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ARRI ALEXA 35 Live Xtreme adds 8x SDI HFR
ARRI's ALEXA 35 Live Xtreme outputs HFR over SDI for live production, keeping slow motion inside the same camera pipeline.
SMPTE Opens Its Standards Library
SMPTE has opened its complete standards catalogue, giving engineers and developers free access to current and future documents.
ProArt goes 12G-SDI portable
12G-SDI on a 15.6-inch 4K portable panel, plus calibration reports, presets, and a box that turns into a hood. Enjoy the set life
Autodesk Flame 2027: metadata and depth maps
Flame 2027 keeps frame metadata intact, adds frame annotations, and brings Depth maps plus OCIO 2.5.1. More pipeline glue, fewer hacks.
Switching to Davinci Resolve: Your first cut
Frame rate locked? Source Tape magic? Here’s where Resolve hides the real editing speed so you can cut first and hunt menus never.
Adobe DNG becomes ISO standard (Not an April Fools joke)
DNG just got an ISO badge. That turns a popular RAW container into a formal standard and makes archives and pipelines a little less spooky.
Getting your bearings: Switching from Premiere Pro to DaVinci Resolve
When editing, I want to know how I can achieve something, and the tool I choose should not hinder my creative process. That's why people are often hesitant to switch software, and I was no exception when I switched from Premiere to Davinci Resolve.
QuickSweep sorts your Premiere bins while you blink
EditingTools.io ships QuickSweep for Premiere Pro: one-click bin sorting, optional auto-sweep every four seconds, and an item-move history log.
AFX Camera Tagger sorts your Resolve multicam chaos
Free Resolve script auto-tags camera metadata for clean multicam sync. Studio required.
Mnemonica sets out to fix digital cinema memory
Mnemonica Archive addresses digital film by treating preservation as an active, monitored process rather than passive storage.
Work Hard, Sort Fast: Project Sorter 1.75
Project Sorter 1.75 auto-sorts your Premiere and After Effects imports by type, path, or metadata. Fewer bins to drag, more time to cut.
Resolve 20.3 brings 32K support, metadata tools and stability fixes
DaVinci Resolve 20.3 rolls out: 32K on M5 Macs, more flexible metadata and HDR10+ export, plus a slew of bug patches.
Kyno Update: Still Alive, Still Useful
Kyno 1.9 isn’t new magic, but it proves the beloved media tool still lives. Apple Silicon, new RAW SDKs, proxy presets—IBC chat to follow.
After Effects 25.4 Lands in August: HDR Metadata, Text-Format Paste, and Layer Staggering
Adobe After Effects 25.4 introduces Quick Offset, Paste Text Formatting Only, and HDR CICP metadata support.
Sony Burano firmware 2.0 update — More Power, Less Fuss
New Sony Burano firmware 2.0 brings raw-friendly 3.8K/4.3K/1.9K modes, enhanced IBIS, better autofocus, metadata overlays — pro set-ready.
ACES 2.0 – available in Mistika!
Wait, there is already a new Version of ACES? We barely got used to the last one! And it is already working in SGO Mistika? Let's dive in!
Collaboration with Blackmagic Cloud
With the introduction of Blackmagic Cloud, Blackmagic Design offers a simple workflow for online collaboration
with DaVinci Resolve. Despite the ongoing beta phase, we dared to use Blackmagic Cloud productively a few weeks ago - with very positive results overall.
Assimilate Live FX
Assimilate Live FX brings post to set: live keying, LED walls, and DMX lighting, all in real time. It’s not quite StageCraft, but it’s definitely stage-crafty.
The virtual glue press:CineXtools from Cinedeck
Non-linear video editing with computers (NLE for short) has given us enormous freedom. Not only the fiddling with adhesive presses and cotton gloves, synchronised tape machines or even toxic carbon tetrachloride in magnetic magnifiers from the early days of videotape are a thing of the past. today, "cuts" are non-destructive and can be altered at will (sometimes all too often). But the whole thing has one disadvantage .....
Scalable MPEG Playback for Broadcast Operations
AirBox was presented as a scalable MPEG-2 playback system with frame-accurate tape control, scheduling, live playlist changes and metadata archiving.
Adobe Graphics Server 2.0 Automates Image Conversion
Graphics Server 2.0 converted master images into multiple formats and sizes for web and cross-media production.
Blue Order Expands Media Workbench 2.2
Media Workbench 2.2 added personal folder structures, drag-and-drop transfers, watch folders and configurable metadata for distributed media teams.
eMotion Adds ArchivePartner and CreativePartner to Its Product Range
ArchivePartner and CreativePartner brought scalable media-asset storage, search, rights management and online collaboration to smaller organisations.
eMotion Releases MediaPartner 4.1
MediaPartner 4.1 expanded workflow, collaboration, metadata import and bulk-ingest capabilities for enterprise digital media management.
eMotion shows new mobile workflow technologies at IBC 2001
eMotion, Inc, provider of digital media management solutions, will demonstrate the ability to manage, view and annotate media assets on wireless mobile devices at IBC 2001.
Keyvia Integrates Virage VideoLogger Into Key-MediaWorks
Key-MediaWorks" support of Virage SmartEncode to be demonstrated at NAB 2001
Artesia Technologies and Convera to Offer Integrated Solution for Rich Media Management
Discovery Communications first adopter of joint solution incorporating Convera"s Screening Room and Artesia"s TEAMS digital asset management solution