Browsing Tag

digital

178 posts
A futuristic landscape featuring a large robotic vehicle and floating rock formations against a twilight sky. The scene includes text that reads 'THE ROAD AHEAD' and details about the FMX 2026 film and media exchange event.

FMX Turns 30 in 2026

FMX 2026 celebrates 30 years of digital media creation. Stuttgart, May 5–8, 2026. Theme: “The Road Ahead”. Book your rooms, time flies.
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A colorful group of animated creatures poses together in a dimly lit room. Various shapes and sizes are represented, including a pink round creature in a glass bubble, a furry brown monster, and a small red creature in the foreground.

Stitch Head!

“Stitch Head”: A charming animated adventure blending gothic charm, playful humor, and a heartfelt journey of self-acceptance, crafted by a team spanning multiple continents and pipelines.
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The starship USS Enterprise (NCC-1701-A) glides majestically through a starry space scene, with a futuristic space station visible in the background, illuminated by blue light.

The visual effects of Star Trek – a retrospective

On September 8th, 1966, the U.S.S. Enterprise flew across American screens for the first time - since then, "Star Trek" in all its various iterations has become part of the zeitgeist. And, in keeping with the Enterprise's mission, it has also repeatedly stepped into new areas of visual effects, making it one of the many trailblazers for our industry. In this retrospective, we want to take a closer look at some of these milestones.
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The Rise and Fall of Cyborg

When we think of compositing systems of the late nineties and early two thousands, Discreet and Quantel come to mind. But for a brief time, there was a real contender to those two powerhouses: 5D Cyborg!
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More ALEXA 35, Less Budget—But Still ARRI

ARRI introduces the ALEXA 35 Base Model, a lower-cost version of its flagship ALEXA 35. The new model offers the same sensor and image quality but trims the price tag by making advanced features available as separately licensed upgrades.
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We Hunt Giants

The short film "We Hunt Giants" takes the viewer into a world in which humans and dinosaurs fight for survival. Action, drama and CGI - without a Hollywood budget in the millions. Here is a brief insight into the making of the film and its visual effects.
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Saving audiovisual cultural heritage with Topaz Video AI 3.0

In DP 04:20, we have already tested the artificial intelligence for upscaling video. Topaz Video AI (TVAI for short), as it is now called in version 3.0, has, according to the manufacturer, been developed from scratch developed from scratch to incorporate additional capabilities and enable the stacking of AI models with filters and parallel operation.
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Die Objektivfassung ist nun austauschbar, hier für PL-Objektive.

One for all? The Ursa Mini 4.6K Pro from Blackmagic

At NAB 2O17, the new version of the Ursa Mini 4.6K Pro (UM Pro for short) received a lot of attention, with Videomaker even honouring it as the "Best camera of NAB". But what does the "Pro" in the name mean? For whom is the new camera more professional than its predecessor with the same sensor? Can it satisfy in documentary and nature film or even in reportage?
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BaseGrade and the evolution of colour grading

At NAB 2O16, colour grading specialist Filmlight caused quite a stir in the colourist scene. BaseGrade - a completely newly developed grading operator for Baselight - was presented, which is intended to replace classic tools such as Lift, Gamma and Gain. That sounds like a small revolution. Filmlight promises more consistent results and a more natural way of working. Reason enough not only for Baselight colourists to take a detailed look at it.
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Put in the right light

Review: In DP 04 : 2014, Depeche Mode went on a major tour - and Cologne-based post-production house the editors cgn was responsible for the high-quality post-production of the concert events. How do post-pros make the performers look as good as possible? Head editor Tobias Berbuer explains in an interview!
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Missed NAB?

Never mind. The Digital Editing Fair reports on the new products from NAB in its proven combination of trade fair and specialist presentations. In seven cities in Germany, Austria and Switzerland.
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L4 and Reallusion Cooperate

According to the company, the Berlin-based L4 – Institute for Digital Communication is cooperating with American software producer Reallusion and will become Germany's first ‘Reallusion certificated training center’.
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GAMEplaces: Digital gaming culture

In just a few years, digital games have become an integral part of everyday life. A new gaming world has emerged; at the same time, the temporal, geographical and psychological structures that were once so constant are increasingly dissolving. Even if a certain cultural bias can hardly be avoided: Gaming has changed society and will continue to be an influential trend on the future agenda Trend on the agenda for the future. This is why GAMEplaces will be taking a differentiated look at the gaming worlds of the future from a social science perspective on 25 February. Venue: CineStar METROPOLIS, Eschenheimer Anlage 40, 60318 Frankfurt am Main Start: 19:30
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TietoEnator Supports Young Media Artists

The winners of the “Swan Lake: Moving Image & Music Award 2008” (SL:MIMA) were announced yesterday at a gala. The winners of this competition, which honors the best music videos by young media artists, are Markus Loeper (Animation category) and Kamil Goerlich (Digital Film category). For the second time, the main sponsor was TietoEnator, one of Europe’s largest IT service providers.
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digital creation days / animago AWARD 2008

The digital creation days are designed as a networking event for German-speaking content creators. Established in 2007, the dc days return to Karlsruhe for a second edition together with the animago AWARD ceremony. The event reflects the industry’s rapid technical development and combines an exhibition, workshops, a recruiting area and the animago EVENT 2008.
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