KRO Adopts Blue Order Media Archive
Dutch broadcaster KRO uses Blue Order’s Media Archive platform to manage and preserve video and audio content.
Browsing Tag
Asset management
144 posts
NXN Integrates Asset Management with Maya 5
A new plug-in provides access to NXN alienbrain Studio functions directly from Maya 5.
Side Effects Releases Houdini 6
Houdini 6 adds asset-management improvements alongside updates to animation, lighting, compositing, particles and rendering.
Blue Order Updates Media Workbench
Blue Order Media Workbench 2.25 adds direct remote access alongside workflow, version-control, playback and editing improvements.
Media Engines for Broadcasters from Encoda Systems
Encoda Systems offers the next generation of its media engines for the broadcast and cable television industry as turnkey solutions.
NAB 2003: Avid Presents New DNA Family
The special hardware enables real-time functionality and better image and sound quality in video editing.
Scalable MPEG Playback for Broadcast Operations
AirBox was presented as a scalable MPEG-2 playback system with frame-accurate tape control, scheduling, live playlist changes and metadata archiving.
Sony Pictures Imageworks Deploys NXN Alienbrain VFX Studio-Wide
Imageworks selected Alienbrain VFX to manage models, motion-capture data, renders and live-action plates across projects including Spider-Man 2 and The Polar Express.
NXN Alienbrain Supports Major 2002 Game Releases
Electronic Arts and other studios used NXN Alienbrain to organise project files and coordinate teams across a wide range of console and PC games.
Blue Order and D.A.V.I.D. Sign Media-Management OEM Agreement
The agreement integrated DigaMedia editing, browsing and transcoding modules into Blue Order’s Media Archive platform for newsroom and archive workflows.
Incite Editor 3.0 Adds Distributed Production Tools
Incite Editor 3.0 combined edit-during-capture, background rendering, shared media management and SAN-ready collaboration.
Optibase Signs QuickVideo OEM Agreement with InfoValue
Optibase agreed to offer InfoValue QuickVideo server software for video servers, multicast video on demand and archives.
NXN Adds Microsoft Office Integration to Alienbrain 6.0
A free Alienbrain 6.0 plug-in brought asset management, version control and team workflow into Word, Excel and PowerPoint.
Mediahouse Chooses Quantel generationQ for Sports News
Mediahouse selected a Quantel generationQ server and editing system for SNTV sports bulletins and TWI programming.
Framepool Releases Second Stock-Footage Showreel
Framepool’s second showreel sampled more than 60,000 downloadable shots across locations, effects, sport, people, nature and business.
Roxio PhotoSuite 4 Platinum Reduced to €29.99
PhotoSuite 4 Platinum combined photo correction, effects, albums, slideshows, printing and web publishing.
Adobe Graphics Server 2.0 Automates Image Conversion
Graphics Server 2.0 converted master images into multiple formats and sizes for web and cross-media production.
LSI Logic and SGI Demonstrate High-Performance SAN System
The SAN Server 1000 demonstration combined SGI shared storage with film restoration, video-on-demand and live delivery applications.
Blue Order Expands Media Workbench 2.2
Media Workbench 2.2 added personal folder structures, drag-and-drop transfers, watch folders and configurable metadata for distributed media teams.
TurboSquid and Maxon Create a Cinema 4D Marketplace
Maxon and TurboSquid made native Cinema 4D models easier to buy, sell and exchange online.
Hahn Film Selects NXN Alienbrain for SimsalaGrimm
Hahn Film adopted Alienbrain to manage assets, revisions and project progress for the SimsalaGrimm animated feature.
Interactive Effects Releases Piranha HD 3.5
Piranha HD 3.5 added project management, batch rendering, version control, editing improvements and real-time warping for SGI Octane2.
Sony Online Develops EverQuest II with NXN Alienbrain
Sony Online Entertainment used Alienbrain to manage more than 100,000 2D and 3D assets during production of EverQuest II.
