Silhouette 2026 upgrades AI mattes, adds Head Track ML and better tracking, boosts paint tools and performance, and finally gets serious about pipelines.
Assimilate has published a short three-part tutorial series for combining Live FX 9.9 with Unreal Engine in virtual production. The videos cover GPU Texture Share on a single system, an nDisplay workflow that outputs multiple render streams, and a Switchboard setup that enables live Unreal edits
KeenTools 2025.3 expands host support with Blender 5, Character Creator 5 export from FaceBuilder and Alembic output from GeoTracker for After Effects.
AI-assisted mattes, cleaner camera solves, and the return of the curve editor: Mocha Pro 2026 refines your roto and tracking life without reinventing the wheel.
AI masking, Face ML, and SynthEyes 3D tracking arrive in Silhouette 2025.5. Roto artists everywhere suddenly feel less stressed and with a bigger toolbox for their job.
Fusion, the compositing tool in and out of Resolve, has got a big update - and we asked BMD's Simon Hall, what it all means and what the future holds..
With its latest release, Blackmagic Fusion is positioning itself more aggressively than ever as a powerful and cost-effective complete package for node-based compositing and motion graphics. We check whether Fusion 20 lives up to the high expectations.
Since 2024, it has been possible to integrate 3D objects into After Effects Beta. The updated version of the Adobe compositing solution now also has this functionality.
Boris FX has just releases the latest version of its 3D Tracking and Matchmoving software, Syntheyes. Boris FX traditionally tries to utilize technology from its other software solutions in its various products, and Syntheyes is no exception, including Mask ML in the 2025 release.
And to keep track (Höhö) of the New Years Resolution, The The Pixel Farm releases a new version of PFTrack! The Pixel Farm's Version 24.12.19 introduces AI-powered enhancements to its photogrammetry toolset.
In 2022, Obsbot surprised us with its 4K AI model (see issue DP 22:06). Now they're back with Obsbot Tiny 2. Is the upgrade really 2024 fair or just a warm rehash like the next FIFA [year]? Let's find out!
3D camera tracking, also known as "match moving" in the professional scene, is now offered by every better software for video editing or 3D. But when we compared a few such popular 3D trackers in DP 18:01, SynthEyes was already our high-end reference for good reason.
Something‘s always happening in the Boris FX- Ecosystem – and just before this year’s IBC they announced that Syntheyes is now part of the family! So we cornered Boris Yamnitzki and John-Paul Smith and asked them what the plans are for one of our favourite tracking Tools.
The latest version of the 3D Tracking and Match Moving software has been released! Highlights include a curve-based colour correction tool, improved roto masking - and many quality of life updates.
How can tracking and power moving be made easier in After Effects? GeoTracker from KeenTools is one possible answer. Now with support for After Effects 17.0!
The latest offshoot of the tool for remote film work is launched! But what's next for the tool now that developer Ftrack has been acquired by Backlight?
Assimilate Live FX brings post to set: live keying, LED walls, and DMX lighting, all in real time. It’s not quite StageCraft, but it’s definitely stage-crafty.
Autodesk demonstrates Flame updates spanning a next-generation camera tracker, finishing tools and remote-work capabilities, plus a five-part 3D tracking series.
In addition to Nuke 11.1, the Cara VR plug-in has also been updated with new stichting tools, Match Move and new Ocula tools for customising stereo projects.
Andersson Technologies has released version 1708 of the 3D camera-tracking software SynthEyes – now also with export to After Effects, Fusion and HitFilm.
The Pixel Farm presented PFPipe in New Orleans. The solution is intended to allow users of PFTrack tracking software to improve their workflow significantly.
With its extremely inexpensive motion-tracking solution for 5000 US dollars, NaturalPoint caused a sensation at SIGGRAPH. DIGITAL PRODUCTION did not want to miss this and visited their SIGGRAPH stand. An interview with Jim Richardson, President of the company, and cooperation partner Alex Furer from plugin manufacturer Motion4U.