF Tools to Editing and DI Systems
AAF workflow from Avid to Quantel simplifies collaboration in postproduction, broadcast and digital intermediate
Con4 Trade Fair Cologne: HP Shows Comprehensive DCC Solutions
Workstation Provider Presents a Broad Range of Products and Services for Content Management and Distribution
IBC: Omneon Presents ProBrowse for Spectrum Media Server
ProBrowse Simplifies Clip Management through the Use of Proxies
IBC: Sony Makes XDCAM HD-Capable
HD Now Also on Professional Disc / Recording at 35, 25 or 18 Mbps
ThunderMX: New Server from Pinnacle Systems for Live Production
With ThunderMX, Pinnacle Systems is offering a new server for live productions.
Scalable MPEG Playback for Broadcast Operations
AirBox was presented as a scalable MPEG-2 playback system with frame-accurate tape control, scheduling, live playlist changes and metadata archiving.
Adobe Graphics Server 2.0 Automates Image Conversion
Graphics Server 2.0 converted master images into multiple formats and sizes for web and cross-media production.
Blue Order Expands Media Workbench 2.2
Media Workbench 2.2 added personal folder structures, drag-and-drop transfers, watch folders and configurable metadata for distributed media teams.
eMotion Adds ArchivePartner and CreativePartner to Its Product Range
ArchivePartner and CreativePartner brought scalable media-asset storage, search, rights management and online collaboration to smaller organisations.
eMotion Releases MediaPartner 4.1
MediaPartner 4.1 expanded workflow, collaboration, metadata import and bulk-ingest capabilities for enterprise digital media management.
eMotion shows new mobile workflow technologies at IBC 2001
eMotion, Inc, provider of digital media management solutions, will demonstrate the ability to manage, view and annotate media assets on wireless mobile devices at IBC 2001.
Artesia Technologies and Convera to Offer Integrated Solution for Rich Media Management
Discovery Communications first adopter of joint solution incorporating Convera"s Screening Room and Artesia"s TEAMS digital asset management solution
Keyvia Integrates Virage VideoLogger Into Key-MediaWorks
Key-MediaWorks" support of Virage SmartEncode to be demonstrated at NAB 2001