Browsing Tag

Commercial

65 posts

Beauty-Grading in Resolve

Using software to approximate images of people to current conventions of beauty is work that has shifted more and more from compositing to the domain of grading. As the possibilities increased, so did the demands. Following on from the last article, which dealt with best practices in colour grading in general, we would like to take a very specific look at tips in the area of beauty and retouching. Here, too, we take the perspective of filmmakers who, for budgetary reasons, are "forced" to grade all or at least part of their films themselves and have already gained some experience in Resolve.
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Two decades of the Bison?

It’s very nice to have two years on a project – but there are some that run way longer. For example Platige Image’s involvement in the commercials for „Żubr“, a polish beer brand. These have been made since 2004 – so it’s time to open a bottle and ask how the bison evolved!
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Supermoine Holypop | Animago Afternoon

Fasten your seatbelts! Here come the Randale Vikings - and slaughter their way through the monastery. Their goal: the secret ingredient for sugar sherbet! Marvel at the nominee in the "Best Advertising Production" category from 2015.
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A Trampoline for Animals

Hiding does’nt help—the first Advent is rapidly approaching. Full-CG animals are popular performers in Christmas advertising spots, making this a busy time for MPC’s advertising department. "Buster The Boxer" for John Lewis is one of the spots currently produced by MPC.
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Airy Shoes

The Nike Air Max 1 Ultra Flyknit sports shoe model is said to be ultralight—Aixsponza visualised this wearing comfort in a new spot for Nike
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Sneak Peek: 07 : 16

For the forthcoming DP 07 : 16, we are currently preparing the focus "Product Visualisations", because these projects are what put the CG artist's daily bread on the table. DP will be with our subscribers on 21 October and appear on newsstands on 24 October.
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animago AWARD 20th Anniversary Voting: Best Visualization/Commercial

In celebration of the 20th anniversary of the animago, we have decided to honour the best submission from the past two decades. The DP team has already completed the painstaking task of narrowing down the pool to 20 projects, and now it’s up to our readers to decide which one will receive the trophy! To give you more of an overview, we divided up the films into four different categories. Vote here by the end of July for your favourite clip in the category “Visualization/Commercial”.
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Malak and the Boat

The animated short film "Malak and the Boat" is part of UNICEF's "Unfairy Tales" campaign. The look and design of the film, created by 180LA and House of Colors, are particularly unusual.
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Bitstate VFX Reel

London studio Bitstate VFX shows its work for TV, film and advertising in its new reel, including daring stunts by kids and cheeky critters.
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Reel from Vancouver

Sequence is a full-service production house from Vancouver that realizes both live-action and animation projects. Here is the studio’s current showreel.
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Audi Goes Hitchcock

Audi has not only appropriated “World War Z” for advertising purposes; Hitchcock’s classic “The Birds” has also served – in the modern drone version.
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Audi Commercial Breakdown

With the Audi commercial “Mechanics”, the car company taps into the current “Walking Dead” series hype. The zombie crowd was created by Time Based Arts from London.
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A cartoon character in a top hat pouring snacks into a boy's hands.

Commercials from the 1970s

In the 1970s, cartoon characters were still widely used for advertising. Fred Flintstone, for example, was a testimonial for Pebbles cereals. Here is an overview of the best spots.
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Visualising barley juice

Looking back: In DP 04 : 2013, we were thirsty for beer, because pilsner brand Warsteiner was celebrating its 260th birthday with an advertising campaign. The post-production studio nhb and the agency Kolle Rebbe created bottles in 3D for the Warsteiner brewery. Cheers!
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Gnomon School of Visual Effects logo

Learning from the Best: Gnomon School of Visual Effects

Anyone who wants to learn from the best in the 3D computer graphics industry can apply or enroll at the Gnomon School of Visual Effects in Hollywood, California. Students, graduates, and industry professionals have the opportunity to broaden their knowledge. Whether full-time on site in courses lasting up to three years or through ten-week online courses, production experience in feature films/video games is passed on and culminates in a project that is assessed.
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Drench, Cubehead

Advertising is often the master class of short film, as Ulf Johansson's “Drench” commercial demonstrates through its technical execution.
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Virtual Smarties world made in Frankfurt

Over the past five months, a virtual Smarties world has taken shape in the studios of ACHT FRANKFURT: together with agency J. Walter Thomson (JWT), the Frankfurt post-production company won the pitch for the new Smarties TV commercial. The film “Dragon”, produced for client Nestlé, is now being broadcast on German television.
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TV Movie appears with Harry Potter collector’s album from Panini

The movietainment magazine TV Movie from the Bauer publishing group and Panini Verlag have entered into an attractive cooperation. Right on time for yesterday's film release, issue 15 of TV Movie appeared in a package with the current Panini collector's album for the cinema film "Harry Potter and the Order of the Phoenix".
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VES Awards

On February 11, 2007, the Visual Effect Society (VES) presents the VES Awards for the 5th time for the best Visual Effects in 23 categories, including Visual Effects in a Visual Effects Driven Motion Picture or Visual Effect of the Year. The submission deadline ends on December 2, 2006. European VFX supervisors in particular are also addressed, because the invisible effects in cinema films (such as Perfume, Viktor Muller) or commercials (noitulovE, CFC Framestore) and TV movies (Dresden, Denis Behnke) need not fear international comparison.
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