Criterion Games Uses Alienbrain for Code and Art Assets
Criterion Games adopted Alienbrain CodeClient to manage source code and visual assets within one version-control and workflow platform.
Lionhead Studios Selects NXN Alienbrain
Lionhead and its satellite studios adopted Alienbrain 5.0 to manage assets, projects, workflows and source-code versions across game productions.
eMotion Adds ArchivePartner and CreativePartner to Its Product Range
ArchivePartner and CreativePartner brought scalable media-asset storage, search, rights management and online collaboration to smaller organisations.
GDC 2002: NXN Adds Project, Studio and Bug Management to Alienbrain
NXN announced PMX, SMX and BMX extensions for Alienbrain 5.0, covering project planning, studio reporting and integrated bug tracking.
eMotion Releases MediaPartner 4.1
MediaPartner 4.1 expanded workflow, collaboration, metadata import and bulk-ingest capabilities for enterprise digital media management.
Electronic Arts Signs Global Agreement for NXN Alienbrain
Electronic Arts selected NXN Alienbrain 5.0 to manage game-development production across its studios worldwide.
DVC Extends OnairForce for HDTV Digital Cinema
DVC’s OnairForce e-Cinema concept combined content scheduling, broadband delivery, storage and HDTV playout for cinema advertising.
Chaman Uses Alienbrain to Produce a Film and Video Game Simultaneously
Chaman Productions and Namco used Alienbrain to coordinate the simultaneous production of the animated feature film Axis and its accompanying video game across teams in France, Canada and Japan.
NewsQ Pro Automates Broadcast Playback
Grass Valley’s NewsQ Pro joined Profile XP, NewsEdit and MOS-compatible newsroom systems for automated four-channel news playback and shared storage.
FAST Releases blue at IBC 2001
FAST launched blue at IBC 2001 with mixed native-format editing, SDTI transfer, background effects, colour correction and FASTwire networking.
FAST Explains the blue Editing System
FAST development executive Ali Adelstein explained the open-format design, interface, colour tools and network workflow behind the blue editing system.
eMotion shows new mobile workflow technologies at IBC 2001
eMotion, Inc, provider of digital media management solutions, will demonstrate the ability to manage, view and annotate media assets on wireless mobile devices at IBC 2001.
Media 100 develops automated enterprise streaming technology based on Cleaner platform
Media 100 presents automated, database-driven enterprise streaming solution based on Cleaner 5 - scalable streaming engine for high volumes, ideal for the production of large quantities of streaming content
SGI presents new products especially for media and Internet
Pioneering solutions on high-performance hardware from SGI for all streaming applications
Avid Advances Production Workflow and Makes Web-Encoding Push-Button Easy
Avid Unity ProEncode Streamlines Media Conversion and Automates Encoding for Web Streaming and Other Formats
Artesia Technologies and Convera to Offer Integrated Solution for Rich Media Management
Discovery Communications first adopter of joint solution incorporating Convera"s Screening Room and Artesia"s TEAMS digital asset management solution
Convera Partners with Media Leaders EMC and Grass Valley Group to Deliver Comprehensive Digital Content Management Solution
Key Milestone Reached in Delivering Industry"s First Fully-Integrated Digital Broadcasting Solution
Keyvia Integrates Virage VideoLogger Into Key-MediaWorks
Key-MediaWorks" support of Virage SmartEncode to be demonstrated at NAB 2001
Keyvia Announces and Ships New MediaWorks Archive Server
Addresses the Need for Integrated Off-Line Storage in Media Asset Management
Grass Valley Group Unveils New Vibrint System, Profile XP Media Platform For Production
Technology previews of news offering feature partial file restore technology for ultra-fast archive retrieval, real-time shared storage option
ClipServerRACK
Multi-Format Broadcast Video Server. The ClipServer is a multi-format video server based on Drastic Technologies Software and assembled by DVC Digitialvideo Computing.