In DP 04:20, we have already tested the artificial intelligence for upscaling video. Topaz Video AI (TVAI for short), as it is now called in version 3.0, has, according to the manufacturer, been developed from scratch
developed from scratch to incorporate additional capabilities and enable the stacking of AI models with filters and parallel operation.
“Nosferatu” (1921), a classic of German silent cinema, also underwent extensive digital restoration last year, following its analogue restoration in 2005/2006.
The professional solution for automatic, semi-automatic and manual film and video restoration is now available in version 2.3. DIAMANT has been used successfully by postproduction facilities, film studios and film laboratories for more than six years.
The triumphant progress of Fassbinder’s masterpiece Berlin Alexanderplatz continues unbroken and, after stops in Berlin, New York, Cologne, Barcelona, Liverpool, Paris, once again reaches New York’s Museum of Modern Art (MoMA), where the exhibition Fassbinder: Berlin Alexanderplatz will open from October 21.
New version now offers Dust Busting, Painting, Retiming, Wire Removal and On-the-fly Proxy Generation / Final Cut Pro import via XML Interchange Format
On June 8, Grass Valley provided insight into the complete digital intermediate workflow at a workshop at VCC Perfect Pictures in Hamburg. Spirit 4K, the new Spirit 2K film scanner, LUTher and Bones were presented as components of the workflow.
The English postproduction studio AHC Post from Soho, London, has expanded its Quantel equipment with a second eQ system for editing, effects work, colour correction, mastering and a QEdit Pro editing system.