Los Angeles gets procedurally wrecked, Area 51 gets sand-blasted, and the Caswennan gets treated like a flying film set. We play 20 Questions with RISE.
VFX Supervisor Michael Wortmann on how RiseFX built the fantasy of Momo: almost entirely on location, with 280 shots and the best turtle in the business.
Most of us have played an episode or two of Fallout - and were cautiously pleased when Amazon Prime announced a film adaptation. Turns out the first season was a lot of fun - and had some great shots. Some of the best came from Rise FX - so we connected our Pip-Boy to the bunker in Berlin and asked the artists!
With 50 days to go until FMX, there's just enough time to go through the programme and see what you want to see on site - She-Hulk, 1899 or even Dave McKean? (Yes, that's the one!). Early Bird tickets are still available until tomorrow!
Looking back: In DP 03 : 2015, we found out that Rise Visual Effects Studios has been around since 2007 - eight years later, in 2015, it even had four locations. Founder Florian Gellinger explained to us how the expansion of the VFX business was achieved.
Review: In DP 02 : 2013, we tracked down the mega-production Cloud Atlas - with export director Tom Tykwer and the Wachowski siblings in the director's chair. How did Rise manage the massive visual effects of the three-hour epic - and how did the VFX artists transform today's Glasgow into the San Francisco of the 1970s?
Review: In DP 02 : 2013, we spoke to Florian Gellinger, founder of VFX studio Rise, about the David Mitchell film Cloud Atlas. The sci-fi epic was realised by: the Wachowski siblings.
This is also part of entrepreneurship: the boss as a hotline. In other words, why does Rise use humorous memes for its marketing? And what does this have to do with VFXs?
Rise and SAE Institute offered three Visual FX and 3D Animation diploma scholarships, plus recurring internships at Rise studios in four German cities.
Many set extensions as well as smoke and gunfire effects were needed to create the world of the gunslinger conceived by Stephen King. Here are some of the shots worked on by Rise in the breakdown video.
Oscar glamour (without incorrect winner cards) in the programme of FMX 2017, which takes place this year under the motto "Beyond the Screen." Among other things, talks about Oscar winner "Piper" and five other nominated films are included.
What takes a long time – the trailer for "Richard the Stork" was released after many years of production. The film celebrated its world premiere on February 12 at the Berlinale.
VFX supervisor Florian Gellinger of Rise | Visual Effects Studios initiated a German section of the Visual Effects Society, which has now been founded.
Rise | Visual Effects Studios created a lot of invisible effects for Guy Ritchie's spy film "The Man from U.N.C.L.E.". Here is the comprehensive breakdown reel.
A lot is happening at Rise: Not only have two animago nominations for best VFX just arrived, but the company now also includes a production company with Rise Pictures.
Andreas Giesen and Simon Ohler from the Rise team spoke to SideFX about Houdini and what the tool does in their studio pipeline. In addition, they show shots from the two animago-nominated projects "The Man From U.N.C.L.E. and "Captain America - Civil War".
Here it is: The animago jury 2015! If you would like to know who exactly will be judging your CG works created with a lot of passion, here is all the information.
Rise | Visual Effects Studios is opening a new studio location in Stuttgart during FMX 2015. More about Rise’s other locations and pipeline in the current issue of DP.
Review: In DP 03 : 2014, we climbed into the opening scene of the bestselling film adaptation of The Book Thief. Rise Visual Effects Studios realised a long cloud sequence including a 3D tracking shot with Houdini. How do artists create the perfect cumulus cloud?